Genre Quotes

I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music.

My dad brings a deep-seated knowledge of the British folk genre, and a lot of my love for guitar playing comes from learning from him and his influences, which eventually became my influences.

If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.

I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.

You used to have to make a choice. Is it a serialized television show, or is it a stand-alone or procedural? We were wildly influenced by The X-Files. Even when we created Fringe, it was the same thing. It's the gold standard of all gold standards, in genre television, and it was so wonderful because you felt so much for those characters.

'Get Out' takes on the task of exploring race in America, something that hasn't really been done within the genre since 'Night of the Living Dead' 47 years ago.

Many people have tried to define science fiction. I like to call it the literature of exploration and change. While other genres obsess upon so-called eternal verities, SF deals with the possibility that our children may have different problems. They may, indeed, be different than we have been.

In college I studied essays with a poet, and so I think my interpretation of the genre was always going to be a little off-kilter.

The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.

Genre might certainly increase some of your narrative freedoms, but it also diminishes others. That's the nature of genre.

I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.

I like the idea of working in different genres and transcending genres and hopefully finding success, and ultimately make movies people like.

I love to listen to lots of different genres of music, but mostly movie soundtracks and music theater.

I see my music as Emotional Therapeutic Pop music that bleeds into loads of different genres.

To me, fantasy has always been the genre of escape, science fiction the genre of ideas. So if you can escape and have a little idea as well, maybe you have some kind of a cross-breed between the two.

I ride really well and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked. I love them, but there's been very few of them made. I never wanted to play a guy who was acting like a cowboy. I wanted to play someone who had a real life, but was also trapped into situations.

Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.

When people see the conventions, they think they're going to get the straightforward genre - I don't give them that and they get mad. People see that and they think I don't understand the conventions because I'm not a good filmmaker.

Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!

I challenged myself to write/direct a romantic comedy. People trash talk the rom com, but it's one of the oldest cinematic genres, with stellar origins like Twentieth Century and Trouble in Paradise. I think as audiences lost their innocence, the genre lost its suspense. To create suspense, you need obstacles, so I gave my couple an obstacle that very few people ever overcome: their own behavior and their past.

I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.

Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.

I am impressed when music matters, when genres are broken, when spirits are lifted, when people make a difference, and when people are true to themselves.

There hasn't been a true breakdown or effort to break Thai music into genres. They're not into dicing and slicing everything up.

I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts.

I know that for category purposes, people have to lump certain artists in with genre that they make their name or their bones in. Nobody can tell me that Taj Mahal is pure blues. Nobody can tell me that Mike Bloomfield was pure blues. It was a lot of other things going on as well.

The hardest thing, as a producer, is to find a director who does the picture for all the right reasons, and not just because they know it's successful or that they can do a good job, but in their bones, they love that genre.

The cool thing about Watchmen is it has this really complicated question that it asks, which is: who polices the police or who governs the government? Who does God pray to? Those are pretty deep questions but also pretty fun questions. Kind of exciting. It tries to subvert the superhero genre by giving you these big questions, moral questions. Why do you think you're on a fun ride? Suddenly you're like how am I supposed to feel about that?

The romance genre is the only genre where readers are guaranteed novels that place the heroine at the heart of the story. These are books that celebrate women's heroic virtues and values: courage, honor, determination and a belief in the healing power of love.

To pigeonhole a genre as being successful or unsuccessful is weird.

Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.

Well, when you think music-wise, and if you hang with me or you see me or whatever, the average person will be like 'oh yeah, she probably raps'. This is that stereotype and then I do what I do, so they're more like 'oh, I wasn't expecting this whatsoever'. This especially links with the idea of being a woman in this kind of work and within the footwork genre.

From the moment that photography appeared, the descriptive genre began to invade Letters... In verse as in prose the décor and exterior aspects of life took an almost excessive place.

No one worries about genre when they're dancing. They're not asking themselves, 'Is this song a dubstep song?'

We come away from the tragedies of [William] Shakespeare with a profound sense of having encountered reality in its most pristine form - yet the art-work is elaborately artificial, the very genre of tragedy in poetry an anti-naturalist perspective.

I listen to music every day for study reasons, and I confess that I have very little knowledge of what is going on in the hit parades around the world. I have no prejudices for any kind of music genre, and I listen with pleasure to many songs on the radio that my children already know of by heart, while I hear them practically for the first time.

I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.

Anime has been good to me. I made and continue to make very little money at it, but the undying, feverish loyalty of the fans of the genre has been such a life-changing influence for me that I wanted to do everything I possibly could to help give something back to them.

As far as being territorial about one's own life, that's a mistake for ANY writer. All writers everywhere, in every genre, are drawing from their life and the lives of those around them for "material." Memoirs just make transparent and even amplify that activity.

DJ Spooky was meant to be a kind of ironic take on that. It was always meant to be kind of a criticism and critique of how downtown culture would separate genres and styles because it was ambiguous.

When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.

Death metal uses a lot of white face paint and black hair dye to make its point. I quite enjoy this genre for its intensity, extremism and underlying irony: You have to be alive to play it and listen to it.

Skyline is an alien invasion film that really takes an interesting look at the genre. The writers did an amazing job of creating a new take at how life from other planets come and plan to invade Earth.

'Jazz Artist of the Century' would have to be a distinctive soloist and ensemble player, a composer, an arranger, a bandleader, and a driver; would have to span all the genres and periods of jazz; would have to have run her own label; [would] possess a deep spirituality, with grace and a sense of humor; and would have to have succeeded against all odds. Who else? Mary Lou Williams.

Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives.

As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.

For generations, field guides to plants and animals have sharpened the pleasure of seeing by opening our minds to understanding. Now John Adam has filled a gap in that venerable genre with his painstaking but simple mathematical descriptions of familiar, mundane physical phenomena. This is nothing less than a mathematical field guide to inanimate nature.

I always wanted to get into the horror genre. I like scary movies. I want to go to the fan shows and sign posters with my head hanging by a thread like a B-movie actress.

I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.

In Red Flags, Juris Jurjevics has brilliantly accomplished a feat that is becoming a major characteristic of 21st century literature: the seamless combining of a genre form with the deep resonance of literary art. This book is thrilling to read for both its narrative drive and its insight into the human heart.