New Music Quotes

You know I want to sing for people, I want to jazz people up I want to make new music that they've never heard.

I've spent, like, over a million dollars on that Superficial album, so you will not be getting new music from me unless you'd like to GoFundMe.

I love looking back, and even putting new music on vinyl - if it's right!

I actually spend very little time listening to any new music.

Whether I'm being influenced by new music that I'm listening to, books I've read, my friends, or my faith, I'm learning all the time.

I don't want to know what people are doing. Like, I don't need to know who's got a new music video and who's got a new lipstick.

Not that there's anything wrong with that.

I've already got notebooks full of ideas for new music, so I'm gonna kind of nurture that just like I do all of my ideas and perfect it until it's ready and then I'll just let it go.

When I play my own music, or when I play new music, there's much more stress and intensity of thinking about how I'm going to make it work!

Most of this innovative new music doesn't make money so it's regarded as uninteresting for the business people and considered as "underground".

The mall is good for hearing new music because you hear music everywhere. I like to walk around the mall and hear what the kids are listening to, or what's the feel of Middle America, cause that's what the mall is.

So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.

The proliferation of new music groups and individual performers focusing on new music today is heartening. On the one hand the culture is very resistant to new things, and yet it continues to change and grow.

I was listening to Jimi Hendrix and Pink Floyd, because that was new music for me. I really hadn't been up on them. I mean, I'd heard of them, but I wasn't up on their music. And I kept listening to Radiohead, and I was like, Man, I want to make hip-hop that feels like Radiohead. I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together.

We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.

Sometimes it's hard to listen to new music and get motivated, because it's elementary to me - no disrespect to new artists, because that's where we started, too. But it's like they're way back there in first grade, and I'm in college.

I think record stores play a huge part in discovering new music. When I was growing up I would spend hours going through all the bins looking for something new that seemed interesting to me and that could relate to what I was listening to at the time. This is why I want to support National Record Store Day.

I'm inspired by artists and musicians. There are so many wonderful and talented people in the world. I love discovering new music, new writers, or new art.

From my stone pillow I have dreamed dreams of the mortal world above. I have heard its voices, its new music, as lullabies as I lie in my grave. I have envisioned its fantastical discoveries. I have known its courage in the timeless sanctum of my thoughts. And though it shuts me out with its dazzling forms, I long for one with the strength to roam it fearlessly, to ride the Devil's Road through its heart.

London is a dead duck, as far as innovative new music is concerned, unless you want to have your head blown off with some outrageous, rubbish, pounding dance music.

The difference is that they [Europeans] don't have that culture about hip-hop as a lifestyle, a way of life; for them it's more of the new trend, the new music that you have to like.

My little boy (Sasha) is now one-year-old and that makes it easier for me to go back to the studio and work on creating new music.

I don't see why people want new plays all the time. What would happen to concerts if people wanted new music all the time?

It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.

I listen to all kinds of music - new music, old music, music of my colleagues, everything.

And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.

The process of introducing people to new music is amazing. It's a gift. One of the best parts of any day is when someone says, 'Hey, check out this new band...'

As long as we keep learning new music and getting better musically, there's a good chance that the record deal won't change anything.

I love every type of listening format, from MP3s to CDs to vinyl. There's something special about each one. It's a sign of the times. I love looking back, and even putting new music on vinyl - if it's right!

It's not about me - it's like, "How can I help you?" And when you give like that, you receive so much. It was an incredible experience, but it also gave me that bug: I wanted new music so badly.

In terms of creating new music, I'm willing to even branch out and take a slight gamble, but I'm not going all the way far left. I'm not trying to reinvent the wheel.

If you think of the history, in the days of Brahms and Beethoven and all these guys, almost every concert was a new music concert. To play something old was really an exception.

There's lots of R&B blogs that I like going on and it basically just names new music that isn't out and won't be out for a long time and stuff. It just gives you an insight on what's coming up next and finding out about new artists.

I have a day job Monday to Friday. I work at a record label in Brooklyn called Ba Da Bing. It's a great indie label and I listen to music all day. I meet people online and find out about the cool new music blogs.

There are half a billion people that listen to music online and the vast majority are doing so illegally. But if we bring those people over to the legal side and Spotify, what is going to happen is we are going to double the music industry and that will lead to more artists creating great new music.

We had a wonderful department that scouted out new music. It was beneficial to Rolling Stone, because I would come back and say, "You have to hear this, you have to hear that," and I found a lot of bands to feature, emerging bands. It [ended up being] symbiotic.

It is comforting to know that there is at least one place where we can go and be confident that we will find an audience thirsting to find new music. Paste Magazine is that place. It's loss would create a very large black hole.

I feel like you should be confident in whatever you do, and a lot of my new music [that's coming out] I want people to judge more so than the music I've put out recently, because I feel like it's really changed a lot.

I'm overly excited to finally announce this amazing global partnership deal back home with EMI Music. I know I have mentioned doing music in the past but for legal reasons I was not in a position to release any new music.

In an era of magic conveniently available at the touch of a button, new music should on principle represent something akin to 'danger'.

I think that we all have to have that rite of passage of dating the tortured artist who seems cooler than we think we are; we aspire to be like them, and we're excited that somebody is turning us on to new music or a new lifestyle.

I'm always asking friends what new music they're into, and I love showing people new talented artists.

People say I seem very negative about new music - well, if somebody asks me what I think of Keane, I'll tell 'em. I don't like 'em. I'll obviously take it a step too far and grossly insult the keyboard player's mam or summat, but I'm afraid that's just me.

Music has charms to sooth a savage breast, to soften rocks, or bend a knotted oak.

Music is the universal language of mankind.

We always get back to old soul singers like Nina Simone, and how her recordings sound. Also new music like Tobacco, or people that use a mixture of analog and electronic music.

I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.

Elvis Presley is  the main founding father of rock music. He was an unheralded genius behind a new music that changed western civilization for all time.

They were and still are a groundbreaking band. Even though they haven't released any new music in ages, you can put on the first Black Sabbath album and it still sounds as fresh today as it did 30-odd years ago. And that's because great music has a timeless ability: To me, Sabbath are in the same league as the Beatles or Mozart. They're on the leading edge of something extraordinary.

I was born with music inside me