Concerts Quotes

Rock concerts are the churches of today.

At any Maroon 5 concert, you'll see a room backstage marked 'yoga.'

I can't say that electronic gear is restrictive. I think it is a challenge to play with electronic gear, and I regularly [perform] concerts with guys who are processing sound.

Every once in a while I'll find a new way of playing something, it will suggest itself. But generally speaking, there's a set sonic potential, and that's in concert with a set instrumental technique.

I've never been drawn to concert DVDs because they take away the part of the equation that's most important to seeing a live show: getting jostled around and feeling the energy in the room. I definitely didn't want to make one of those.

My mother would take me to jazz concerts in the park and everybody was smoked out. She gave me the intro and then she forced me to play an instrument to keep me out of trouble.

My favourite song of Elton's is... it's a tricky one for me. I'm a proper fan and I've probably seen him in concert about a dozen times before I even met him. Mona Lisas and Mad Hatters, which isn't in this film... but whenever I see him, I always tell him that Passengers is my favourite song because it's one of his least auspicious ones.

I don't see why people want new plays all the time. What would happen to concerts if people wanted new music all the time?

When one woman was asked how long she had been going to symphony concerts, she paused to calculate and replied, 'Forty-seven years - and I find I mind it less and less.

We are each a concert reverberating with our whole lives and reflecting and amplifying the world around us.

My piano has not yet arrived. How did you send it? By Marseilles or by Perpignan? I dream music but I cannot make any because here there are not any pianos . . . in this respect this is a savage country.

I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.

The voice of flattery affects us after it has ceased, just as after a concert men find some agreeable air ringing in their ears to the exclusion of all serious business.

This is tremendous. The labels have been saying all along that they can't compete with free, but there is a way to compete with free: high value content that's virus- free and gives people the chance to be first in line to buy expensive concert tickets. This is like loyalty clubs at the supermarkets.

In solitude we have our dreams to ourselves, and in company we agree to dream in concert.

When I was younger I always thought, 'If I were ever a comedian I'd make it like a rock concert.' I wanted to generate that type of enthusiasm and excitement.

The fans of 'The Hunger Games,' of the book, are very passionate. It's funny: Even at my concerts there are people holding up 'Cinna' signs.

It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church... you should read the Scriptures.

Do not have your concert first, and then tune your instrument afterwards. Begin the day with the Word of God and prayer, and get first of all into harmony with Him.

It's a huge Carthusian monastery, stuck down between rocks and sea, where you may imagine me, without white gloves or hair curling, as pale as ever, in a cell with such doors as Paris never had for gates. The cell is the shape of a tall coffin, with an enormous dusty vaulting, a small window... Bach, my scrawls and waste paper - silence - you could scream - there would still be silence. Indeed, I write to you from a strange place.

When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.

It is certainly of great importance for a general to keep his plans secret; and Frederick the Great was right when he said that if his night-cap knew what was in his head he would throw it into the fire. That kind of secrecy was practicable in Frederick's time when his whole army was kept closely about him; but when maneuvers of the vastness of Napoleon's are executed, and war is waged as in our day, what concert of action can be expected from generals who are utterly ignorant of what is going on around them?

You want to meet a bunch of really friendly people? Go to a Slayer concert. There'll be some real psychos there, but most of those people will take care of each other.

Even though I don't have any larger spiritual or ideological system, there is some logic in concert with a huge number of beautiful, disconcerting, screwed-up variables that results in a certain visual pleasure in violent things. Like a broken egg yolk can be the most violent thing I've seen all day, if I'm in the right mood. But also tons of trash in the woods or a burned-up trailer park can also come across as especially violent.

I can't stand being in Chicago anymore and hearing the Brahms Violin Concerto in the elevator. Because that shows me that when they come to the concert hall they listen to it in the same way.

If you think of the history, in the days of Brahms and Beethoven and all these guys, almost every concert was a new music concert. To play something old was really an exception.

I need to do a concert to celebrate David Bowie's electronic music. And in so doing, I'm not taking a step back, I'm taking a step forward and presenting it in its entirety so people can understand this type of visionary.

Gospel music is so ingrained into my bones. I can't do a concert without singing a gospel song. It's what I was raised on.

[I've gone to big stadium rock concerts at some artist's invitation], and eventually you find yourself in the room with the Radiant Being around whom all this is revolving. It's very bizarre, and it's quasi-religious, or possibly genuinely religious. Spooky. It's a spooky and interesting thing.

I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men.

We live in an age disturbed, confused, bewildered, afraid of its own forces, in search not merely of its road but even of its direction. There are many voices of counsel, but few voices of vision; there is much excitement and feverish activity, but little concert of thoughtful purpose. We are distressed by our own ungoverned, undirected energies and do many things, but nothing long. It is our duty to find ourselves.

Eating well was something I learned as I started to be successful and had to travel and perform concerts, which are an intense cardio workout.

One of my oldest friends from Kansas, his sister was married to Ben [Folds] and wrote lyrics on his first couple of albums. I got to meet him the first time I saw them in concert at The Bottleneck, a great bar in Lawrence, Kansas. Then, he was the musical guest my first or second week as a writer on SNL. I was like, "I don't know if you remember me?" And he was like, "Oh my god, yeah!" He's a big photography fan, as am I.

I was devastated. I'm still devastated to this day. When talent like that disappears in a flash, you can't believe it. You deny it. Max Roach, who, of course, played with him on all those EmArcy recordings, held a concert in Baltimore for Clifford long after Clifford died. Max was still disbelieving so many years later. The concert was supposed to bring closure. But Max was so outrageously emotional that day. He had quite a few eruptions and was very emotional about what had happened so many years earlier. Like everyone, he remained disbelieving.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

I don't know where there can be so many pianists as in Paris, so many asses and so many virtuosi.

Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.

A faith project in Christian artistry will never be healthy among us until there is a living sense of Christian community, and the misplaced emphasis on the 'individual' has been corrected. God has set things up so that cultural endeavour is always a communal enterprise, done by trained men and women in concert, gripped by a spirit that is larger than each one individually and that pulls them together as they do their formative work.

Concerts are dangerous because anything can happen - which is one of the joys as well.

I'm very excited to once again perform the National Anthem at Michigan International Speedway for the GFS Marketplace 400. The fans at MIS have always been great to me and it is always an honor to perform for them, whether it's a concert or the National Anthem.

I see the crowd singing 'Rock 'N Roll' or 'Back Road' at my concerts... they are anthems and they lift up your life.

The concerts you enjoy together/ Neighbors you annoy together/ Children you destroy together,/ That keep marriage in tact.

The whole concert of animate nature arose entirely from annoying noises.

Doing something new and challenging. It can be anything from starting a business to playing a sport. Seeing a great concert, looking at extraordinary art, or being in nature. More than anything, it's my son's smile and love that makes me light up!

The great Initiates in the spirit world have vast and imposing plans for the musical future. What is this plan? It is to use music as an occult medium through which to develop altered states of consciousness, psychic abilities, and contact with the spirit world. Music in the future is to be used to bring people into yet closer touch with the devils; they will be enabled to partake of the beneficial influence of these beings while attending concerts at which by the appropriate type of sound they have been invoked.

In churches, we see that getting people to show up for a prayer meeting is a lot more difficult than a concert or service project or just about anything else. So we were thinking, we're stepping into some unknown territory here that could be as profitable, or it could be a box-office flop, but there was a rightness about it. And so this whole idea of the war room being like a spiritual warfare room, a place of prayer where you get alone with God and you're making your decisions and you're dealing with your issues first in prayer.

There's a huge AIDS epidemic in Africa, and one of Bad Boy's plans this year is to give more awareness to that. We're gonna be doing a big charity concert helping to save some of the brothers and sisters in Africa.

your concert-goer, though he feed upon symphony as a lamb upon milk, is no true lover if he play no instrument. Your true lover does more than admire the muse; he sweats a little in her service.

So okay, I accepted, and I realized while working for that concert that I'd been missing something very important and vital to me, and that something was music.

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.