"The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly."

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It goes against an artist's grain to retire. But whether he retires or not, he will age... What work will get done in the remaining time? ...Can he find a little peace in this twilight? Or must he still rush on, restlessly and hungrily, to the very end?

— Eric Maisel