Print Quotes

Well, yes: people write poems when they are in love, but a wise man will not print them.

There isn't much room for an outsider point of view in print any more.

Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.

The big print giveth and the small print taketh away.

I have always been drawn to the beauty of things designed to function. Mixing technical pieces with more traditional prints and patterns creates not only a quality experience, but a look that is unique, and for me, very exciting.

Although I am even now still a layman in the area of mathematics, and although I lack theoretical knowledge, the mathematicians, and in particular the crystallographers, have had considerable influence on my work of the last twenty years. The laws of the phenomena around us--order, regularity, cyclical repetition, and renewals--have assumed greater and greater importance for me. The awareness of their presence gives me peace and provides me with support. I try in my prints to testify that we live in a beautiful and orderly world, and not in a formless chaos, as it sometimes seems.

Perceval Press a publishing house I founded in 2002 and it's still going strong. Strong for us means not so many books per year, but each one we very carefully design and print.

The older you get, the more power you have with language as a writer, which means that you have to be extra responsible for what you say, whether it's in print or in front of a microphone, because those words can go out and kill or go out and plant seeds for peace.

What one has not experienced, one will never understand in print.

Nowadays I imagine people find freer and more accepting venues in blogs, on Tumblr and Instagram and Facebook, in the riot of shouting that trails in the wake of every news story. So there's always the pandemonium of the Internet, if you need to get your lunatic opinions out in public. I find most of that stuff a little insane-making and my preference is to encounter personal essays in the relatively sedate and stable universe of print, in literary quarterlies, magazines and books. But I'm sure you can find plenty of good stuff in lonely outposts all across the World Wide Web.

However, a rich print environment helps only when more reading is done.

Just once how I'd like to see the headline say, not much to print today, can't find anything bad to say.

You reach a moment in life when, among the people you have known, the dead outnumber the living. And the mind refuses to accept more faces, more expressions: on every new face you encounter, it prints the old forms, for each one it finds the most suitable mask.

An editor is someone who separates the wheat from the chaff and then prints the chaff.

Electronic distribution is more of a fall-back strategy for putting out a book that isn't deemed profitable enough to print. You hardly make any money publishing an electronic book.

something can only become an illusion after disillusionment. before that, it is something real. what caused the disillusionment? no one told me the print on the wall was just ink and paper and had no life of its own. at some point the cat stopped blinking, and i stopped thinking it could.

I wonder if books become in essence "files" if people wouldn't write them differently. I'm used to writing print books and I enjoy the slowness of the whole process. It makes me more deliberate about everything I say.

They say my prints are bad, darling they should see my negatives

A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can - that's where most of my prints end up.

When you print out your manuscript and read it, marking up with a pen, it sometimes feels like a criminal returning to the scene of a crime.

As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.

I love marijuana - Mary Jane - and you can print that! I smoke it every day and it's the greatest thing since ice cream and I'm not afraid to say it.

No one person can take credit for the success of a motion picture. It's strictly a team effort. From the time the story is written to the time the final release print comes off the printer, hundreds of people are involved - each one doing a job - each job contributing to the final product.

I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.

I try in my prints to testify that we live in a beautiful and orderly world, not in a chaos without norms, even though that is how it sometimes appears. My subjects are also often playful: I cannot refrain from demonstrating the nonsensicalness of some of what we take to be irrefutable certainties. It is, for example, a pleasure to deliberately mix together objects of two and three dimensions, surface and spatial relationships, and to make fun of gravity.

Summer set lip to earth's bosom bare, And left the flushed print in a poppy there: Like a yawn of fire from the grass it came, And the fanning wind puffed it to flapping flame. With burnt mouth red like a lion's it drank The blood of the sun as he slaughtered sank, And dipped its cup in the purpurate shine When the eastern conduits ran with wine.

How many times can a rock star go over the top on drugs? How many times can a rock star be unfaithful to his old lady? It is really fu**ing boring, and that is what they do over and over and over. They just print the same sh*t.

An echo is a good way to describe the photogram, which is a visual echo of the real object. That's why I like to work with the photogram, because the contact with what is represented is actual. It's as if the border between the world and the print is osmotic.

One way an author dies a little each day is when his books go out of print.

My style is boho chic. I love that time period - the patterns, the prints, the people, the music, the vibe.

Channeling my inner bohemian in a maxi print skirt and textured denim jacket.

Rose-colored glasses are never made in bifocals. Nobody wants to read the small print in dreams.

When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.

The measure of a great writer is not how many weeks his books spend on the best-seller lists, but how many years his books remain in print after his death.

Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.

Don't follow in any footprints, make your own prints. Because, you are the future of tomorrow.

You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.

In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technic to the minimum necessary, and keeps his approach from from all formula, art-dogma, rules and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.

I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions. It was a technical Marxist subject and I did not understand it nor did I know what questions to ask.

To put it another way, every love relationship is based upon unwritten conventions rashly agreed upon by the lovers during the first weeks of their love. On the one hand, they are living a sort of dream; on the other, without realizing it, they are drawing up the fine print of their contracts like the most hard-nosed of lawyers. O lovers! Be wary during those perilous first days! If you serve the other party breakfast in bed, you will be obliged to continue same in perpetuity or face charges of animosity and treason!

Veteran print editors and reporters at places like the 'Times' and 'The New Yorker' manage to feed and clothe their families without costing their companies a million bucks a month, and they produce a great deal more valuable reporting and analysis than the network news stars do.

The continually progressive change to which the meaning of words is subject, the want of a universal language which renders translation necessary, the errors to which translations are again subject, the mistakes of copyists and printers, together with the possibility of willful alteration, are themselves evidences that human language, whether in speech or print, cannot be the vehicle of the Word of God.

Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.

I never got a pass mark in math... Just imagine - mathematicians now use my prints to illustrate their books. Funny me consorting with all these learned folks, as though I were their long lost brother. I guess they are unaware of the fact that I am ignorant about the whole thing.

Client companies and advertising agencies are old-world-order places. The systems and processes and structures come from a time when you shot the TV commercial, then you did the print ads, then you did everything else - including the website. Everything has changed, but the systems haven't.

[The people who run things] are so successful in the way they do it now. They could buy me off with a couple of vintage prints, they could have you do an ad, or give you a ribbon... In capitalist countries they reward artists because we're ineffectual.

Especially with a magazine like Lampoon, which was very dependent on newsstand sales. Our readers didn't usually occupy the same address long enough to get a subscription, because they were in college, or they were hippies. So it was very up-and-down, and we had to calculate how many to print, which was always sort of a headache from a business point of view.

I think a lot of politicians, rightfully so, understand that their political futures are tied to how many times people see their names in print. The press is so accustomed to politicians wanting those things, it's a surprise when somebody's like, 'Whatever, I'm not really worried about those things.

Often you read something about yourself, and either you've been ironic, and that doesn't work in print, or it paraphrases something that you said, and has a different meaning.