Adverbs Quotes

I'm convinced that FEAR is at the root, of all bad writing

Someone can break your heart, leave you dead on the lawn, and still you never learn what to say to stop it all over again.

Love can smack you like a seagull, and pour all over your feet like junk mail.

Question the Chestnuts. Chestnuts: the new name for boobs? No. NO. Why would you even say that? Get your mind out of the gutter. No, by "chestnuts" I mean, "those old pieces of writing advice that you hear as common refrain." 'Write what you know.' 'Adverbs give Baby Jesus hemorrhoids.' 'If you write a prologue, an orphan loses his sight.' All the "old saws" need to be put on the chopping block.

I am such a person of words. I've spent so much of my life trying to get it right, say it right, say it eloquently, say it truthfully, say it honestly, that when I hear it said in ways that none of those adverbs would describe I find myself so repelled that it almost shuts my mind off.

Saw you walking barefoot taking a long look at the new moon's eyelid later spread sleep-fallen, naked in your dark hair asleep but not oblivious of the unslept unsleeping elsewhere Tonight I think no poetry will serve Syntax of rendition: verb pilots the plane adverb modifies action verb force-feeds noun submerges the subject noun is choking verb disgraced goes on doing now diagram the sentence

I have no policy, for or against: only a personal style. Which is to say, I use them when I think it's appropriate to; for example, an internal monologue by a locquacious and verbose narrator is more likely to be larded with adverbs than an exchange of instant messages between cops at a crime scene.

Adverbs and cops always come in pairs.

God loveth adverbs; and cares not how good, but how well.

It is not the diamonds or the birds, the people or the potatoes, it is not any of the nouns. The miracle is the adverbs, the way things are done. It is the way love gets done despite every catastrophe.

The writer has to take the most used, most familiar objects - nouns, pronouns, verbs, adverbs - ball them together and make them bounce, turn them a certain way and make people get into a romantic mood; and another way, into a bellicose mood. I'm most happy to be a writer.

The Hebrews have a saying that God is more delighted in adverbs than in nouns; it is not so much the matter that is done, but the matter how it is done, that God minds. Not how much, but how well! It is the well-doing that meets with a well-done. Let us therefore serve God, not nominally or verbally, but adverbially.

I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

The words I overuse are all adverbs.

Using adverbs is a mortal sin.

There's enough adverbs in the world for you to start creating new ones.

All I ask is that you do as well as you can, and remember that, while to write adverbs is human, to write he said or she said is divine.

Surely: the adverb of a man without an argument.

Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.

The miracle is the adverbs, the way things are done.

Adverbs are a sign that you've used the wrong verb.

The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.

Frankly, I wonder who Frank was, and why he has an adverb all to himself.

If you are using an adverb, you have got the verb wrong.

I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.

I adore adverbs; they are the only qualifications I really much respect.

Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.

A relativist is an individual who doesn't know the difference between an adjective and an adverb.

Empty your knapsack of all adjectives, adverbs and clauses that slo your stride and weaken your pace. Travel light. Remember the most memorable sentences in the English language are also the shortest: "The King is dead" and "Jesus wept."

Probably the best way to describe my writing style is to refer you to "purple prose", which was a tag given to the early mass market magazine writers earning a half cent a word for their fiction. They had to use every adjective, verb and adverb in the English language to add word count to stories in order to feed and support families.

To take a few nouns, and a few pronouns, and adverbs and adjectives, and put them together, ball them up, and throw them against the wall to make them bounce. That's what Norman Mailer did. That's what James Baldwin did, and Joan Didion did, and that's what I do - that's what I mean to do.

Don Basilio was a forbidding-looking man with a bushy mustache who did not suffer fools and who subscribed to the theory that the liberal use of adverbs and adjectives was the mark of a pervert or someone with a vitamin deficiency.

Death to all modifiers, he declared one day, and out of every letter that passed through his hands went every adverb and every adjective.

Words are like that, they deceive, they pile up, it seems they do not know where to go, and, suddenly, because of two or three or four that suddenly come out, simple in themselves, a personal pronoun, an adverb, an adjective, we have the excitement of seeing them coming irresistibly to the surface through the skin and the eyes and upsetting the composure of our feelings, sometimes the nerves that can not bear it any longer, they put up with a great deal, they put up with everything, it was as if they were wearing armor, we might say.

All the words in the English language are divided into nine great classes. These classes are called the Parts of Speech. They are Article, Noun, Adjective, Pronoun, Verb, Adverb, Preposition, Conjunction and Interjection.

The road to hell is paved with leeks and potatoes

The road to hell is paved with good intentions.

The road to hell is paved with works-in-progress.

You expect far too much of a first sentence. Think of it as analagous to a good country breakfast: what we want is something simple, but nourishing to the imagination. Hold the philosophy, hold the adjectives, just give us a plain subject and verb and perhaps a wholesome, nonfattening adverb or two.

The road to Hell is paved with unbought stuffed dogs.

I get imaginative with a mouth full of adjectives, A brain full of adverbs, and a box full of laxatives, Shittin' on rappers, causin' hospital accidents.

The road to hell is paved with adverbs.

Adjectives are the sugar of literature and adverbs the salt.

The question that arises as we use all these adjectives and adverbs to describe our physicians as we approach a Supreme Court nominee is where are we in America when we decide that it's legal to kill our unborn children?

I think the best way to put it is that newspictures are the noun and the verb; our kind of photography is the adjective and adverb. The newspicture is a single frame; ours, a subject viewed in series. The newspicture is dramatic, all subject and action. Ours shows what's back of the action.

Younger women tend to be busier, wearing more layers and more make-up. I don't know if it's because older women are more confident, or just that we don't care any more. But that pared-down approach is the same with the sentences I write; I take out adjectives and adverbs and keep the description to a minimum.

Every adjective and adverb is worth five cents. Every verb is worth fifty cents.

Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.

All people in the world - who are not hermits or mutes - speak words. They speak different languages, but they speak words. They say, "How are you" or "I'm not feeling well" all over the world. These common words - these common elements that we have between us - the writer has to take some verbs and nouns and pronouns and adjectives and adverbs and arrange them in a way that sound fresh.

I think the adverb is a much-maligned part of speech. Its always accused of being oppressive, even tyrannical, when in fact its so supple and sly.