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I do think there's a lot of bad writing, and I worry about that in philosophy. I worry about it even more in literary studies, but I wouldn't blame it on any one methodology.
Sep 30, 2025
[Raymond] Chandler, I reread him, and there's a lot of bad writing there. I don't think he knew much about people.
You can't improv off of bad writing. Then you have to actually create your objective, which is really hard to do in an element without the skeleton to go off of.
Nietzsche's vision of the superman is of someone who's able to control and tame his passions and turn them into something richer than raw emotion and raw feeling. I think the best writing does that too. Untamed passion basically results in bad writing or bad polemics, which so many writers and public intellectuals are vulnerable to.
It's bad writing, however naturalistic it's written, that's where you have to do your best acting.
I'm struggling at the end to get out of the valley of hectoring youth, journalistic middle age, imposture, moneymaking, public relations, bad writing, mental confusion.
The story of Jesus makes no sense to me. God sent his only son. Why could God only have one son and why would he have to die? It's just bad writing, really. And it's really terrible in about the second act.
Bad writing is more than a matter of (expletive deleted) syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do to face the fact, let us say, that murderers sometimes help old ladies cross the street.
Bad writing, it is easily verified, has never kept scholarship from being published.
Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate.
Read widely and with discrimination. Bad writing is contagious.
Good writers hate bad writing but hating bad writing doesn’t make you good. Writing badly does.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
It's difficult to write a really good short story because it must be a complete and finished reflection of life with only a few words to use as tools. There isn't time for bad writing in a short story.
The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.
There's no bad writing; you did something. I was operating inside language, and I did something. I'm not ashamed of it.
There is no left and right in writing. There is only good and bad writing.
The world is a hellish place, and bad writing is destroying the quality of our suffering.
People do not deserve to have good writing, they are so pleased with bad.
If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
It is better to write a bad first draft than to write no first draft at all.
Bad writing is bad not just because the language is humdrum, but the quality of the observation is so poor.
You can't fake it. Bad writing is a gift.
Bad writing is not easier than good writing. It's just as hard to make a toilet seat as it is a castle window. Only the view is different.
It takes a lot of bad writing to get to a little good writing.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
A day of bad writing is always better than a day of no writing.
Get it down. Take chances. It may be bad, but that's the only way you can do anything really good.
bad writing's like bad women: there's just not much you can do about it
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.
I have come to the belief that there is not merely an accidental relationship between bad writing and routine sociological research, but a wonderfully pure, integral relationship; the awkwardness is necessary and inevitable.
You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers.
The dirty secret of art is you don't have to show people your bad writing. That's what we have the delete key for.
Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.
Every reader of the Dreiser novels must cherish astounding specimens--of awkward, platitudinous marginalia, of whole scenes spoiled by bad writing, of phrases as brackish as so many lumps of sodium hyposulphite.
Like everyone else, I am going to die. But the words - the words live on for as long as there are readers to see them, audiences to hear them. It is immortality by proxy. It is not really a bad deal, all things considered.
Don't apologize, justify or rationalize bad art or bad writing. If you do, you are part of it.
I'm convinced that FEAR is at the root, of all bad writing
I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.
I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.
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