Beginning Middle And End Quotes

Film and television are just different. Film is cool because its a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so its constantly a mystery as to what youre going to be doing.

The end of life is to be like unto God; and the soul following God, will be like unto Him; He being the beginning, middle, and end of all things.

A sermon without Christ as its beginning, middle, and end is a mistake in conception, a crime in execution.

Have endless patterns and repetitions accompanying your thoughtlessness, as if to say let go of that other more linear story, with its beginning, middle, and end, with its transcendent end, let go, we are the poem, we have come miles of life, we have survived this far to tell you, go on, go on.

I think stories do have an ending. I think they need to have an ending eventually because that is a story: a beginning, middle and end. If you draw out the end too long, I think storytelling can get tired.

I like to shoot scenes where I can see the beginning, middle and end of the entire scene. But, when you edit a movie together, you can just cut right into the middle. You don't need to see them walk into the room and put their jacket on the chair. There's always a lot of shoe leather that you can remove.

I think as a filmmaker you try not to have any expectations other than that the film have a fairly substantial beginning, middle and end.

Obviously, television is a writer's medium, so you get a lot more power and authority. With a film, the discipline is having a beginning, middle and end, and having it work in a specific space of time.

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.

Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.

Any story has a beginning, middle, and end, of course, but the question is, where do you start it exactly? It's about a guy who is murdered in a fistfight, but how does it evolve and what does it mean? That's what I discovered scene by scene, and this innovation of coming in as a first-person narrator was a complete surprise to me. It just happened.

I feel confident that we will have a beginning, middle and end, in this season, and it was wise of NBC to then call it what it really is, which is a mini-series. "24" is a really good example, in that there was a definitive beginning, middle and end for the first season. They had a slightly different format than we have, but the second season just retained Jack Bauer and a few other players, with the same basic format and idea, but it was a completely different show.

I think our goal and intention is to make sure that, when you watch each episode, you don't have to make that choice, but also that you can have stand-alone episodes, where a story can have a beginning, middle and end.

I think that we're moving into this new phase of television where audiences are really embracing stories with a beginning, middle, and end.

The life of "peace" is both an inner journey toward a disarmed heart and a public journey toward a disarmed world. This difficult but beautiful journey gives infinite meaning and fulfillment to life itself because our lives become a gift for the whole human race. With peace as the beginning, middle, and end of life, life makes sense.

I love that there's a beginning, middle and end to a film and you can craft what the whole journey is going to look like.

After all, is it not the way we humans shape the universe, shape time itself? Do we not take the raw stuff of chaos and impose a beginning, middle, and end on it, like the simplest and most profound of folktales, to reflect the shapes of our own tiny lives? And if the physicists are right, that the physical world changes as it is observed, and we are its only known observers, then might we not be bending the entire chaotic universe, the eternal, ever-active Now, to fit that familiar form?

I think, often times, it's the audience that suffers when a show isn't given the opportunity to have a beginning, middle and end.

Now there cannot be first principles for men, unless the Divinity has revealed them; all the rest--beginning, middle, and end--isnothing but dreams and smoke.

Songwriters are expanding time rather than compressing time. My short stories tend to be old fashioned, with a beginning, middle and end.

The thing should have plot and character, beginning, middle and end. Arouse pity and then have a catharsis. Those were the best principles I was ever taught.

I see a film as a puzzle, with a beginning, middle, and end, but I like to start at the end sometimes.

Stories work, if they have a beginning, middle and end.

Everything is illusory. You cannot label something and feel that that is the beginning, middle, and end of it.

It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.

Someone did us all a grave injustice by implying that mourning has a distinct beginning, middle, and end.

I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.

Wherever we turn in the church of God, there is Jesus. He is the beginning, middle and end of everything to us.

Every concept should have a beginning, middle and end.

There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.

Ends and beginnings—there are no such things. There are only middles.

You're searching... For things that don't exist; I mean beginnings. Ends and beginnings - there are no such things. There are only middles.

Every new beginning comes from some other beginning's end.

A story should have a beginning, a middle and an end, but not necessarily in that order.

The land is not old. It only changes, becoming one thing and the next. We are the ones who ascribe age, the brevity of our lives demanding a beginning, middle and end.

Anything that exists on a time basis - that has a beginning, middle, and end, because you start watching it and then you're in the middle of watching it and then it ends - anything linear, for me, is narrative.

If destiny could bring two people together, then it could just as easily tear them apart, and, if it could tear two people apart, then it could just as easily bring them back together again. There was no beginning, middle and end to destiny. It wasn't neat and manageable. It was random and scary.

Great is the art of beginning, but greater is the art of ending.

With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.

At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.

The wonderful thing about film is that you have something that has a beginning, middle, and end, and you have a concrete amount of time to shoot it.

Some stories don't have a clear beginning, middle and end.

I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle and end.

The other great thing about it, that seems to be the case in streaming, is that a lot more scripts are written before you start. Because they are planning on allowing it all up at one time, you have four or five scripts to read and an outline of where it's going to go. The writers aren't chasing their tails as much. You're able to see the beginning, middle and end of a storyline, and that is rare. Streaming allows that, in a way that network TV doesn't.

I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.

With no other privilege than that of sympathy and sincere good wishes, I would address an affectionate exhortation to the youthful literati, grounded on my own experience. It will be but short; for the beginning, middle, and end converge to one charge: NEVER PURSUE LITERATURE AS A TRADE.

Film is cool because it's an hour and a half to two hours. It's a great ride. It's typically three acts - beginning, middle and end. It's going on an adventure and by the end it's all cleaned up.

Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next.

The beginning, middle, and end of the birth, growth, and perfection of whatever we behold is from contraries, by contraries, and to contraries; and whatever contrariety is, there is action and reaction, there is motion, diversity, multitude, and order, there are degrees, succession and vicissitude.

The beginning, middle, and end are parodied, reversed, and hidden by modernism, but not abandoned.