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A dance feels finished to me when I suddenly see this moment in the movement that feels like closure and makes me want to cry. And then I'll realize, "Oh, that's the end. This whole thing is working because it all led up to this moment." It pulls all this together and it sends the correct message in a very poetic way.
Sep 18, 2025
Closure is just as delusive-it is the false hope that we can deaden our living grief.
The biggest regret I have about 'Rubicon' is that we didn't end it. Sometimes you do these shows and you don't have the opportunity to get closure. Stories are supposed to have a beginning, middle and an end.
Your heart knows the truth of openness and suffers the tense lie of your closure.
I'm not interested in closure. Some people just have heart attacks and die, right? There's no closure.
I don't see novels ending with any real sense of closure.
Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.
Closure isn't closure until someone's ready to close the door.
Shift often from openness to closure.
I think sometimes people really require the satisfaction of closure.
Everything is perfect. Everything is fine. The rules of life are made up. The rules only exist in your mind. Of course there may be courtesies And closures and laws to abide, But the zeal with which you play Relies on where YOU draw the line
The theological virtue of hope is the patient and trustful willingness to live without closure, without resolution, and still be content and even happy because our Satisfaction is now at another level, and our Source is beyond ourselves.
Speak and live in simple sentences. Bring closure -- put a period to -- those experiences that you don't want to carry on forever and ever. Use commas in those places where you're still growing... and use exclamation points at the end of every lesson.
We all lose somebody we care about and want to find some comforting way of dealing with it, something that will give us a little closure, a little peace.
With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
I think we need to understand what we mean when we talk about closure, we don't mean transfer or prosecute which is what many of the critics of Guantanamo would like to see happen. When the US government talks about closing Guantanamo, they talk about moving some set of detainees to some other place where they continue to be detained without charge.
There was our father, the heart we knew held all of us. Held us heavily and desperately, the doors of his heart opening and closing with the rapidity of stops on an instrument, the quiet felt closures, the ghostly fingering, practice and practice and then, incredibly, sound and melody and warmth.
I think this year we'll open up 900 gross, we're closing some, so the net count is lower, but the 900 are spread all over the place. Some of the closures are relocations, where you're moving it to another place in the marketplace.
And that we cannot go to space with our feet in the mud. Nor can we in fact turn ourselves into an eco-sensitive hallucinogenic-based culture on Earth unless we fuse these dichotomous opposites. It is only in a coincidencia oppositorum, a union of opposites, that does not strive for closure, that we are going to find cultural sanity. And this is the thing that the entheogens, the hallucinogens, deliver with such clarity and regularity. They raise paradox to a level of intensity that no one can evade.
My scientist friends have come up with things like 'principles of uncertainty' and dark holes. They're willing to live inside imagined hypotheses and theories. But many religious folks insist on answers that are always true. We love closure, resolution and clarity, while thinking that we are people of 'faith'! How strange that the very word 'faith' has come to mean its exact opposite.
Oil is a tangible commodity, so there is a global market. The fact that we may need less may affect the global price because we're big consumers: we probably take about a quarter of global demand. But if suddenly, let's just use a crazy example, fighting in the Middle East led to the closure of the Strait of Hormuz and no oil could get out through the Strait of Hormuz, well that would affect China, India, Europe, it will affect the whole global economy. It will affect us, too, then.
I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.
A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
When Celtic faced closure in 1994. My feelings then were of disbelief and concern for my mates who were Celtic fans.
I know what it feels like to be bruised; I know what it feels like to carry things around with you that never totally heal. There's closure and then there's stuff that's kind of like, Well, I guess it's going to be in the minivan forever. And you carry it with you and you continue on your journey with your minivan full of stuff, which I think most of us do.
...the first thing you do at the end is reflect on the beginning. Maybe it's some form of reverse closure, or just the basic human impulse toward sentimentality, or masochism, but as you stand there shell-shocked in the charred ruins of your life, your mind will invariably go back to the time when it all started. And even if you didn't fall in love in the eighties, in your mind it will fee like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benatar or The Cure on the soundtrack.
The bottom had arrived. She crashed against it, but it brought no sense of closure or understanding. She just lay there at the bottom looking up. She knew there must be a very tiny circle of light up there somewhere, but just now she couldn’t see it.
The PURPOSE of the DATA INTEGRITY BOARD review meeting is NOT for the purpose of reviewing the INTEGRITY of the paperwork because that has already been decided, it is for the PURPOSE of determining the CHARACTER & STANDING of THE MAN/WOMAN who brought the perfect paperwork and was intending to use the perfect paperwork for COMMERCIAL settlement and closure. So they have to find out if the STATUS and CHARACTER of the party who is going to use the paperwork was going to be ALLOWED to use it.
Nationalisation...does not in itself engender greater equality, more jobs in the regions, higher investment or industrial democracy. The public knows this perfectly well, and so do the workers who have suffered from pit closures, steel redundancies and the run-down of the railways. It is idiotic to try to bamboozle them.
I was devastated. I'm still devastated to this day. When talent like that disappears in a flash, you can't believe it. You deny it. Max Roach, who, of course, played with him on all those EmArcy recordings, held a concert in Baltimore for Clifford long after Clifford died. Max was still disbelieving so many years later. The concert was supposed to bring closure. But Max was so outrageously emotional that day. He had quite a few eruptions and was very emotional about what had happened so many years earlier. Like everyone, he remained disbelieving.
There is an art to grieving. To grieve well the loss of anyone or anything--a parent, a love, a child, an era, a home, a job--is a creative act. It takes attention and patience and courage. But many of us do not know how to grieve. We were never taught, and we don't see examples of full-bodied grieving around us. Our culture favors the fast-food model of mourning--get over it quick and get back to work; affix the bandage of "closure" and move on.
There is no such thing as closure, and it wouldn't be worth having if it were available, because all it would mean is that something that was quite an important part of you had gone numb.
Thanks to the FedDev Ontario funding we were able to get a number of key initiatives underway to mitigate the potential negative economic impact of the Heinz closure. With this additional funding we will continue to be in high gear within the food processing sector to continue with business retention, expansion and attraction activities in the Windsor-Essex region.
It is quite amazing how hard the subconscious works when it is made to understand that this life is not a rehearsal, there is no safety net and no assurance of any final closure. It is also quite appalling to realize how catatonic the imagination can become when we hedge our bets, opt for the safer direction at every fork in the path.
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
Life just doesn't care about our aspirations, or sadness. It's often random, and it's often stupid and it's often completely unexpected, and the closures and the epiphanies and revelations we end up receiving from life, begrudgingly, rarely turn out to be the ones we thought.
Artists should be aware that petty stroking could be the source of arrested productivity. An artist's job includes the avoidance of premature closure by the begged or gratuitous approval of others.
Coherence and closure are deep human desires that are presently unfashionable. But they are always both frightening and enchantingly desirable. "Falling in love," characteristically, combs the appearances of the word, and of the particular lover's history, out of a random tangle and into a coherent plot.
Avoiding problems doesn't make them go away - you think it does, but it really doesn't. They're just postponed. Those problems just stay inside your subconscious and brew until your body gets to a point where it's had enough and decides to release some of the stress itself. That's what an anxiety attack is! It happens when you don't know how to vent your frustration, fears, stress, sadness, madness, whatever it is that bothers you, the things you should be confronting and getting closure with. If you don't confront these things and deal with them, your body does it for you.
The critiques I received from my father's community didn't actually have to do with any of the things I'd been afraid of - spiritual or cultural aspects - they were more annoyed that I'd killed off this character or those characters hadn't hooked up or I'd done an open ending and it didn't give them a sense of closure that they were expecting.
Ambiguity is necessary in some of my stories, not in all. In those, it certainly contributes to the richness of the story. I doubt that thematic closure is never attainable.
I will continue to work for the advancement of freedoms in Egypt and the Arab world until I drop dead... Education itself - which can and should play an important role in the apprenticeship of tolerance and respect for other people -sometimes encourages identitarian closure, or even extremist behaviour... It is therefore vital to ensure that education does not encourage rejection of other people or identitarian closure, but that on the contrary it encourages knowledge and respect for other cultures, other religions and other ways of being and living.
I wanted to look at the differences between how we fought then and how we fight now, because the current lack of closure generates a state of psychological unease that is interesting to acknowledge and examine.
Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
Industrial agriculture now accounts for over half of America's water pollution. Two years ago, Pfiesteria outbreaks connected with wastes from industrial chicken factories forced the closure of two major tributaries of the Chesapeake and threatened Maryland's vital shellfish industry. Tyson Foods has polluted half of all streams in northwestern Arkansas with so much fecal bacteria that swimming is prohibited. Drugs and hormones needed to keep confined animals alive and growing are mainly excreted with the wastes and saturate local waterways.
There's never any closure in an awe-inspired life, only constant acceptance of the mysteries of life.
Deconstruction seems to offer a way out of the closure of knowledge. By inaugurating the open-ended indefiniteness of textuality-by thus 'placing in the abyss' (mettre en abime), as the French expression would literally have it-it shows us the lure of the abyss as freedom. The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom
In violence there is often the quality of yearning - the yearning for completion. For closure. For that which is absent and would if present bring to fulfillment. For the body without which the wing is a useless frozen ornament. ("A Short Guide To The City")
We women have lived too much with closure: "If he notices me, if I marry him, if I get into college, if I get this work accepted, if I get this job" -- there always seems to loom the possibility of something being over, settled, sweeping clear the way for contentment. This is the delusion of a passive life. When the hope for closure is abandoned, when there is an end to fantasy, adventure for women will begin.
Your father abandoned us. (Zephyra) I know. You’ve told me that enough that it’s permanently seared into my brain. Still, he’s a part of me and I’d like to have closure. (Medea) You really need to stop watching Oprah. (Zephyra)