Medieval Quotes

I listen to a lot of medieval music.

I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.

I don’t know if I have any particular views about women in positions of power, though I do think it’s more difficult for women, particularly in a Medieval setting. They have the additional problem that they’re a woman and people don’t want them in a position of power in an essentially patriarchal society.

There was nothing medieval people liked better, or did better, than sorting out and tidying up. Of all our modern inventions I suspect that they would most have admired the card index.

The top 400 people own more wealth now than the bottom 185 million Americans taken together. That is a medieval structure.

Vainglory, however, no matter how much medieval Christianity insisted it was a sin, is a motor of mankind, no more eradicable than sex.

Power is always a corrupting influence. In this mythical time - let's call it medieval, feudal - people in power are dictatorial and don't want their positions of power to be threatened.

When you get a new worldview you get a new world. It's like the shift from medieval Christianity to the Renaissance and enlightenment.

Now, the good of business is put above anything else, as corporations have become the new ruling body. Most decisions seem to be made like ones of a medieval king: whatever makes profit while ignoring and repressing the truth about whatever suffering it may cause (like pop music, for that matter).

I find the niqab symbol profoundly offensive. I believe it reflects a misogynistic culture that - a treatment of women as property rather than people, which is anchored in Medieval tribal customs as opposed to any religious obligation, but I do not seek to regulate people wearing this objectionable symbol if they choose to do so.

I'm sure you can even find ménage à trois in medieval tales.

I was influenced by the medieval theological beliefs when I presented Satan in Jesus' dream as unable to figure out who or what Jesus is, and unable to see the future.

I think five percent of all songs can be love songs, and another five percent can be miscellaneous or political, but the rest should just be about medieval feminists.

...belief has a second edge. If there are ten thousand medieval peasants who create vampires by believing them real, there may be one - probably a child - who will imagine the stake necessary to kill it. But a stake is only stupid wood; the mind is the mallet which drives it home.

The Hundred Years' War, like the crises of the Church in the same period, broke apart medieval unity.

We have fought long and hard to escape from medieval superstition. I, for one, do not wish to go back.

I've always been interested in a lot of the medieval art portraying people being tormented.

We've got paleolithic emotions, medieval institutions, and god-like technologies.

And psychedelics now, as we de-condition ourselves from the post-medieval world, they are present to hand as tools.

I had in mind going worse than waterboarding. It's enough. We have right now a country that's under siege. It's under siege from a people, from - we're like living in medieval times. If I have it to do and if it's up to me, I would absolutely bring back waterboarding. And if it's going to be tougher than waterboarding, I would bring that back, too.

In medieval times, artists had patrons that supported them and this is a similar thing, ... We're basically saying, 'Wouldn't you like to be a part of this'

The medieval Church believed that the resurrection of Christ marked a new time for all of humanity.

Travelling, gentlemen, is medieval, today we have means of communication, not to speak of tomorrow and the day after, means of communication that bring the world into our homes, to travel from one place to another is atavistic.

Thank goodness we don't live in medieval times, when people fought wars over ideas.

Like fundamentalist Judaism and medieval Christianity, Islam is totalist. That is to say, it makes a total claim on the individual.

I began to analyze the movie [The Day the Earth Stood Still] and said it was really made out of these two characters [Nikola Tesla and Leon Teremin] who were brought together. That made it fascinating to me. And especially the language they made up, that Klaatu speaks. Because it has a Latin word order. It's like medieval Latin, but it had some Navajo phonemes in it and that kind of stuff.

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.

Childhood is not dead. Children were worse off when we were hunter-gatherers; they were threatened in medieval times and exploited during the Industrial Revolution. Was it any better in the time of Charles Kingsley or Charles Dickens?

The 'gallows' are not only a symbol of death, but also a symbol of cruelty, terror and irreverence for life; the common denominator of primitive savagery, medieval fanaticism and modern totalitarianism.

Divorce is simply modern society's version of medieval torture. Except it lasts longer and leaves deeper scars. A divorce releases the most primitive emotions; the ugliest, raw feelings. Emotionally wounded people do their best to inflict pain upon the other party, but rather than using claws they use divorce lawyers.

Humanity today is like a waking dreamer, caught between the fantasies of sleep and the chaos of the real world. The mind seeks but cannot find the precise place and hour. We have created a Star Wars civilization, with Stone Age emotions, medieval institutions, and godlike technology. We thrash about. We are terribly confused by the mere fact of our existence, and a danger to ourselves and to the rest of life.

In this modern world, the celibacy of the medieval learned class has been replaced by a celibacy of the intellect which is divorced from the concrete contemplation of the complete facts.

I've always seen this overlap between medieval warfare and heavy metal. You see heavy metal singers and they'll have like a brace around their arm and they'll be singing about Orcs. So let's just make a world where that all happens. That all gets put together, the heavy metal, and the rock, and the battling, actually does happen. Let's not flirt around with this let's just do it.

Bologna is the best city in Italy for food and has the least number of tourists. With its medieval beauty, it has it all.

Chemotherapy is just medieval. It's such a blunt instrument. We're going to look back on it like we do the dark ages.

Anyone who has studied the history of technology knows that technological change is always a Faustian bargain: Technology giveth and technology taketh away, and not always in equal measure. A new technology sometimes creates more than it destroys. Sometimes, it destroys more than it creates. But it is never one-sided. The invention of the printing press is an excellent example. Printing fostered the modern idea of individuality but it destroyed the medieval sense of community and social integration.

These are barbaric people [at ISIS]. These are people that - you know, I used to study medieval times, and you know, they chopped off heads. But until recently, this was a phenomena that you wouldn't see, the level of barbarism is unbelievable.

Comics, which are really best described as an arrangement of images in a sequence that tell a story - an idea - is a very old form of graphic communication. It began with the hieroglyphics in Egypt, it first appeared in a recognizable form in the Medieval times as copper plates produced by the Catholic church to tell morality stories.

If you have an area where high-income receivers concentrate, you have a higher fiscal capacity. That fiscal capacity is a valuable resource and will create rent-seeking. People will trying to get that resource one way or the other, including immigration. It is very much like the medieval peasants putting their sheep on the commons pasture. It is better than the open range, and if you let them have open access they will, in fact, put too many sheep on the pasture and waste the value that the pasture has.

I love medieval cities; they do not clamor for attention; they possess their souls - their riches - in quiet; formal, courteous, they reveal themselves slowly, stone by stone, garden by garden; hidden treasures wait calmly to be loved and yield to introspective wandering.

It is sad that while science moves ahead in exciting new areas of research, fine-tuning our knowledge of how life originated and evolved, creationists remain mired in medieval debates about angels on the head of a pin and animals in the belly of an Ark.

Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.

I think present-day reason is an analogue of the flat earth of the medieval period. If you go too far beyond it you're presumed to fall off, into insanity. And people are very much afraid of that. I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics. There's a very close analogue there.

Our belief in salvation through the market is very much in the Utopian tradition. The economists and managers are the servants of God. Like the medieval scholastics, their only job is to uncover the divine plan. They could never create or stop it. At most they might aspire to small alterations.

We live in a world, a medieval type of world, where someone can accuse you - through gossip and hearsay, and all of a sudden you're supposed to respond to specific charges from people you don't know, are not aware of who these people are, and you're supposed to respond to their specific allegations?

The fellows who amuze me are the Albanians. An Albanian on the mash is almost exactly like the medieval swells of the Italian frescoes & the first ones we met quite startled us. They wear the tight-fitting trunk hose made of woolen stuff hooked up the back of the leg. It is white with long black stripes of embroidery down the leg & at the top in front the shirt is pulled through slashes. They are long slim chaps with dandy little moustaches & are most theatrical in effect.

The civilized people of today look back with horror at their medieval ancestors who wantonly destroyed great works of art or sat slothfully by while they destroyed. We have passed this stage.... Here in the U.S. we turn our rivers and streams into sewers and dumping grounds, we pollute the air, we destroy our forests and exterminate fishes, birds and mammals - not to speak of vulgarizing charming landscapes with hideous advertisements. But at best it looks as if our people were awakening.

Enclosure, upon its completion, was the record which represented the achievement of all the musical goals I had been aiming at for the previous 5 years. It was recorded simultaneously with Black Knights' Medieval Chamber, and as different as the two albums appear to be, they represent one investigative creative thought process. What I learned from one fed directly into the other. Enclosure is presently my last word on the musical statement which began with PBX.

The medieval doctors of divinity who did not pretend to settle how many angels could dance on the point of a needle cut a very poor figure as far as romantic credulity is concerned beside the modern physicists who have settled to the billionth of a millimetre every movement and position in the dance of the electrons. Not for worlds would I question the precise accuracy of these calculations or the existence of electrons (whatever they may be). The fate of Joan is a warning to me against such heresy.

If the men of the Middle Ages... lived in filth and discomfort, it was not for any lack of ability to change their mode of life; it was because they chose to live this way, because filth and discomfort fitted in with their principles and prejudices, political, moral, and religious.... It was in the power of medieval... craftsmen to create armchairs and sofas that might have rivaled in comfort those of today