Portraying Quotes

The papers are portraying Rafa as a parrot, just like they did when they showed Graham Taylor as an onion

I'm not afraid of portraying anything on-screen

Books that teach us to dance: There are writers who, by portraying the impossible as possible, and by speaking of morality and genius as if both were high-spirited freedom, as if man were rising up on tiptoe and simply had to dance out of inner pleasure.

Portraying this character [Diwata] has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."

I've always been interested in a lot of the medieval art portraying people being tormented.

I have no way of portraying the lives of others. I portray my own.

A man sets himself the task of portraying the world. Shortly before he dies he discovers that this patient labyrinth of lines is a drawing of his own face.

I love portraying the totally indifferent person.

Primitive peoples tried to annul death by portraying the human body--we do it by finding substitutes for the human body. Technology instead of mysticism!

Hillary's [Clinton] been doing a good job of portraying [Donald] Trump as unqualified, not the right temperament.

That was my goal in portraying Jesse Owens: bringing that level of humanity so people could understand who he was as a person.

That's the funniest thing about portraying certain things on screen, sitting next to your parents and they get to see this glimpse of me kissing another guy.

Walt Disney got away with portraying me in the light that they were portraying me in. I have always been a fighter, so... But I have no regrets, man. It's just like God brought me through the drugs, I know he'll bring me through this.

I feel like few things are more successful at portraying honest emotions/experiences. There also just seems to be a certain feeling/mood that I respond well to. I feel similarly about the artist Kahimi Karie and the films "An Education" and "Marie Antoinette." Anything with a strongly and unapologetically feminine point of view I tend to be interested in.

For film and games, there is now a fantastic method of actors portraying characters which don't necessarily look like themselves. And yet you've still got the heart and soul of the performance.

Bonnie and Clyde, while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.

Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.

When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.

I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.

What I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like People and try and fascinate and drool over what other people are doing.

The greatest threat to peace is the barrage of rightist propaganda portraying war as decent, honorable, and patriotic.

I like to do my research, get in the right mental state for the person I'll be portraying. A lot of time, it's just incorporating a lot of what that person would be into, into my daily routine.

I never really cared much for Hollywood or movies. But the curiosity for filmmaking, and expanding myself as an actor and my curiosity for people and portraying them, just has grown. And that's from simply being involved in the industry. But it was never a goal of mine as a kid.

The America that never cared or felt guilty about portraying us as undignified people on their television screen, or in some old history book that never stated truthfully the facts of our invasion or the cruelty we had to endure for generations.

There's an inherent responsibility actors feel when portraying something that actually exists in the world. It's arguably something that not all actors would agree on because this is a craft, but for me, it's the emotion of what a character is going through that makes the performance what it is. We have a responsibility to bring those emotions to light.

Schools provide safe spaces to talk about controversial issues, and literature presents characters portraying human experience in all its richness and contradictoriness.

It's not enough to hit the notes. There is no point in the singers just standing there and sounding wonderful if they're not connecting with the characters they are portraying.

There is a point in portraying surface vulgarity where tragedy and comedy are very close.

I do not believe that human activity is causing these dramatic changes to our climate the way these scientists are portraying it... And I do not believe that the laws that they propose we pass will do anything about it - except, they will destroy our economy.

One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.

When people call me a photographer, I always feel like something of a charlatan—at least in Japanese. The word shashin, for photograph, combines the characters sha, meaning to reflect or copy, and shin, meaning truth, hence the photographer seems to entertain grand delusions of portraying truth.

There are a lot of movies that take place internationally, like Kung Fu Panda portraying a little bit of China, and Ratatouille portraying a little about Paris, but it's hard to find a movie that portrays Rio or Brazil.

I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where they two mutually inspire each other to live– if I’ m able to, then perhaps I’ll be closer to portraying a true expression of love.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

All these relics gave... Thornfield Hall the aspect of a home of the past: a shrine to memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds: shut in, some of them, with doors of oak; shaded, others, with wrought old-English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings, all which would have looked strange, indeed, by the pallid gleam of moonlight.

If you listen to Barack Obama, if you listen to Hillary Clinton, they're portraying Donald Trump as this deep, dark, dividing, dank presence that sees America as dwindling away and failing and everybody's in bad shape. They think they're the paragons of optimism.

I think sometimes by portraying our lives as being too perfect, as being too balanced, we're actually selling younger women a bill of goods that's not true.

Portraying as human the people you hear about on the news doing bad things is dangerous. But it's also necessary and important.

You're in a very nice position as an actor when you're portraying a piece of history that actually happened and portraying characters that actually existed. There's so much more to draw on and your research as an actor becomes much easier than if it's some fiction that you're trying to create a world around and background and history.

Never make heads straight on the shoulders, but turn them aside to the right or to the left, even though they look down, or upward, or straight ahead, because it is necessary for them to look lively and awake and not asleep. And do not depict the front or rear half of the whole person so that too much straightness is displaced, one half above or below the other half; and if you should wish to use stiff figures, do so only in portraying old people.

I know that might sound perverse because I played Julian Assange but, honestly, I don't think it would be fair for me to judge the man. I realize that makes me a bit of a hypocrite because I was portraying him a certain way, but we were always open to the fact that this was an interpretation, not any kind of exact evidence of who the man was.

Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.

I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.

All I try to do is portray Indians as we are, in creative ways. With imagination and poetry. I think a lot of Native American literature is stuck in one idea: sort of spiritual, environmentalist Indians. And I want to portray everyday lives. I think by doing that, by portraying the ordinary lives of Indians, perhaps people learn something new.

There aren't a lot of alternative roles for Indian actors. I think we've fallen short of portraying Indians in the media. We don't need to make another Dances With Wolves, because it's not an Indian movie. When Indians portray themselves, then we have a different perspective. I've been asked about making period pieces but I've never read one that wasn't about guilt, and I'm not trying to make a guilt film.

Would movie moguls release a film portraying Adolph Hitler as a great benefactor of the Jews? Hardly. Would they release a movie if the black community found it to be highly disparaging? No way. You better believe these executives would also think long and hard before they released a movie offensive to American Indians, Muslims homosexuals or virtually any affinity group. Yet, to most movie industries a film which offends millions of Christians is fine and dandy.

Most of my characters are romantic rather than sexual. I think that's an essential difference in my pictures. I think they are more accurate in portraying young people as romantic - as wanting a relationship, an understanding with a member of the opposite sex more than just physical sex.

Moral justification is a powerful disengagement mechanism. Destructive conduct is made personally and socially acceptable by portraying it in the service of moral ends. This is why most appeals against violent means usually fall on deaf ears.

I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I'm not the only one.

In Russia no one is surprised when an official accepts a bribe while at the same time portraying the state as some sacred entity to which the bourgeois should pay homage. This all sounds absurd. But for Russians it is completely normal.