My Own Personality Quotes

I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.

I really lucked out in terms of how my parents encouraged me to develop my own personality so I didn't just feel incredibly insecure and like I didn't fit in.

I have been influenced by the greatest artists in jazz, pop, reggae, traditional, ballards, pop, and all types of music, taking the best from each to represent my own personality. Whitney Houston, George Michaels, Sade, Phil Collins, and many others have influenced me.

At times I experience hardship in trying to find the proper point of balance between traditional things and my own personality.

We continue to shape our personality all our life. If we knew ourselves perfectly, we should die.

Although I am a public figure, I'm still a little shy. I don't think my own personality is important. I prefer to keep some small dosage of privacy.

If you have anything really valuable to contribute to the world it will come through the expression of your own personality, that single spark of divinity that sets you off and makes you different from every other living creature.

Employing women as my primary protagonists has allowed me to step outside of myself, to distance myself from my own personality, far more easily than were I to look at events from a masculine perspective.

I was constantly watching myself, my secret self, as dependent on my actions as my own personality

I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks' and Geeks Sara, who was this sort of subordinate and shy girl.

I keep my own personality in a cupboard under the stairs at home so that no one else can see it or nick it.

For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.

For me coaching was all about being involved, and taking the best qualities from the coaches I had as a player and moulding them into my own personality.

If I have any claim to originality, I do it by investing my own personality into it, so it's coming from a slightly more sardonic, English point of view.

I became an actor to escape my own personality. Acting is the most therapeutic thing in the world. You see, through acting you come full circle in your personality and, oh, what a grand time you can have along the way being wonderful people through your characters...I think all the courage that I may lack personally I have as an actor.

The puppet characters were combinations of people I had known and to some degree aspects of my own personality. Weird was based on someone I knew in Chicago. Dirty Dragon was based on a good friend I had in Indianapolis.

Every part I play is just a variant of my own personality. No real character actor, of course, just me.

I've had years of bizarre hallucinogenic magical experiences in which I believed I had communicated with entities that may well have been disassociated parts of my own personality or conceivably some independent entity of a metaphysical nature. Both would seem equally interesting.

Man's main task in life is to give birth to himself, to become what he potentially is. The most important product of his effort is his own personality.

I always try to honor a character by being honest and truthful to who they are, in spite of my own personality and beliefs.

Most of my writing is an effort, one way or another, to figure something out about myself, and often when I read dialogue between my characters I recognize it as a discussion between two aspects of my own personality, aspects which are too often at odds.

Occasionally, I like to select a mentor, a master, and let him guide me through a revision of one of my paintings... I try to move into his terrain, bringing my own ammunition... I do not believe... that this belittles my own personality.

My love affair with (him) had a wonderful element of romance to it, which I will always cherish. But it was not an infatuation, and here’s how I can tell: because I did not demand that he become my Great Emancipator or my Source of All Life, nor did I immediately vanish into that man’s chest cavity like a twisted, unrecognizable, parasitical homonculus. During our long period of courtship, I remained intact within my own personality, and I allowed myself to meet (him) for who he was.

I'm trying to eliminate every vestige of my own personality, style, approach and get into somebody else's skin. Sometimes I feel I've accomplished it. But when I don't, I'm nobody at all, having left myself at home