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I wish to write such rhymes as shall not suggest a restraint, but contrariwise the wildest freedom.
Sep 10, 2025
Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.
When you're making a singular pop song, you don't really need any subject matter. You just sort of say, "Uh, I love you." And then you try to figure out some rhyme for that, and there never is one.
I am learning by the week, but my poesy is still not my own. New rhyme, new me me me in words. I am not all this carven rhetoric.
I mean, when it's time to rhyme rhyme, I can get down for mine.
Many have referred to [Lewis] Carroll's rhymes as nonsense, but in my childhood world — Los Angeles in the '50s — they made perfect sense.
The basic rhymes in English are masculine, which is to say that the last syllable of the line is stressed: "lane" rhymes with "pain", but it also rhymes with "urbane" since the last syllable of "urbane" is stressed. "Lane" does not rhyme with "methane".
They say man he reading rhymes off his iPhone, no I texting your girl meet me at my home
In 1967, in DeKalb v. DeSpain, a court (255 F.Supp. 655. N.D.Ill. 1966.) took a 4-line nursery rhyme used by a K-5 kindergarten class and declared the nursery rhyme unconstitutional. The court explained that although the word 'God' was not contained in this nursery rhyme, if someone were to hear the rhyme, he might think that it was talking about God - and that would be unconstitutional!
Ever since roughly 1890, when snot poets first decided that rhyme was confining and unnecessary, every idiot with a pen fancied hisself a poet. The mere act of rhyming was suddenly regarded as a quaint, mannered, and uncool atavism, consigning doggerelists like me to the trash bin of literary history.
I like a very dark house, just black. I sit there and just think. Once I'm still and quiet inside, I'll begin. It's very personal; it has to be. One song may be Bach, the next blues, a song from TV, or a nursery rhyme or jazz piece.
I'd always written rhymes but I was scared to share them. They stayed on paper or in my head, until I started going to watch battles and eventually thought to myself, "I'm definitely as good as some of these guys, and maybe even better than them".
Rhyme and meter force gaps in meaning so the muse can enter.
Just now I've taen the fit o' rhyme / My barmie noddle's working prime.
Every song falls short of the glory of what a song could be. That's why the urge is there to start again and yet again. Often it's the fault of rhyme. I've discovered a hundred times that there just aren't enough rhymes to say what I wanted to say, so I said something else instead. Sometimes it was a better thing, but the thing I meant to say went unsaid. So there's an opening for another song.
I enjoy writing rhymes and sitting alone in a room listening to beats. It's pretty amazing.
For we live with those retrievals from childhood that coalesce and echo throughout our lives, the way shattered pieces of glass in a kaleidoscope reappear in new forms and are songlike in their refrains and rhymes, making up a single monologue. We live permanently in the recurrence of our own stories, whatever story we tell.
End rhymes are not enough. Every word-sound in a poem should find an echo in another, neighbouring word's sound to achieve what Ezra Pound called melopoeia. (This is something like what the Welsh call Cynghanned.)
I sip the Dom P watching Gandhi til I'm charged - writing in my book of rhymes, all the words past the margin
I have always wanted to midcourse-correct (or undermine) in a poem, and let that be the turn. That poem is to do with displacement, with almosts - even the rhymes are intentionally off.
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
In verse one can take any damn constant one likes, one can alliterate, or assone, or rhyme, or quant, or smack, only one MUST leave the other elements irregular.
Rap isn't poetry, not least because it involves music and often other elements that aren't words. But the way poets in English use things like rhyme and meter, and the ways these conventions both do and don't apply to rap we try to lay out the rules for rap, in order to understand the techniques that artists like Jay-Z and Kanye employ.
I like it that my career has all the predictability and continuity of a children's nonsense rhyme.
Natural, hell! What was it Chaucer Said once about the long toil that goes like blood to the poems making? Leave it to nature and the verse sprawls, Limp as bindweed, if it break at all Life's iron crust Man, you must sweat And rhyme your guts taut, if you'd build Your verse a ladder.
O lovely O most charming pug Thy gracefull air and heavenly mug ... His noses cast is of the roman He is a very pretty weoman I could not get a rhyme for roman And was obliged to call it weoman.
Generally speaking, rhyme is the marker for the end of a line. The first rhyme-word is like a challenge thrown down, which the poem itself has to respond to.
I'll quit eating meat when you get a cow out here to beat me at a poetry slam. Only so many words rhyme with 'Mooo.' I mean, yes, we're supposed to be better stewards; yes, we're supposed to take care of the earth; yes, we're supposed to honor the sacrifices made by the animals; yes yes yes yes yes, but dammit, we're in charge, and you know why? It's because of these [holding out thumbs]...Maybe you think that carrots are less important than cows. I think they're equal, especially in a sauce.
Did you know that there is no exact rhyme in the Russian language for the word 'pravda'? Ponder and weigh this insufficiency in your mind. Doesn't that just echo down the canyons of your soul?
Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.
I don't know what started me, I just wrote poetry from the time was quite small. I guess I liked nursery rhymes and I guess I thought I could do the same thing. I wrote my first poem, my first published poem, when I was eight-and-a-half years old. It came out in The Boston Traveller and from then on, I suppose, I've been a bit of a professional.
The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself. I was born into the century in which novels lost their stories, poems their rhymes, paintings their form, and music its beauty, but that does not mean I had to like that trend or go along with it. I fight against these movements with every book I write.
I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.
I hope there is something worthy in my writings and not merely the novelty of a black face associated with the power to rhyme that has attracted attention.
I came in the door, I said it before I never let the mic magnetize me no more. But it's biting me, fighting me, inviting me to rhyme, I can't hold it back...I'm looking for the line. Taking off my coat, clearing my throat, My rhyme will be kicking until I hit my last note.
With mimicry, with praises, with echoes, or with answers, the poets have all but outsung the bell. The inarticulate bell has found too much interpretation, too many rhymes professing to close with her inaccessible utterance, and to agree with her remote tongue. The bell, like the bird, is a musician pestered with literature.
We live in an era where it ain't about dope rhymes. When beef is online, and how big is your co-sign.
I'm more into beats than rhymes. I'm a huge fan of anything touched by the Neptunes. Dancing is kind of my thing. I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
I'm more into beats than rhymes.
They use the simple back and forth, the same, old rhythm That a baby can pick up, and join, right with 'em. But their rhymes are pathetic, they think they copacetic Using nursery terms, at least not poetic.
There is something in the autumn that is native to my blood- Touch of manner, hint of mood; And my heart is like a rhyme, With the yellow and the purple and the crimson keeping time.
Unfortunately, there's no greater rhyme or reason as to why it would be me. And since there is no answer as to why me, it's not a question I feel really entitled to ask.
Ring around the rosie. A pocket full of posie. Ashes ashes, we all fall down. Some people say that this poem is about the Black Death, the fourteenth-century plague that killed 100-million people... Sadly, though, most experts think this is nonsense... How can I be so sure about this rhyme when all the experts disagree? Because I ate the kid who made it up.
This senior-junior, giant-dwarf, Dan Cupid; Regent of love-rhymes, lord of folded arms, The anointed sovereign of sighs and groans, Liege of all loiterers and malcontents.
Molly wants to know her father's name," Arch said to them. "Why don't you give her a hint?" His first name with 'splatter,'" said Ripkins. And 'matter'," said Blister. Also 'fatter,'" said Ripkins. Likewise 'chatter'," added Blister. And his surname?" Arch asked. It rhymes with 'that again'," said Ripkins. And 'Flanagan," put in Blister. Also, um...'pad a fin'?" offered Ripkins. Arch and Blister looked at him. 'Pannikin!'" he said proudly. Shut up, shut up, shut up!" Molly screamed. "You don't know what you're talking about!
An emcee is a Master of Ceremonies. If you're an emcee, and I am an emcee... I rhyme, you know what I mean? I do things for my fans that still appreciate me, let them know what's coming.
Great is the art, Great be the manners, of the bard. He shall not his brain encumber With the coil of rhythm and number; But, leaving rule and pale forethought, He shall aye climb For his rhyme. "Pass in, pass in," the angels say
I do think British and American politics rhyme. They go in cycles. They go in Thatcher-Reagan cycles, Blair-Clinton cycles.
Life is tons of discipline. Your first discipline is your vocabulary; then your grammar and your punctuation Then, in your exuberance and bounding energy you say you're going to add to that. Then you add rhyme and meter. And your delight is in that power.
Take 7 emcees put em in a line And add 7 more brothers who think they can rhyme It'll take 7 more before I go for mine And that's 21 emcees ate up at the same time.