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Given the choice of living in Los Angeles or living in Sydney, I would choose Sydney.
Sep 10, 2025
L.A.: Come on vacation, go home on probation.
I grew up in South Central Los Angeles, where people are in cars.
I've tried to divide my time between the US and New Zealand, but it's difficult, and I suddenly realized that I like acting here in Los Angeles anyway. Because when you first come here; especially from New Zealand, you go, This is the ugliest, nastiest, grayest, smoggiest town in the world, and then your scale of beauty adjusts and suddenly you think, Oh, isn't it beautiful, not too much smog today!
Here in Los Angeles, school's out for summer. For thousands of school kids, this is the first week of summer vacation. And for thousands of parents, it's the first week of hell.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
L.A. has a lot of tackiness to it, but at the same time, in that funny kind of fantasy pretentiousness, it's unpretentious because it's all here. It's what you make of it. It's a land of opportunity in a lot of ways. It's a great for an immigrant because it is what you make of it, and especially artists as workers in this culture, it offers so much, in terms of variety, of diversity. For years, the alleys of Los Angeles were my art store.
I have done some formal acting training, because I sucked at acting when I first got to Los Angeles. I'm still one of the worst actors and auditions out there.
I think people's minds are going to have to assimilate in the sense that all the world is international now. The whole world has gone global. I think cities like San Francisco and Los Angeles are the models of our future.
Billy [Corgan] and I used to spend quite a lot of time together in Los Angeles, when I first moved there.
I love Los Angeles. It has a lot to offer culturally and has amazing restaurants.
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
I started doing [acting] for a living, no one really warned me about the amount of traveling I would do. I always thought everything was shot in Los Angeles.
When I moved to Los Angeles, my goal was to gain respect - whether it's in big or small projects - and as long as the work is good I'm happy.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
My aim was never to be an American star; otherwise, I would have moved to Los Angeles.
I was made to believe that my life was going to be fixed and it wasn't. I'm still the same loser who had flown to Los Angeles on my sister's frequent flier miles just six days before.
I both love and am terrified by Greg Van Eekhout's vision of Los Angeles. I already want to go back.
When I first moved to Los Angeles, I don't think anyone knew what to do with me.
Many have referred to [Lewis] Carroll's rhymes as nonsense, but in my childhood world — Los Angeles in the '50s — they made perfect sense.
I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
I did The Newton Boys and during the whole process of making the film, I may have spent a week in Los Angeles.
I have been coming to Los Angeles since 1975 to perform.
I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."
If we talk about the environment, for example, we have to talk about environmental racism - about the fact that kids in South Central Los Angeles have a third of the lung capacity of kids in Santa Monica.
I saw a story in the Los Angeles Times that 40 percent of the viewers are men. It didn't really surprise me.
Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang's feeble imagination.
We live in Los Angeles, where you are expected to move every two to four years, so people can see how well your career is going.
A lot of times when I've been offered film series and stuff, if they shoot in Los Angeles, I lose interest.
People who grew up in New York City or Los Angeles tend not to even understand what goes on in the rest of the country. I'm really glad to have grown up in an environment where I actually was kind of a weirdo because I was obsessed with comedy and movies and stuff.
California Governor Gray Davis visited an elementary school here in Los Angeles where he taught a class. I don't want to say he was unpopular but the kids gave him a wedgie and stuffed him in a locker.
I've spent so much time the last seven, eight years in Los Angeles, away from my family, away from my friends, away from the city that is my favorite place to be and I just want to come here and have a proper life.
I have great confidence in Rick Caruso's unique qualifications and his ability to lead a successful bid for the Los Angeles Dodgers.
I look at Los Angeles and I ask myself, How can this ever be sustainable? And what are we contributing to that? Because we are all complicit. None of us is without blame. It's so difficult and it's so overwhelming and I think we have to make small choices in our own lives that can loom large collectively.
Now I'm writing about contemporary Los Angeles from memory. My process was to hang out, observe, research what I was writing about, and almost immediately go back to my office and write those sections. So it was a very close transfer between observation and writing.
Yeah, I think there are a lot of things about Cleveland that I miss. Los Angeles is a funny place to live.
What I really have a sense of dismay about is that there is a center of anything. I think maybe Cleveland can use one. Also possibly Los Angeles needs informed cultural guidance and a place to go get it. But not New York. New York is a center, a world's fair, and a den of thieves, and a house of miracles.
I travelled to California when I was 18 and went to Los Angeles State College.
Congratulations to Mexico. They upset Brazil to win a gold medal in men's soccer. And after the Olympics ended, the Mexican soccer team, of course, returned home to their houses here in Los Angeles.
Big Star invented a vision of bohemian rock & roll cool that had nothing to do with New York, Los Angeles or London, which made them completely out of style in the 1970s, but also made them an inspiration to generations of weird Southern kids.
Is it really so easy to determine that smacking someone in the face to find out where he has hidden the bomb that is about to blow up Los Angeles is prohibited by the Constitution?
Instead of basic roads and bridges, infrastructure spending will go to bloated unions overseeing pie-in-the-sky construction projects like the $30 billion-plus high-speed rail line from Los Angeles to San Francisco, which California officials fully expect to be funded.
I remember being really interested in the sad parts of Los Angeles, of which there are many, and knowing we weren't up in the citadel on the hill, but we also weren't on the bottom. I was very interested in the poetry of failure as a child.
There was a point at which I thought I'd never get the most valuable player, especially the years I played at Minnesota. We never won a pennant there, we were far away from the big media centers of Los Angeles and New York, and I wasn't a flashy power hitter but a guy who hit to spots, who bunted and stole bases.
I struggled with being a Latino growing up in Los Angeles. I felt very American. I still do. I went to 35 bar mitzvahs before I went to a single quinceanera. I could talk all day about my culture and what it means to me.
It's impossible to walk a block in Miami, in Los Angeles, San Antonio without running into someone who is being deeply impacted by a broken legal immigration system.
Billboards, billboards, drink this, eat that, use all manner of things, everyone, the best, the cheapest, the purest and most satisfying of all their available counterparts. Red lights flicker on every horizon, airplanes beware; cars flash by, more lights. Workers repair the gas main. Signs, signs, lights, lights, streets, streets.
I was born and raised in East Los Angeles by a single mom who had three biological kids and adopted four more. I never met my dad.
I don't have any regrets. When I quit college and moved to Los Angeles to become an actress, it was so that I would not look back and have any regrets.
I moved with my mom to Los Angeles for her to pursue her acting career, and she got a job casting atmosphere in some independent films.