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I watched the mighty skyline fall
Sep 19, 2025
The skyline is etched in my veins. You can never put that out, no matter how hard it rains.
I've always been drawn to city skylines.
To save energy, New York City is now dimming the lights of the skyscrapers and the skyline at night. There's a bad side to this. If you need Batman, you have to text him.
The skyline of New York is a monument of a splendour that no pyramids or palaces will ever equal or approach.
And hate the bright stillness of the noon without wind, without motion. the only other living thing a hawk, hungry for prey, suspended in the blinding, sunlit blue. And yet how gentle it seems to someone raised in a landscape short of rain- the skyline of a hill broken by no more trees than one can count, the grass, the empty sky, the wish for water.
Shanghai set out to take over from Hong Kong and I think it's done that. It's got the most amazing futuristic skyline which rivals and even betters Tokyo.
Between the villages of Aubiere and Romagnat in the ancient Province of Auvergne there is an old road that comes suddenly over the top of a high hill. To stand south of this ridge looking up at the highway flowing over the skyline is to receive one of those irrefutable impressions from landscape which requires more than a philosopher to explain. In this case it is undoubtedly, for some reason, one of exalted expectation.
The kind of power mothers have is enormous.
I never realised that the Edinburgh skyline was so interesting - it's gothic and very urban and there's a lot of church spires and old brownstone buildings.
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn’t have known.
It's very atmospheric. It's not a building that is a severe statement in the skyline. We need the height; otherwise, the building almost disappears because it is so slender.
Yesterday and tomorrow cross and mix on the skyline. The two are lost in a purple haze. One forgets, one waits.
Every thread of creation is held in position by still other strands of things living. In an earthly tapestry hung from the skyline of smoldering cities so gray and so vulgar, as not to be satisfied with their own negativity, but needing to touch all the living as well.
I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when Im looking out the window, and my bed and couch have nice views of the New York skyline.
I see myself as a very successful entrepreneur. Maybe making films or else starting my own clothesline. I see myself as a corporate woman, sitting on the 16th floor of a swank office with a glass window that overlooks the Manhattan skyline.
We lost the skyline We stepped right off the map Drifted into black space And let the clocks relapse.
I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.
I would give the greatest sunset in the world for one sight of New York's skyline.
I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need?
But we didn't, not in the moonlight, or by the phosphorescent lanterns of lightning bugs in your back yard, not beneath the constellations we couldn't see, let alone decipher, or in the dark glow that replaced the real darkness of night, a darkness already stolen from us, not with the skyline rising behind us while a city gradually decayed, not in the heat of summer while a Cold War raged, despite the freedom of youth and the license of first love-because of fate, karma, luck, what does it matter?-we made not doing it a wonder, and yet we didn't, we didn't, we never did.
Breathe in...inhale vapors from bright stars that shine, Breathe out...weed smoke retrace the skyline.
He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.
The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
We were the children of white flight, the first generation to grow up in postwar American suburbs. By the time the ’60s rolled around, many of us, the gay ones especially, were eager to make a U-turn and fly back the other way. Whether or not the city was obsolete, we couldn’t imagine our personal futures in any other form. The street and the skyline signified to us what the lawn and the highway signified to our parents: a place to breathe free.
If I were a place, the area of South Bank, in London. Between the Hayward Gallery, National Theatre and all other activities, I'm never bored. I would also say New York for the breathtaking skyline formed by the buildings and the fast pace of the city, whatever the time of day.
The kind of power mothers have is enormous. Take the skyline of Istanbul - enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it.
A star shoots bleeding across the skyline, a companion to the black wind. Silence comes sweeping across everything.
In any city with lots of skyscrapers, lots of skyline, the moon seems bigger than it is. It's called the moon illusion.
When I was 2, I used to put pictures of the Manhattan skyline in a little scrapbook. And I used to wear American 'stars and stripe' vests and Daytona Beach stuff and they used to call me 'The Little Yankee.' Thank you to my producers for having faith in a little nobody from Lancashire.
He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster.
Each night the sun sank right in our eyes along the sea, making an undulating glittering pathway, a golden track charted on the surface of the ocean which our ship followed unswervingly until the sun dipped below the edge of the horizon, and the pathway ran ahead of us faster than we could steam and slipped over the edge of the skyline - as if the sun had been a golden ball and had wound up its thread of gold too quickly for us to follow.
To try to save for everyone, for the hostile and independent as well as the committed, some of the health that flows down across the green ridges from the skyline, and some of the beauty and spirit that are still available to any resident of the valley who has a moment and the wit to lift up his eyes unto the hills.
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
In art and life we're always reading bodies and behaviors (and skies and skylines or whatever), constructing brief and shifting coherences, and I guess I want to capture that process of characterization and re-characterization instead of offering up a few stable, easily-summarized individuals.
In fact, the public will accept any city plan and skyline provided that its architecture is traditional.
Still others make gardens because it is part of a full life. To live happily they must invest their hours and aspirations in the activities of another world. And they draw the interest of delight and refreshment according to the measure of their investment. These are usually quaint folk, other-worldly in their manner, but capable of comprehending the idiosyncrasies of Nature as she displays them in a tree and bush and passing season, across the skyline and in the infinite zenith. These, moreover, are the successful gardeners.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
While the focus in the landscape of Old World cities was commonly government structures, churches, or the residences of rulers, the landscape and the skyline of American cities have boasted their hotels, department stores, office buildings, apartments, and skyscrapers. In this grandeur, Americans have expressed their Booster Pride, their hopes for visitors and new settlers, and customers, for thriving commerce and industry.
I think it's necessary to evaluate a skyscraper at multiple scales, since that's how we experience it: from right next to it on the street to from across the river, as well as at all kinds of points in between. It's important to think of it as an element in a larger skyline, but also as an element in an immediate streetscape.
Skyline is an alien invasion film that really takes an interesting look at the genre. The writers did an amazing job of creating a new take at how life from other planets come and plan to invade Earth.
The George Washington Masonic National Memorial is a fitting tribute to so great a man and Mason. Its message should be as prominent in our lives as the Memorial itself in the skyline of the Federal City. Wherever we are, in Alexandria, Virginia, the District of Columbia of should be in our moral horizon, beckoning us to greater achievements as citizens and Masons.
My 'thing' is that I just lie in my immense bed and look out the window at the skyline over Virginia and the sky and the airplanes coming into Reagan. I really love doing that.
I aim to create furniture that appears in a room as buildings on a skyline and reminds the viewer of the interaction between objects of design and architectural space.
Four years ago, I promised to end the war in Iraq. We did. I promised to refocus on the terrorists who actually attacked us on 9/11. We have. We've blunted the Taliban's momentum in Afghanistan, and in 2014, our longest war will be over. A new tower rises above the New York skyline, al Qaeda is on the path to defeat, and Osama bin Laden is dead.
For me, it feels like driving from truth into a lie, from adulthood to childhoold. I watch the land of pavement and glass and metal turn into an empty field. The snow is falling softly now, and I can faintly see the city's skyline up ahead, the buildings just a shade darker than the clouds.
The skylines lit up at dead of night, the air-conditioning systems cooling empty hotels in the desert and artificial light in the middle of the day all have something both demented and admirable about them. The mindless luxury of a rich civilization, and yet of a civilization perhaps as scared to see the lights go out as was the hunter in his primitive night.
I look out the window and I see the lights and the skyline and the people on the street rushing around looking for action, love, and the world's greatest chocolate chip cookie, and my heart does a little dance.
And then, build a bustling wonderful city of the 21st century, with a restoration of a spectacular skyline, which Manhattan, of course, needs. So, that is really the design as a whole.
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