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There are no statues erected to critics.
Oct 1, 2025
Now, come over here so I can pat you down." "But you don't have-" Percy stopped. "Uh, sure." He stood next to the armless statue. Terminus conducted a rigorous mental pat down. "You seem to be clean," Terminus decided. "Do you have anything to declare?" "Yes," Percy said. "I declare that this is stupid.
Like those statues which must be made larger than "nature" in order that, viewed from below, or from a distance, they may appear to be of the "natural" size, certain truths must be "strained" in order that the public may form a just idea of them.
No statue has ever been put up to a critic.
Nature paints the best part of a picture, carves the best parts of the statue, builds the best part of the house, and speaks the best part of the oration.
There is a statue of limitation.
No one ever erected a statue of a critic.
All in their lifetime carve their own soul's statue.
A pretty girl who is naked / is worth a million statues
Popular liberty might then have escaped the indelible reproach of decreeing to the same citizens, the hemlock on one day, and statues on the next.
There's no hall of fame for that working class hero, no statue carved out of stone. And his greatest reward is the love of a woman and his children.
Guantanamo Bay is the anti-Statue of Liberty.
It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts.
South Africans will kick down a statue of a dead white man but won’t even attempt to slap a live one. Yet they can stone to death a black man simply because he’s a foreigner
A fixed idea is like the iron rod which sculptors put in their statues. It impales and sustains.
Like the sorcerer of old, the television set casts its magic spell, freezing speech and action and turning the living into silent statues so long as the enchantment lasts. The primary danger of the television screen lies not so much in the behavior it produces as the behavior it prevents — the talks, the games, the family festivities and arguments.
That we've broken their statues, that we've driven them out of their temples, doesn't mean at all that the gods are dead. O land of Ionia, they're still in love with you, their souls still keep your memory.
I feel like I'm already a winner. I've made so many dreams come true. I'm here. Whether you walk away with a statue [ Emmy]or not, you shouldn't make it about it that necessarily. Everyone who's here in this house tonight is a winner.
The lust that drives others to enslave an empire, had become, in her limits, a passion for power over him. She had set out to break him, as if, unable to equal his value, she could surpass it by destroying it, as if the measure of his greatness would thus become the measure of hers, as if the vandal who smashed a statue were greater than the artist who had made it, as if the murderer who killed a child were greater than the mother who had given it birth.
Enthusiasm is that secret and harmonious spirit which hovers over the production of genius, throwing the reader of a book, or the spectator of a statue, into the very ideal presence whence these works have really originated. A great work always leaves us in a state of musing.
I'm delighted. I don't know of anybody who had a statue built of them while they were living. It's a great feeling.
She feels so contented in giving birth to a child, in helping the child to grow; and that's why she does not need any other kind of creativity. Her creative urge is fulfilled. But man is in trouble: he cannot give birth to a child, he cannot have the child in his womb. He has to find a substitute, otherwise he will always feel inferior to the woman. And deep down he does feel that he is inferior. Because of that feeling of inferiority man tries to create paintings, statues, dramas, he writes poetry, novels, explores the whole scientific world of creativity.
Statues lined the stairs and stood, dotted across the roof. But they had been brutalized by time and the weather. Some were missing arms. Many had no faces. Once they had been saints and angels. Two hundred years standing in London had turned them into cripples.
The crime problem in New York is getting really serious. The other day the Statue of Liberty had both hands up.
Musical compositions, it should be remembered, do not inhabit certain countries, certain museums, like paintings and statues. The Mozart Quintet is not shut up in Salzburg: I have it in my pocket.
Sculpture may be almost anything: a monument, a statue, an old coin, a bas-relief, a portrait bust, a lifelong struggle against heavy odds.
When I see the Bill Shankly statue, I look at the sentiment on the base. It says: 'He made the people happy’. Well now the modern Liverpool is making the fans and the city happy. And that makes me so proud.
We passed hieroglyphic scrolls, gold jewelry, sarcophagi, statues of pharaohs, and huge chunks of limestone. Why would someone display a rock? Aren't there enough of those in the world?
When they asked Michelangelo how he made his statue of David he is reported to have said, "It is easy. You just chip away the stone that doesn't look like David.
As sculptors chip away the stone in order to find the statue, writers chip away extraneous verbiage so readers can see the shape of an idea clearly. My gift is to see through the confusion, to bring order and simplicity to a story.
These ceremonies and the National Statuary Hall will teach the youth of the land in succeeding generations as they come and go that the chief end of human effort in a sublunary view should be usefulness to mankind, and that all true fame which should be perpetuated by public pictures, statues, and monuments, is to be acquired only by noble deeds and high achievements and the establishment of a character founded upon the principles of truth, uprightness, and inflexible integrity.
If you want to humble an empire it makes sense to maim its cathedrals. They are symbols of its faith, and when they crumple and burn, it tells us we are not so powerful and we can't be safe. The Twin Towers of the World Trade Center, planted at the base of Manhattan island with the Statue of Liberty as their sentry, and the Pentagon, a squat, concrete fort on the banks of the Potomac, are the sanctuaries of money and power that our enemies may imagine define us. But that assumes our faith rests on what we can buy and build, and that has never been America's true God.
A photograph is analogous to a plaster cast taken from life, which is always inferior to a good statue.
I remember once walking out hand in hand with a boy I knew, and it was summer, and suddenly before us was a field of gold. Gold as far as you could see. We knew we'd be rich forever. We filled our pockets and our hair. We were rolled in gold. We ran through the field laughing and our legs and feet were coated in yellow dust, so that we were like golden statues or golden gods. He kissed my feet, the boy I was with, and when he smiled, he had a gold tooth. It was only a field of buttercups, but we were young.
As Cole left school that day with Peter, they stopped beside the bulldog statue. "You two are wrecking our school!" shouted one of the jocks walking by. "You can't wreck something that's already wrecked!" Peter shouted back angrily. "Hey, Peter, we're Spirit Bears," Cole reminded his friend. "Spirit Bears are strong, gentle, and kind." Peter thought a moment. "You got mauled, so that proves they can get ticked off too.
No, women like you don't write. They carve onion sculptures and potato statues. They sit in dark corners and braid their hair in new shapes and twists in order to control the stiffness, the unruliness, the rebelliousness.
Education without courage is like a wax statue - beautiful to look at but bound to melt at the first touch of a hot stuff.
When men die, they enter history. When statues die, they enter art. This botany of death is what we call culture.
Christ alone, of all the philosophers, magicians, etc., has affirmed eternal life as the most important certainty, the infinity of time, the futility of death, the necessity and purpose of serenity and devotion. He lived serenely, as an artist greater than all other artists, scorning marble and clay and paint, working in the living flesh. In other words, this peerless artist, scarcely conceivable with the blunt instrument of our modern, nervous and obtuse brains, made neither statues nor paintings nor books. He maintained in no uncertain terms that he made ... living men, immortals.
Birds sing in vain to the ear, flowers bloom in vain to the eye, of mortified vanity and galled ambition. He who would know repose in retirement must carry into retirement his destiny, integral and serene, as the Caesars transported the statue of Fortune into the chamber they chose for their sleep.
When people say that L.A. doesn't have a culture, I think it really does: a very old culture, and very specific. There's streets named after entertainers, and statues of entertainers, and it's great. Entertainment is still art, even if it makes billions of dollars. So it's like a city built on entertainment, and art in a way.
You cannot hide any secret. If the artist succor his flagging spirits by opium or wine, his work will characterize itself as the effect of opium or wine. If you make a picture or a statue, it sets the beholder in that state of mind you had when you made it. If you spend for show, on building, or gardening, or on pictures, or on equipages, it will so appear. We are all physiognomists and penetrators of character, and things themselves are detective.
He it was that first gave to the law the air of a science. He found it a skeleton, and clothed it with life, color, and complexion: he embraced the old statue, and by his touch it grew into youth, health, and beauty.
I tried to go to Kosovo to establish a statue to commemorate those who died during the wars, and to discuss moving on, so we could move into a new era. But I was banned from there.
I sat at the foot of a huge tree, a statue of the night, and tried to make an inventory of all I had seen, heard, smelled, and felt: dizziness, horror, stupor, astonishment, joy, enthusiasm, nausea, inescapable attraction. What had attracted me? It was difficult to say: Human kind cannot bear much reality.
Every piece of marble has a statue in it waiting to be released by a person of sufficient skill to chip away the unnecessary parts. Just as the sculptor is to the marble, so is education to the soul. It releases it. For only educated people are free people. You cannot create a statue by smashing the marble with a hammer, and you cannot by the force of arms release the spirit or the soul of people.
See how exciting Anthropology is? He’s a leading expert in ancient Greece. Now you should all change your majors so that you can ogle men like him all day long. Or better yet, uncover naked male statues. (Tory) Was that necessary? (Acheron) Hey, I live to recruit students for the department. If I can make you good for something, then by golly I’m going to do it. (Tory)
Nearly all Americans have ancestors who braved the oceans-liberty-loving risk takers in search of an ideal-the largest voluntary migrations in recorded history. Across the Pacific, across the Atlantic, they came from every point on the compass-many passing beneath the Statue of Liberty-with fear and vision, with sorrow and adventure, fleeing tyranny or terror, seeking haven, and all seeking hope...Immigration is not just a link to America's past; it's also a bridge to America's future.
I don't think I will ever be able to really articulate how bizarre it was to hear my name at the Academy Awards. I'd watched in my pajamas the year before! I felt numb - dazed and confused. I remember feeling light - weightless. More like limbo than cloud nine. At first I was like, This is my statue; nobody gets to touch it. And by midnight I was like, Please, someone, take this statue; it's too heavy! So I gave it to my brother, and he went off with it.
he cut through the 21st Century Gallery, past the big plastic statues of Pluto and Mickey, animal headed gods of lost America