Horror Quotes

Socially and politically, we seem to be living in dire times, worse times than in the past. But there were far worse horrors in our past. The writer's role is to be a truth sayer. I sincerely believe that each society, each country lives by a particular fantasy vision, a fantasy vision of itself. The truth of how they live is hardly ever faced.

With all our horrors and faults, somewhere in us there is a shining.

Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.

I was a scared kid... I think I was born a nervous wreck, and I think movies were one way to find a way transferring my own private horrors to everyone else's lives. It was less of an escape and more of an exorcism.

I was starting to recognize a corner I was driving myself into: that all writing could do was refer to things that had already been written. I'm making the margin, but the margin of a book that already exists. I was having this exhilaration at, but at the same time horror of this recognition that I'd driven myself into the world of only books. This is a world of the previously written, and maybe I don't have to add to it, maybe all I can do is measure it.

Horror movies started to wane around the onset of World War II, and after World War II, when all the troops came home, people weren't really interested in seeing horror movies, because they had the real horror right on their front doorsteps.

Going out to eat is expensive. I was out at one restaurant and they didn't have prices on the menu. Just faces with different expressions of horror.

Euphemism is a human device to conceal the horrors of reality.

The cowboy movies is not our go-to programmer anymore, here's a horror film.

It's a convention, but in horror movies the female characters usually tend to believe easier in a supernatural event.

I feel very fortunate to have been a part of many successful contemporary horror franchises.

A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.

The good news from the U.S. military survey of focus groups is that Iraqis do accept the Nuremberg principles. They understand that sectarian violence and the other postwar horrors are contained within the supreme international crime committed by the invaders.

After the survivor of the Spanish conquest has told his life's story he is convicted by the Inquisition: He posted no brief in defense or mitigation of his offenses, and when he was most solemnly advised by the Court President of the dire consequences he faced if found guilty, Juan Damasceno volunteered only one comment: "It will mean I do not go to the Christian heaven?" He was told that that would indeed be the worst of his punishments: that he would most assuredly not go to Heaven. At which, his smile sent a thrill of horror through every soul of the Court.

I never used to watch horror films because I was a nervous type. I believed all the publicity about The Exorcist when it was released - you know, all that nonsense about people fainting in the cinema - and decided it would definitely freak me out. I particularly remember my girlfriend telling me about Suspiria - ironic considering my first ever film work was with Argento - and how scary it was.

Eisenhower provided the first break in the Cold War, by bringing Khrushchev to the United States, in humanizing the Soviets; and then Nixon, by making the opening to China; and then Reagan, even meeting in Reykjavik with Gorbachev and acknowledging that nuclear weapons are a horror. So I won't accept that Republicans just escalate. Republicans, at least when they were more moderate, they were maybe even more isolationist, they sometimes brought sanity to the debate. We don't have that now. We have - all these Republicans have gone off the neoconservative deep end.

For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.

And another thing about German symphonic development. I tell you, our cold kvass soup is a horror to the Germans, and yet we eat it with pleasure. And their cold cherry soup is a horror to us, and yet it sends a German into ecstacy. In short, symphonic development is just like German philosophy and soup-all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with some reasoning.

And what is the religion of many persons but a kind of demonism that delights in human sacrifices and causes them to look with horror on the greatest part of mankind? Plutarch, it is well known, has observed very justly that it is better not to believe in a god than to believe him to be a capricious and malevolent being.

An excellent indie horror book with a wholly original premise.

In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.

Although I'm up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.

I've always thought the best way to teach a kid not to be scared of the dark is to fill his daylight hours with as much horror as possible.

Young adults that actually read are reading bodice rippers and best-sellers and me. And Horror.

Science was blamed for all the horrors of World War I, just as it's blamed today for nuclear weapons and quite rightly. I mean World War I was a horrible war and it was mostly the fault of science, so that was in a way a very bad time for science, but on the other hand we were winning all these Nobel Prizes.

Musically, there's a movement called the flatted fifth that's really evil-sounding. It was outlawed by the Catholic Church during the Middle Ages. That movement is what gives you a real evil sound that conjures up dark, fantastic images. It's like an audio horror movie. It personifies what a horror movie is about.

If we were to gain God's perspective, even for a moment, and were to look at the way we go through life accumulating and hoarding and displaying our things, we would have the same feelings of horror and pity that any sane person has when he views people in an asylum endlessly beating their heads against the wall.

The best movies now are called 'thrillers.' Because if you use the word 'horror,' people's associations are straight-to-video crap.

In horror stories or in fairy tales, the fascination with the morbid is also, at least for me, a way to prepare for the unthinkable… That’s why it’s very important for me to show the artificiality of it all, because the real horrors of the world are unmatchable, and they’re too profound.  It’s much easier to absorb – to be entertained by it, but also to let it affect you psychologically – if it’s done in a fake, humorous, artificial way.

What would life be without arithmetic, but a scene of horrors?

Whether it's Mrs Dalloway's lost love or Thérèse Raquin's burgeoning horror, The Paying Guests reminds us of every great novel we've gasped or winced at, or loudly urged the protagonists through, and it does not relent. . . . The Paying Guests is the apotheosis of [Waters'] talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep.

Horror and moral terror are your friends.

Marx was wrong. Religion is not the opiate of the people. Opium suggests something soporific, numbing, dulling. Too often religion has been an aphrodisiac for horror, a Benzedrine for bestiality. At its best it has lifted spirits and raised spires. At its worst it has turned entire civilizations into cemeteries.

With a horror movie, you dont want to anticipate where things are going to go.

Horror fans are a particular breed. They analyze films with such detail and expertise that I am reminded of the Canadian literary critic Northrup Frye, who approached literature with similar archetypal analysis.

It takes a disciplined imagination to acknowledge that the less personal savageries of bombs, missiles, artillery and heavy weapons are, to those blown to smithereens, also barbaric. The main horror of what the coalition is doing is not a matter of the occasional soldier who, in the heat of battle, commits a war crime, but the steady destruction rained on cities, villages, the Iraqi people. This violence is wreaked calmly, from a distance, within the rules of engagement. The war itself is the American war crime.

And I guess I'm a kid at heart in that when I go for entertainment, I want to be totally transported. I want to go somewhere else; I want to encounter different things, different beings, different universes. And so I love that aspect of being able to play those things in both 'True Blood' and in 'American Horror Story.'

Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.

American Horror Story re-energized me; it re-energized my career. There’s no shame in recognizing that. It’s exposed me to a whole new generation, which is a little strange. I’m not used to young people thinking I’m cool.

While I don't like violent programs per se, I do like good storytelling, which made me a fan of shows like Breaking Bad and American Horror Story.

I love scary movies. I like American Horror Story. That is more of a series, but it is really good.

American Horror Story on cable now, it is terrific. There has to be room to re-invent.

When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."

 My 14-year-old grandniece is not allowed to watch 'American Horror Story' yet.

[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.

There are some secrets which do not permit themselves to be told. Men die nightly in their beds, wringing the hands of ghostly confessors, and looking them piteously in the eyes - die with despair of heart and convulsion of throat, on account of the hideousness of mysteries which will not suffer themselves to be revealed. Now and then, alas, the conscience of man takes up a burden so heavy in horror that it can be thrown down only into the grave. And thus the essence of all crime is undivulged.

Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.

I think that true horror is accomplished by slowly getting into your brain. The old way is much more scary.

I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.

I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.