Tempo Quotes

If you just concentrate on what you're doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.

The art of not playing in tempo--one has to learn it. And the art of not playing what is written on the printed paper.

Suddenly I was in the right tempo - but it wasn't.

I've tried as much as possible to avoid the standard nine-to-five thing. I've tried to organize my life so that I can move around, change the rhythm and the tempo.

Someone who only wants to play sold-out shows will find a tempo that works at the shows and then focus on making that kind of music, but maybe they'll miss out on other things because of it.

Sure we have skilled players, but the biggest thing might just be that we are so well conditioned and how we can play for 90 minutes at a high tempo which is needed in soccer at an international level.

In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it's the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.

At Gatling-gun tempo word-perfect the first time out. the journalistic equivalent of a high-wire front somersault without a net.

I can tell. I'm gifted with that, you know. When I hear that the tempo is slightly off, it's hard for me.

A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.

Our modern economy privileges pure profit, momentary transactions and rapid fluidity. Part of craft’s anchoring role is that it helps to objectify experience and also to slow down labor. It is not about quick transactions or easy victories. That slow tempo of craftwork, of taking the time you need to do something well, is profoundly stabilizing to individuals.

I snapped my fingers all through it. Sometimes I set my own tempo during rehearsal by doing that.

I've done a lot of training in martial arts. I started out in warring tempo, I did sports jujitsu, and I've also practiced extreme martial arts.

Thinking of a series of dreams Where the time and the tempo fly And there's no exit in any direction 'Cept the one that you can't see with your eyes

Fast tempo is essential for success; do it, fix it, try it!

I will not adjust myself to the world. I am adjusted to myself.

I don't want no drummer. I set the tempo.

I've gotten hernias from drummers when they drop tempo.

If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.

To know how to structure the joke perfectly so that the narrative information is given in the right tempo, in just the right dose - it sometimes takes quite a lot of work. It seems easy when you hear the joke.

Once more, I am watching the most powerful men in the kingdom bring their power to bear on a woman who has done nothing worse than live to the beat of her own heart, see with her own eyes; but this is not their tempo nor their vision and they cannot tolerate any other.

A song, you know, you've got a tempo. You know,you've got something that is moving swiftly. You can't stop it, you know? Andit's designed to move swiftly from, you know, mouth to mouth, heart to heart,where a poem really speaks to something that has no time and that is - it's acompletely different perception.

I make a lot of music for different people. My audience is varied so I use different tempos for different music in order to satisfy my many fans.

People walk differently in high heels. Your body sways to a different kind of tempo.

Being Slow means that you control the rhythms of your own life. You decide how fast you have to go in any context. If today I want to go fast, I go fast. If tomorrow I want to go slow, I go slow. What we are fighting for is the right to determine our own tempos.

We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.

Some bands blow it before they even play. The most important moment of any show is when a band walks out with the red amp lights glowing, the flashlight that shows each performer the way to his spot on the stage. It's crucial not to blow it. It sets the tempo of the show; it affects everyone's perception of the band.

Running gives freedom. When you run you can determine your own tempo. You can choose your own course and think whatever you want. Nobody tells you what to do.

The whole duty of a conductor is comprised in his ability to indicate the right tempo.

We complain of the increased tempo of our lives, but our frenetic lives are just reflection of the economic system that we have created.

Coffee has ... expand[ed] humanity's working-day from twelve to a potential twenty-four hours. The tempo, the complexity, the tension of modern life, call for something that can perform the miracle of stimulating brain activity, without evil, habit-forming after-effects.

I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.

The dancing vortex of a sacred metaphor clashes horns and halos to make wounded music set to the tempo of a new era in brilliant labor.

Fandango was around before the Internet. Fandango is a Spanish-American dance. It's a lively tempo dance. It's almost like the tango. That's what it says in the Merriam-Webster [dictionary]. The second entry is [defined as] 'tomfoolery.' That's what it says in the dictionary, that's what I go by. I remember Queen saying it too on 'Bohemian Rhapsody.' When I was little I never understood what they meant by 'do the fandango.

Cut out the eye from a photograph of one who has been loved but is seen no more. Attach the eye to the pendulum of a metronome and regulate the weight to suit the tempo desired. Keep going to the limit of endurance. With a hammer well-aimed, try to destroy the whole at a single blow.

It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.

I had a growing feeling that most of the best art of the world in painting and sculpture had been done, and that this newest form [photography] was more related to the progress and tempo of modern science of the eye.

At best Americans give but a limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.

London's tempo is 122.86 beats per minute.

To slacken the tempo...would mean falling behind. And those who fall behind get beaten.

I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.

There's no similarity between football and ballet, so this ain't ballet music being played on the field. I'm pumping something that's going to put me in a frame of mind to go to war, and something that's very high tempo and high beat.

What separates great jazz musicians from average ones is Taste. Those who have taste consistently choose notes, tempos, timbres and voicings that seduce and satisfy attentive listeners.

What makes games so exciting is that's a whole other- there's all sorts of other considerations on what music is supposed to achieve and what you're attempting to support, it's not uncommon to think of your music and to think of the way your orchestra plays for something like Jack and Daxter where you start with- you know because it has to change tempo and intensity as the action gets more intense.

There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.

Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting - in short, every action which determines the content of architecture.

His life rushes onward in such torrential rhythm that...only angels and devils can catch the tempo of it.

The faster you work and the more you get done, the better you feel. Most successful people work at a higher tempo of activity than unsuccessful people. They don't necessarily do different things, but they get things done more efficiently in a given time than the average person.

We were always taught to swing slow with good tempo. But you have to have some acceleration throughout the swing. I think that's where a lot of women go wrong. They should try to whack it a few times and see what happens.

It was Vivaldi's Mandolin Concerto, Francesca Abraham realized as the radio alarm went off. Lively, unrelentingly upbeat, it was the perfect tempo in which to start the day. Covering her head with a pillow, she reached out blindly and urgently, desperate to shut the damn thing off.