Listeners Quotes

We expect the listener to have, like, a movie going on when they hear us. That's what it's all about for us.

A voice can also repel, infuriate or actually make a listener ill.

History has repeatedly been changed by people who had the desire and the ability to transfer their convictions and emotions to their listeners.

Slander-mongers and those who listen to slander, if I had my way, would all be strung up, the talkers by the tongue, the listeners by the ears.

I'm more of a listener than a talker.

I don't feel like I need to preach to the world or nothing like that. I just feel like I share what I say, and if listeners get it, they get it. And I never underestimate the audience's ability to feel me.

Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.

A suffering person does not need a lecture - he needs a listener.

Female listeners are leaving traditional talk radio because of the rough-edged, shouting nature of it.

I am no theologian. I am a layman. I am among those who are preached to, and who listen. It is not for me to preach. I should not willingly forego being a listener, a man who reads the Gospels and then listens to what others say that our Lord meant. But sometimes a listener speaks out, and listens to his own voice.

A good journalist, as you know, is a great listener. And so's a good writer. And I got to listen to people for almost 20 years. That serves me well, I hope, when I try to understand how a character might be feeling, or how they might react.

People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.

I never fixed a story. I didn't make judgments, I let the listener make judgments. When I got to the end of the story, if it had a moral, I let the listener find it.

Sometimes I wish I could walk up to my music as if for the first time, as if I had never heard it before. Being so inescapably a part of it, I'll never know what the listener gets, what the listener feels, and that's too bad.

I probably have more female friends than any man I've ever met. What I like about them is that almost always they're generally mentally tougher, and they're better listeners, and they're more capable of surviving things. And most of the women that I like have a haunted quality - they're sort of like women who live in a haunted house all by themselves.

Listeners instinctively detect that when we lower the usual pitch of our voice, we are sad, and when we raise it, we are angry or fearful.

By some mysterious method, Susan Carr's gossip gave the listener a gentler feeling towards his kind. When she spoke of her neighbors' faults, one knew that somehow they were simply virtues gone to seed.

You maintain hope for humanity as an infinite skeptic of gossip and slander. In all mankind's desires for entertainment and exaggeration and sensationalism, when it comes to gossip, the individual always sounds worse than he really is. This is why adhering to gossip subtly affects the mental state of the listener - he goes on holding shady opinions regardless of where the realities of their lights and darknesses may stand.

I enjoy the challenge of taking something which was not meant for the piano, distilling its essence and writing or improvising it for/at the piano, but having the listener forget that he or she is listening to a piano.

Of all bad listeners, the worst and most terrible to encounter is the man who is so fond of listening that he wishes to hear, not only your conversation, but that of every other person in the room.

Each of us has been designed for one of two immortal functions, as either a storyteller or as a cross-legged listener to tales of wonder, love, and daring. When we cease to tell or listen, then we no longer exist as a people.

After spending the last 15 years guest hosting, I couldn't be happier to get the opportunity to host my own show! I'm looking forward to talking sports, connecting with listeners, and interviewing amazing guests every day, while being a part of the FOX Sports Radio family. It was worth the wait.

I want to be who I am now. I rock my gray hair because it is a blessing. I colored mine for many years, but I've gotten compliments from so many men and women about being brave enough to sport the gray. I even wear it on the cover of my record. I am comfortable in my skin and I want listeners to feel that as well.

Our listeners asked us: "What is chaos?" We're answering: "We do not comment on economic policy."

Preaching is compelling to young secular adults ... - not if preachers use video clips from their favorite movies and dress informally and sound sophisticated, - but if the preachers understand their hearts and culture so well that listeners feel the force of the sermon's reasoning, even if in the end they don't agree with it.

It’s not enough to be able to lie with a straight face; anybody with enough gall to raise on a busted flush can do that. The first way to lie artistically is to tell the truth — but not all of it. The second way involves telling the truth, too, but is harder: Tell the exact truth and maybe all of it…but tell it so unconvincingly that your listener is sure you are lying.

Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.

There's definitely something broken in the music industry clearly. Partly from downloading and partly the obstacles for discovery and listener choice and artist distribution are gone.

As a leader of people, you have to be a great listener, a great motivator, be very good at praising and bringing out the best in people.

I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.

be a good listener, don't judge and don't put boundaries on someone else's grief.

I rap for listeners, blunt heads, fly ladies and prisoners

If you come at the record feeling really happy and optimistic, it can be incredibly beautiful and uplifting, and if you come at it in a bleak moment, it can feel like a very dark place to share. It's all down to the listener.

The neuro-biology of playing a musical instrument is completely scientific, but it’s also an absolute miracle, that you’re taking basically a calcium bucket filled with salt-water that’s run by a weak electrical signal, and you’re using it to move your flesh around in order to manipulate an instrument which disturbs air molecules between you and the listener, and then the listener’s ears picks up those disturbed air molecules which generates a weak electrical signal to their calcium bucket full of salt water, and they feel a feeling. That’s miraculous, and that’s where I live.

No poem is intended for the reader, no picture for the beholder, no symphony for the listener.

Obviously the trouble with having a hit with something like a cover of a ballad, you attract a whole new set of listeners, which is great, but on the other hand they start to pigeonhole you a little bit.

I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.

The only part of an argument that really matters is what we think of the people arguing. X claims a, Y claims b. They make arguments to support their claims with any number of points. But when their listeners remember the discussion, what matters is simply that X believes a and Y believes b. People then form their judgment on what they think of X and Y.

Her seductive power, however, did not lie in her looks [...]. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one-woman spectacle.Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it.

The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. . . .

The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.

I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.

The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.

Know what you're talking about.

Know what you are talking about.

I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart. My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride.

If I were to offer any advice to young writers, it would be this: be discriminating and be discerning about the work you set for yourself. That done, be the untutored traveler, the eager reader, the enthusiastic listener. Put what you learn together carefully, and then write thoughtfully, with respect both for the reader and your sources.

Much of appreciating art or music is really the interpretation of the listener. To a certain extent it's projection - it's what people need or lack in themselves that they then put upon these people that they admire.

Some of the best things that have happened in my stories have happened seemingly of their own accord. The writer becomes a listener, just writing things down as they come.

A young professor I watched in action at one of our large eastern colleges used to stand with his back to the class and mumble explanations of blackboard problems. He was "let out" at the end of two years because students refused to attend his classes. He was given an evasive reason for his dismissal and he left with justifiable bitterness toward the administration. If someone had told him the truth he could have avoided this denouement. Sometimes professors go on for years without any conception of remediable faults which irritate their listeners.