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Writing history is a method of getting rid of the past.
Sep 17, 2025
Writing history is like drinking an ocean and pissing a cupful.
I can fairly be called an amateur because I do what I do, in the original sense of the word - for love, because I love it. On the other hand, I think that those of us who make our living writing history can also be called true professionals.
Movies are like writing history with lightning.
It is like writing history with lightning and my only regret is that it is all so terribly true.
Some may say [journal keeping] is a great deal of trouble. But we should not call anything trouble which brings to pass good. I consider that portion of my life which has been spent in keeping journals and writing history to have been very profitably spent. - "If there was no other motive in view [except] to have the privilege of reading over our journals and for our children to read, it would pay for the time spent in writing it.
The writing of history reflects the interests, predilections, and even prejudices of a given generation.
I had a long writing history behind me before I got into anything in film. It comprehended science fiction, it comprehended historical, it comprehended, you know, just about everything that you can think of.
History is always written wrong, and so always needs to be rewritten.
Oh, Val," said Father. "All you have to do is live your life, and everyone around you will be happier." "No greatness, then." "Val," said Mother, "goodness trumps greatness any day." "Not in the history books," said Valentine. "Then the wrong people are writing history, aren't they?" said Father.
Half of writing history is hiding the truth.
History is not truth versus falsehoods, but a mixture of both, a mélange of tendencies, reactions, dreams, errors, and power plays. What's important is what we make of it; its moral use. By writing history, we can widen readers' thinking and deepen their sympathies in every direction. Perhaps history should show us not how to control the world, but how to enlarge, deepen, and discipline ourselves.
The very ink with which history is written is merely fluid prejudice.
I could not do what I do without the kindness, consideration, resourcefulness and work of librarians, particularly in public libraries... What started me writing history happened because of some curiosity that I had about some photographs I'd seen in the Library of Congress.
People were, in good faith perhaps, writing history books about the Indian working class, Indian peasantry, et cetera, and at no point did Communists make an entry, not even to be criticized. They were essentially being whitewashed from history.
During the first formative centuries of its existence, Christianity was separated from and indeed antagonistic to the state, with which it only later became involved. From the lifetime of its founder, Islam was the state, and the identity of religion and government is indelibly stamped on the memories and awareness of the faithful from their own sacred writings, history, and experience.
The most valuable of all talents is that of never using two words when one will do.
You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is.
I feel like I'm too busy writing history to read it.
History will be kind to me for I intend to write it.
The art of writing history is the art of emphasizing the significant facts at the expense of the insignificant. And it is the same in every field of knowledge. Knowledge is power only if a man knows what facts not to bother about.
History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.
Today’s events are tomorrow’s history, yet events seen by the naked eye lack the depth and breadth of human struggles, triumphs and suffering. Writing history is writing the soul of the past… so that the present generation may learn from past mistakes, be inspired by their ancestor’s sacrifices, and take responsibility for the future.
What is history but a fable agreed upon?
The aim of art is almost divine: to bring to life again if it is writing history, to create if it is writing poetry.
From this time everything was copulated. Acetic, formic, butyric, margaric, &c., acids, alkaloids, ethers, amides, anilides, all became copulated bodies. So that to make acetanilide, for example, they no longer employed acetic acid and aniline, but they re-copulated a copulated oxalic acid with a copulated ammonia. I am inventing nothing-altering nothing. Is it my fault if, when writing history, I appear to be composing a romance?
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