Action Movie Quotes

Not every actor is a Tom Cruise. They are not all used to doing big action movies and doing sliding bikes and cars and fights. So you've got to take actors who have maybe not done that kind of stuff and get them through some proper training first.

Of course there's a value in a storyboard if you do a big - let's say an action movie and actors have to move and act in front of a green screen because entire backgrounds exploding and cars flying through there have to be created separately, and in this case you better make sure the actors are precisely placed and the background action is moving in a certain moment, for this type of film you would need a storyboard.

I'd love to do a really cheap action movie. I'd love to do stunts. I mean, not myself. I'd hurt myself, but I'd love to direct others doing stunts. I think that would be a blast. The funny thing is, if I really think through this fantasy, I know that the way I conceive of doing an action movie would still lose money. No matter how far I think I'm getting away from myself, it always comes back to something that's not terribly commercial.

Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.

Some of my favorite movies are action movies. You want something good to say. That comes from good writing. But writing is not a skill I possess, unfortunately.

So each of the commercials- basically it's an action movie cliché. "Bus" is very much inspired by Speed obviously, where you have a high-jacked out of control bus, and you have heroes who are trying to jump from a moving vehicle to the bus and they just can't do it because the moving vehicle can't get close enough, because all these VW cars have this distancing technology, which is really fantastic.

It's all based around the idea that basically VW cars are space age. They're the worst cars to use in action movie, because all the things you want to traditionally do in an action movie they won't allow you to do, because they make you drive safely if you want to or not.

Ironically, I think action can be the dullest part of movies nowadays - and I love action movies!

I'm lucky, because I started action movies at the age of 25. Now I'm 47, and I'm still kicking like a mule, and I'm as flexible as before.

I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.

I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.

I think I'm actually a mainstream, popcorn-eating kid. I've always been that, so I'd sit there watching action movies and American moves before I watch other movies quite often because I am that kid. But I've pushed into the more alternative area because that's where it gets really interesting creatively.

I do think that animated films have the ability to touch you someplace. There is something about live action movies that is different because we know the characters are real people, so they always stay flawed for us somehow. But animated films touch us in a very clear, uncomplicated place. They have that ability. And an animated character can make an expression in a way humans can't do.

I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.

The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.

I grew up with action movies in my head.

It's not quite the same as other kinds of performing, but I love animation. It is just a different kind of experience. The difference is that making a live action movie you are using your whole body.

One thing I am really dying to do, while I'm still young and in shape, is an action movie. I would love to do a Lara Croft type of thing that's really physical and tough. I want to have a gun and do martial arts. I would love to get paid to get into the best shape of my life.

I think what's dangerous about being an actor who does action movies is you think, 'Well, I can totally handle myself now.' But if my opponent didn't know the other half of the routine, I don't know how well I'd do.

Why did I spend all these years playing boring Europeans? I was made for action movies.

I'd love to be some sort of villain in a big-budget action movie. Or a superhero franchise. That'd be rad.

I never think I'm capable of any of [action movies]! I'm always terrified, but luckily on this one it was directed by my husband [Len Wiseman]. 'I can't possibly do it. I'm too scared, I can't do it.' He says: 'Go on. DO it!' So it is shocking as I'm not one of those people who finds that stuff easy.

You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.

I like heist movies. I like action movies that set all the elements into one and a chance to do something that comes from a great stable of writing.

I've been fortunate in that I've been able to have that balance as an actress to be able to do the wild, fun action movies and also be allowed to do the dramas. Hopefully, if I'm able to keep that balance, I'd love to always try to do both.

It was great fun working with Pierce [Brosnan]. He taught me a lot in terms of professionalism and how to take care of yourself on these action movies. They're fairly long shoots and they're fairly physical and fairly emotional, so you have to maintain yourself and make sure you can make it all the way through. That's something I learned from him.

There's one thing about weights with action movies: Once your muscles get that tight, it's sometimes hard to stop your movement, especially if you're trying to move with some strength, and with the swords in the film.

When you're watching an action movie, you experience an action movie more outside of the aquarium, you're out of the aquarium looking in at all the swimming fish that are in there. Whereas horror films and thrillers are designed to put the audience into that box, into that aquarium.

I'm a classic movie person. I love action movies, too, but when I grew up I didn't have much action movies.

Sometimes there are people who don't know how to make action movies - and that situation isn't a good one.

I'm not a fan of action movies. I don't watch many action movies, I don't have a lot of references except for 70s action movies or cinema noir.

Just by nature, I think in comedy. I think in sketches and what have you. In every drama or action movie I've been in, I have to make a concerted effort not to turn it into a comedy. Every shot, before action is called and after cut is called, I'm usually in some goofy head space. It feels natural to me.

I'm just a giant film fan, so I love action movies out of all kinds of movies. As a film geek, it's amazing to be able to shoot this stuff.

I always wanted to do an action movie, not particularly Bond.

I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries!

If anybody knows how to make action movies it's Sly.

There are so few guys who do action and do it well. Even fewer who are African-American. Even fewer who have classical-theater training. So a cat like me coming in, I'm bringing all of that to an action movie.

As for action movies, I did Tarzan, and I'm also about to shoot Meltdown, which John Carpenter wrote

I don't want to do an action movie, because I've acted in them, and they're so boring to do, because they're so technical. The headache of that is daunting. But, if it were an action movie with really interesting characters, how great would that be?

I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.

I haven't done a lot of action movies, so it's kind of fun to get to do a lot of stunt work.

That's why I'm going to kill you and see how Haruhi Suzumiya reacts.

What we got here is a failure to communicate.

Nine million terrorists in the world and I gotta kill one with feet smaller than my sister.

I'm gonna take you to the bank, Senator Trent. To the blood bank!

I know what you're thinking 'Did he fire six shots or only five?

I don't know who you are. I don't know what you want. If you are looking for ransom, I can tell you I don't have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you.

Come with me if you want to live!

A lot of action movies today seem to have scenes that just lead up to the action.

I tend to think of action movies as exuberant morality plays in which good triumphs over evil.