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Ayn Rand called her novella Anthem a "hymn to man's ego." My approach to Anthem the play was to provide the story a further dimension through music and sound. The work is now larger than a hymn. It's really "spoken opera."
Sep 10, 2025
Actually, one Anthem cue is a good example of the process. There is a four-minute sequence of music in Anthem, which underscores a prison sequence, and it lines up with five different, smaller scenes within one large scene.
Each day, I read the New York Times before leaving for the theater. And I have this standing assignment: connect the world of Anthem to the late breaking events of the day.
In the original novel [ Anthem], the story unfolds in the mind of a single character. Maybe that's why Ayn Rand called the work a poem.
At school my nickname is the National Anthem girl.
Some write that I'm a genius, others say that I'm disrespectful towards their country... If you remember in 1993 I squatted to tie my shoe during the French national anthem.
I wanted to write a song that's known to the world as a classic, stadium-rock anthem.
I listen to a lot of twerk anthems.
Bobby Orr was a star when they played the National Anthem in his first game.
I see the crowd singing 'Rock 'N Roll' or 'Back Road' at my concerts... they are anthems and they lift up your life.
I argued for years to have the Canadian anthem played at the US Open Racquetball Championship and on the 11th year, I got it. I teared up a bit when I heard the anthem. It was a highlight of my career, better than some of my wins.
The groves were God's first temple. Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them,--ere he framed The lofty vault, to gather and roll back The sound of anthems; in the darkling wood, Amidst the cool and silence, he knelt down And offered to the Mightiest solemn thanks And supplication.
I don't listen to the national anthem ironically. It's a beautiful song. I love it!
I watch the confusion of friends all numb with love moving like stray dogs to the anthem of night long conversations of pulsing rhythms and random voltage voices in spite of themselves graceful as these raindrops creeping spermlike across the car window.
I mean, sometimes we do do that, The National Anthem was a caustic satire and sometimes that's the way to go with the story rather than me being particularly misanthropic.
I actually had that conversation with [Channel 4 Chief Creative Officer] Jay Hunt. We were at a bit of a crisis point. I'd written a totally different script - about war, basically - that got rejected at the last minute for various reasons. The whole of the series was in doubt. I said, "Well, there is one other idea ["National Anthem"]."
I'd like to write a big rock anthem again. I just need to listen to Korn, and then I might get the idea of how to do it.
"National Anthem" was just a funny idea I'd been knocking about. I initially thought about a beloved celebrity having to do that - and then I watched an episode of 24. In my head, I was writing almost a parody of a 24-style president woken in the middle of the night with a crisis. It seemed more interesting to play it ultrastraight and to have the viewer's initial reaction be one of laughter and disbelief - and just have the whole thing become progressively more uncomfortable.
There is no passion that is not finely expressed in those parts of the inspired writings which are proper for divine songs and anthems.
If patriotism were defined, not as blind obedience to government, not as submissive worship to flags and anthems, but rather as love of one's country, one's fellow citizens (all over the world), as loyalty to the principles of justice and democracy, then patriotism would require us to disobey our government, when it violated those principles.
At the beginning of the World Series of 1947, I experienced a completely new emotion when the National Anthem was played. This time, I thought, it is being played for me, as much as for anyone else.
I've been doing music for many years and after a point what is the motivation that drives you to compose and to do stuff? I did this song for the U.N., a fighting for poverty anthem. That's when I realized that I could do a foundation. And when I started the foundation, it was basically to fight poverty and to help - that kind of stuff.
In the temple of his spirit, each man is alone.
And now I see the face of god, and I raise this god over the earth, this god whom men have sought since men came into being, this god who will grant them joy and peace and pride. This god, this one word: 'I.
The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.
There is fear hanging in the air of the sleeping halls, and the air of the streets. Fear walks through the city, fear without name, without shape. All men feel it and none dare speak.
Well, my dad was the district attorney of New Orleans for about 30 years.
My happiness is not the means to any end. It is the end. It is its own goal. It is its own purpose.
For the coming of that day shall I fight, I and my sons and my chosen friends. For the freedom of Man. For his rights. For his life. For his honor.
There is nothing to take a man’s freedom away from him, save other men.
This miracle of me is mine to own and keep, and mine to guard, and mine to use, and mine to kneel before.
Through all the darkness, through all the shame of which men are capable, the spirit of man will remain alive on this earth. It may sleep, but it will awaken. It may wear chains, but it will break through.
This god, this one word: I.
[On the House Un-American Activities Committee] They'll nail anyone who ever scratched his ass during the National Anthem.
I shall choose friends among men, but neither slaves nor masters. And I shall choose only such as please me, and them I shall love and respect, but neither command nor obey. And we shall join our hands when we wish, or walk alone when we so desire.
But what is freedom? Freedom from what? There is nothing to take a man's freedom away from him, save other men. To be free, a man must be free of his brothers. That is freedom. That and nothing else.
I am neither foe nor friend to my brothers, but such as each of them shall deserve of me. And to earn my love, my brothers must do more than to have been born. I do not grant my love without reason, nor to any chance passer-by who may wish to claim it. I honor men with my love. But honor is a thing to be earned.
The traditions of a nation are very important and the anthem written by Francis Scott Key in the early days of our nation should always be revered.
You will be pleased to know I stand obediently for the national anthem, though of course I would defend your right to remain seated should you so decide.
The national anthem of hell is, "I Did It My Way."
I am. I think. I will.
I had lots of breaks. I guess the one that got my foot in the door was singing the National Anthem at the National Finals Rodeo in Oklahoma City in '74.
I like traditions, and the national anthem is important.
I've never been more nervous in my life than singing the national anthem at the Super Bowl.
My dad was the district attorney of New Orleans for about 30 years. And when he opened his campaign headquarters back in the early '70s, when I was 5 years old, my mother wanted me to play the national anthem. And they got an upright piano on the back of a flatbed truck and I played it.
She marking them begins a wailing note And sings extemporally a woeful ditty How love makes young men thrall and old men dote How love is wise in folly, foolish-witty Her heavy anthem still concludes in woe, And still the choir of echoes answer so.
I need no warrant for being, and no word of sanction upon my being. I am the warrant and the sanction.
But I still wonder how it was possible, in those graceless years of transition, long ago, that men did not see whither they were going, and went on, in blindness and cowardice, to their fate. I wonder, for it is hard for me to conceive how men who knew the word "I," could give it up and not know what they lost. But such has been the story, for I have lived in the City of the damned, and I know what horror men permitted to be brought upon them.
All of us ... should remember that no amount of flag-waving, pledging allegiance, or fervent singing of the national anthem is evidence that we are patriotic in the real sense of the word. ... Outward behavior, while important, is not the real measure of a man's patriotism.
Who can I marry? Where can I live? What kind of career can I achieve? These are just some of the stories breaking with Anthem-like implications. And the ideas crushing the individual are all around us, chipping away at us constantly.