Broadway Quotes

I think... you know, collaboration, in general - no matter movies, television or Broadway - is offering of what you can bring to the table and also fighting what you think the important battles are. Not everything is going to make it in there. Not everything is going to work. You have to collaborate. And you have to be a good listener.

I have felt for a long time that I want to return back to being a singer-songwriter for a period of time. I will go back to Broadway. But I want to make the right choices about why to go back and when I am ready to go back.

My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.

I live in Derry, a little town in Ireland, and I don't have the background of Hollywood or Broadway.

Maybe I could be Supergirl on Broadway! That would be perfect.

On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.

I feel like I've been dealing with that building over the years because of the Broadway community, so I'm treating it in the same way - I've always tried to keep my personal life private. I didn't get into this business for notoriety or fame. I don't go to places to be seen and that's not going to change.

Broadway is not just the song and the shows; it's the individual performers and the community.

I've been able to go on and have a successful career on Broadway and certainly the last five years in Las Vegas have been amazing.

The good thing about Broadway is that you don't have to worry about an airdate. It gets done when it gets done.

Being in front of a live audience again. I get that in my concerts but there's nothing like being on Broadway.

Broadway has been very good to me. But then, I've been very good to broadway.

I would love to be on Broadway!

Maybe I'm old-fashioned. But I remember the beauty and thrill of being moved by Broadway musicals - particularly the endings of shows.

I was a weird kid. I should've been gay because I listened to a lot of Broadway musicals. I don't know why I'm not gay.

Don't know about a cabaret act right now, would actually prefer a role in a broadway musical.

I've heard it said that people come into our lives for a reason Bringing something we must learn And we are led to those who help us most to grow If we let them and we help them in return.

When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.

I've done some TV and I've done a lot of theater, obviously, and the last character I played on Broadway was a very fast-talking broad. I'm used to learning material and words.

Better a square foot of New York than all the rest of the world in a lump - better a lamppost on Broadway than the brightest star in the sky.

Always drawn to the theatric, Bowie also performed in stage productions of "The Elephant Man" and just recently collaborated on "Lazarus," an off-Broadway musical that's a sequel to his 1976 role in the film "The Man Who Fell To Earth."

Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.

This film "Phantom" takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.

Like Frankenweenie is a story about a boy and his dog, Big Fish is the story of a father and his son, and all those conversations you can't have. It's universal, in a way that can go from one medium to another medium. That's been the funnest, figuring out what we can do in a Broadway show that's unique and special.

The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.

I think as a writer you never have to flee from fame because you're not that visible in the first place, but, after the Broadway success of 'Beauty Queen,' people were coming up to me all the time, and I wasn't really prepared for that level of attention.

The only stuff I don't like are Broadway musicals. I hate them. I don't even like to talk about it. I can't bear musicals.

If Broadway was a river running from the top of Manhattan down to the Battery, undulating with traffic and commerce and lights, then the east-west streets were eddies where, leaf-like, one could turn slow circles from the beginning to the ever shall be, world without end.

The Grand Ole Opry, to a country singer, is what Yankee Stadium is to a baseball player. Broadway to an actor. It's the top of the ladder, the top of the mountain. You don't just play the Opry; you live it.

A dilettantism in nature is barren and unworthy. A fop of fields is no better than his brother on Broadway.

Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!

Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.

If you see young tulkus when they're with other little monks, it's like in a Broadway show or something where the main character is spotlighted and the others kind of fade into the background. And you think, who is that tulku? Because that's all you see, even though they're all dressed the same and they're all the same age, but it's like the tulku is illumined. They don't look like the other ones.

Rent Control was an interesting movie. It was directed by... I had done a couple of plays off Broadway, and this Italian director came, his name was Gian Luigi Polidoro, and he determined I was the person to play the lead in his low-budget comedy. He'd won an award at the Venice Film Festival, and... He was, y'know, a skilled director.

I think the thing's that perhaps sad really is that younger people haven't come in and I think it must have been absolutely fantastic to have worked in the 50's when you had all of the great Broadway composers and when West Side Story didn't win the Tony Award.

That's always - that's been another dream of mine, to do a Broadway play. An award winning Broadway play.

It was a different planet in 1967, the Broadway theatre. It had a little ashtray clamped to the back of every seat and the author got 10% of the gross.

Broadway is a tough, tough arena for singing.

It was during my first trip to America in 1953 - thats when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.

When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.

If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.

A lot of Broadway has that immigrant narrative of America as a place where you can become something else against all odds.

There's a strange sensation - you recall it from childhood - about sleeping in the afternoon. You rise into a different world from the one in which you lay down. The shadows have been rearranged. There's a sensation of sad sweetness, as if something has been overlooked. I used to feel it coming out of the movies just before dinnertime, after the matinee. How, I wondered, did Broadway actors face it, this bittersweet sense of time's slipping past.

When I still lived in Manhattan, people-watching was my hobby, and I spent many Sunday afternoons eating up the scene from a window seat at a Starbucks on Broadway.

I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.

Too many Broadway actors in motion pictures lost their grip on success--had a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.

And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.

The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.

Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.

In a musically imperfect world, there is still perfection in the voice of Barbara Cook. For anyone eulogizing the historic scores of a long-lost era of Broadway greatness, not to worry. Somebody is still singing them with purity and passion. She is Barbara Cook, and she sings them for the angels to applaud.