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I think test screenings with an audience are useful because they have no dog in the fight, they just say how they feel.
Sep 30, 2025
I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot.
I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.
Another reform, involves new screening tests for all applicants that include, and this is so important, especially if you get the right people. And we will get the right people.
History is not to be whitewashed "by a screening out of the importance of suffering."
I was too jitterbuggy happy to sleep, and the whole day kept playing in my brain's little screening room.
I didn't go to the special screening on a spaceship where everybody goes to have their special screenings...Everybody knows that's what happens in Hollywood.
My knowledge of Abuja is not as deep as my knowledge of Lagos.
Well, by all means please let's decentralize policing.
There are times we spent money when we shouldn't, the choices we make define the results we get
I find that after a screening, people really want to come and tell you what they feel.
It has been rumored that "Psycho" is so terrifying that it will scare some people speechless. Some of my men hopefully sent their wives to a screening. The women emerged badly shaken but still vigorously vocal.
If we stopped calling it profiling and started calling it "proactive intelligence screening" or "high alert detecting", people would be saying "Well, it's about time".
I love test screenings. Some directors don't, I know. But I love it. I think it's because I come from the theatre and in the theatre, previews are where you really have to listen to the audience and really feel how they're responding. I found our test screenings incredibly useful.
Parties and political systems used to be about excluding renegades who would never play well with others in government. Now it's actually systematically screening them in.
The abuse of political power is not as important as the loss of lives. Plus there is a process for curing the abuse of institutions.
An interesting opportunity is actually not just thinking about building organs for patients, but actually building little tiny organs that you could do drug screening on.
The concept of loyalty is a very strange concept. When loyalty is to be tested, the real answer is that may it never be.
All I mean is, I'm not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it's not very loud. That doesn't mean I don't like the movie.
Screening is an invaluable part of the process, obviously, having test screening and you definitely learn something.
Yeah, we definitely have screenings; we just don't have screenings out on the street. We bring in - it starts internally, so its people who work at Bad Robot, then it starts going to our friends outside of Bad Robot, and then it starts going to friends of friends outside so we get really fresh people who don't have to pretend to like us.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
The scariest thing about screening a comedy ... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.
Death is a billion-dollar business. They can't even pass a law where it takes seven days to get a gun. Why don't you have to go through the same kind of screening you do to get a driver's license? It's totally insane.
We are hopefully seeking some kind of distribution - but that's the ultimate goal of any independent film-maker. We are sold-out, from what I was told yesterday. We're going to try to put together another screening because I know there's a lot Jersey Boys fans that are coming. I don't know when, why or how, but we definitely want the opportunity for everyone to see this.
It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.
With 'Good Will Hunting,' Miramax made certain the recruited audience wasn't expecting to laugh at Robin Williams like they normally do. From my limited experience, you can really blow test screenings by conducting them in the wrong way.
The P.A.S.T. preventative screening and treatment programs are a must for all players. We can extend our lives and live a healthy and pain free life. The programs are very comprehensive. We have lost several players at a young age, maybe the loss of some of our players could have been prevented with the prevention, knowledge, and treatment that P.A.S.T. provides.
For every citizen that was robbed, I had failed.
As governor of Lagos, I never signed a cheque and never fixed contract prices.
I haven't fully moved over to the iPad. At any given time, I have about four DVDs in my pocket. I'm constantly screening 'Top Chef,' 'Housewives,' and all the other shows we have in development, racing to meet a deadline. So I pretty much bring my laptop everywhere.
Today the demands are for even higher standards in the quality of care, for greater flexibility and convenience in treatment times, and for more prevention through screening and health checks.
Film criticism became the means whereby a stream of young intellectuals could go straight from the campus film society into the professionals' screening room without managing to get a glimpse of the real world in between.
I think certain filmmakers going into Sundance or other big festivals should consider screening more for press and tastemakers before the festival. The traditional wisdom has always been the opposite: to not screen for anyone prior, let your film be seen by an audience, and generate the buzz from there.
The bottom line is, if somebody doesn't go through proper security screening, they're not going to go on the flight.
I think the part I enjoy most is reading the scripts and screening films because I'm a bookworm and a movie buff.
The characters are so flat and the dialogue so dull you expect it to be one of those movies whose existence is justified by a big final twist. But it's three days after the screening, and still no twist. Maybe it's coming in the mail?
The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.
When I go to the cinema, I'm often frustrated because I can guess exactly what is going to happen about ten minutes into the screening. So, when I'm working on a subject, I'm always looking for the element of surprise.
I was really enjoying one of the screenings of "Beautiful Creatures" and there was this little 14-year-old boy sitting next to me in the screening and I was laughing at all the jokes and I just felt really judged. I had to keep it down a bit. It's a bit embarrassing.
Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature - screening Friday and Saturday only at the Avalon - the key to amping up the gore is an old standby: puppets.
He [Bogie] had tremendous character and a great sense of honor and would not tolerate lies, even if they asked him what he thought of a movie. We were once at a screening at somebody's house, I forget whose, and they ran a movie that he was in, that he never thought much of. Afterward, the producer asked what he thought of it, and Bogie said "I think it's a crock." And this producer was horrified! He was about to release the movie, and he said to Bogie "Why would you say that?!" Bogie shrugged and said "Then don't ask me." He never played the schmoozing game. He was not into that at all.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
An estimated 2 million American women will be diagnosed with breast or cervical cancer this decade and screening could prevent up to 30% of these deaths for women over 40.
Imagine if the political elites in our country were forced to endure the same conditions at the airport as business travelers, families, senior citizens, and the rest of us. Perhaps this problem could be quickly resolved if every cabinet secretary, every member of Congress, and every department head in the Obama administration were forced to submit to the same degrading screening process as the people who pay their salaries.
There are always things I have to remove. I might look at a shot for five months, when somebody new to the screening room will say, 'hey, there's a modern air conditioner in that window.' It's a process.
I go to screenings, then plays, then after-parties, then clubs.
I have no doubt there are magician psychopaths, and magician serial killers. I doubt Brakebills admissions is very good at screening for those.