Edited Quotes

I believe there are Steve Jobses all around us. Really, what is happening is that they're being edited out of importance.

I had a newspaper in Flint, Michigan called the 'Flint Voice,' and so it was a, you know, underground, alternative newspaper that I edited and put out for about ten years.

I found that life has to be edited to continue.

I've never had the experience of being edited and never will.

Writing in journalism teaches you to be very comfortable taking criticism, being edited, and rewriting.

Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.

Kubrick was one of those directors who actually did practically everything in his movies. He actually directed, photographed, wrote, lit, edited - everything. A few people can be like that.

To me a saint is a severely edited sinner. That's what I think.

I think the Cincinnati Enquirer must be edited by children.

I would say my favorite was just the beginning of the movie like doing all the rehearsal stuff. It's been amazing to see the rest of it happen but it happens so piecemeal. And Edgar sort of has the whole movie edited in his head already, so we're just sort of matching to what he has.

You would have to be naive to think you can appear on television and not have the material edited in some way.

I think most of us, as writers, have had experiences where you get edited and it doesn't feel like your voice at all. And so it's been nice to go through the experience of having a lot wind up on the cutting-room floor, and yet still feel that your voice is being - not purified, but made more yourself. I think that's a very rare thing.

I've always wanted editors that actually edited my poems.

Even Jack Kerouac, who famously said, "First thought, best thought," benefited from editing. His earliest works are the most edited, and they're the best of his writing.

When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.

People need to be edited; life needs to be edited. I need to be edited.

The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.

Once the movie's over, there's not much point. When the thing is edited, mixed, and color-corrected, and you've finished it... In my case, I never read anything about it, I never think about it.

Being edited is like falling face down into a threshing machine.

I am not altogether confident of my ability to put my thoughts into words: My texts are usually better after an editor has hacked away at them, and I am used to both editing and being edited. Which is to say that I am not oversensitive in such matters.

I don't want my novel to be like Madame Bovary, finely crafted with the life edited out of it. I want my novel to be like a friend telling me a story -- so we go off on thoughts; that's the way it is.

With this kind of camera-phone madness we have got, moments are diluted into self-contained edited experiences.

Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.

Having your book edited is like watching your cat being operated on. It's uncomfortable and someone is probably going to get hurt. Most likely the cat. But in the end, things work out for the best and your cat is better it. And then your cat gets released in hardcover, and you have to read all of his reviews.

I'm not a good storyteller. I always think I'm going to get interrupted, or something's going to get edited. I think that comes from being in a large family, so you have to get your story in really quick or someone cuts you off.

The self-edited author is as foolish as the self-medicated patient.

This is where you see the truth of entertainment, because it is not edited. You see it on stage as it is happening. Even if we fall down or forget our words, it's a part of live entertainment.

Watching the completed version of The Two Towers for example, I was very conscious of scenes - sometimes whole sequences - that I had seen being filmed or edited but which hadn't made it into the final cut.

We need a daily paper edited and composed according to woman's own thoughts, and not as woman thinks a man wants her to think and write.

I love the edited version of it.

The sense impressions of one-celled animals are not edited for the brain. This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is.

Saint: A dead sinner revised and edited.

It seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and, also, scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald (I believe that is how he spells his name) seems to believe that plagiarism begins at home.

I always get a headache the first time I watch a movie I'm in. Because you're staring at the screen so hard, your brain is doing all this work trying to put things in context of what the day-to-day experience of making it was. And the timeline that's in your head of when it was made, and on what day, how you felt. And then you're also trying to grasp what it's been edited into.

It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.

If most of what we see via the media is not live, it must be edited: sifted for value, interpreted and re-presented for our convenience. We live in a disco, and the DJ is in charge.

Facebook was looking at which links I clicked on, and it was noticing that I was clicking more on my liberal friends' links than on my conservative friends' links. And without consulting me about it, it had edited them out. They disappeared.

What happens is that as the scripts are rewritten and re-edited in order to make the story more compelling, you sometimes end up with what you could call a time singularity - where there's no way for everything that happens to happen in real time. It's something that you need to wink at.

Nostalgia is also a dangerous form of comparison. Think about how often we compare our lives to a memory that nostalgia has so completely edited that it never really existed.

The editing process is a necessary evil. I can write until the cows come home but it is all garbage until it gets edited.

When I'm acting, I have zero control, and it's the scariest thing anyone can do in that field because, you know, your face is always the one that's out there in front of the camera, and any number of things can happen to you once you've done your work. It can be edited badly, it can be distributed badly, or it can not be distributed at all. And I've certainly experienced that; every actor has.

Often real life is boring and problematic. I love the edited version of it.

Back when the Bible was written, then edited, then rewritten, then rewritten, then re-edited, then translated from dead languages, then re-translated, then edited, then rewritten, then given to kings for them to take their favorite parts, then rewritten, then re-rewritten, then translated again, then given to the pope for him to approve, then rewritten, then edited again, the re-re-re-re-rewritten again...all based on stories that were told orally 30 to 90 years AFTER they happened.. to people who didnt know how to write... so...

After having edited numerous shorts, earning award nominations for it, and then 4 features edits, the director inside me is now burning to share its voice. Thriller, Horror, zany Comedy.

As late as the summer of 1941, the Atlantic Monthly, then a still respected magazine for literates and edited by White men, published a long article by Albert Jay Nock, in which he proved that the Jews are an Oriental race that is incompatible with ours. He was not punished and the magazine was not destroyed, strange and almost incredible as that seems today.

I went to a large consolidated school in Appalachia. And I wrote the story when I was in the second grade and I took it up to the third floor to the school newspaper office that was written and edited by juniors and seniors.

Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.

The Bible became the book of books, but it is not one document. It is a mystical library of interwoven texts by unknown authors who wrote and edited at different times with widely divergent aims. This sacred work of so many epochs and so many hands contains some facts of provable history, some stories of unprovable myth, some poetry of soaring beauty, and many passages of unintelligible, perhaps coded, perhaps simply mistranslated, mystery. Most of it is written not to recount events but to promote a higher truth—the relationship of one people and their God.

As a young woman, Ama Ata Aidoo the freedom fighter vowed never to write love stories. Let’s delight in the fact that over the years she has changed her mind about the value of writing about love, as her rich edited collection of highly original and diverse ‘African Love Stories’ demonstrates. She has traveled her path and had the courage to grow and change while retaining her deep commitment to Pan- Africanism. Love flourishes, after all is said and done.

The past cannot be changed or forgotten, edited or erased. It can only be accepted.