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When I was in college, there were a couple years there where I was just not sure what to do, and it was actually my mom who suggested I take some journalism classes.
Sep 10, 2025
If journalism were a religious order, George Orwell would be its patron saint.
When did fact checking and journalism go their separate ways?
A rat called Possible New Strain was sitting under a spaghetti strainer held down with a pile of journalism textbooks, saying rude things in rat-speak.
I've already become a mastodon in print - I don't see a consciousness for my kind of journalism.
I don't think that my kind of journalism has ever been universally popular. It's lonely out here.
A lot of journalism wants to have what they call objectivity without them having a commitment to pursuing the truth, but that doesn't work. Objectivity requires belief in and a commitment toward pursuing the truth - having an object outside of our personal point of view.
I still love following and thinking about politics. I enjoy recommending important journalism I read or see from other sources.
If you aren't just brought up in your tribe but interact with other people either directly or vicariously, through journalism and literature, you see what life is like from other points of view and are less likely to demonize them or dehumanize others and more likely to empathize with them.
Fiction isn't made by scraping the bones of topicality for the last shreds and sinews, to be processed into mechanically recovered prose. Like journalism, it deals in ideas as well as facts, but also in metaphors, symbols and myths.
I don't have any well-developed philosophy about journalism. Ultimately it is important in a society like this, so people can know about everything that goes wrong.
I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend.
Serious journalism need not be solemn.
I think our primary function is to create the strongest, deepest, most interesting news report there is in the world.And whether it's on the front page of the newspaper or leading the home page doesn't really matter. We reach a huge audience on the Web. And really, you know, the journalists, whether they are reporters or editors or Web producers or multimedia specialists, we're all creating, you know, the journalism that is the bedrock of our news report. And that's true for the newspaper, the Web, our apps, and you name it.
Julieanne Smolinksi has a history in rock journalism and she's a huge rock 'n' roll fan, and she was a huge fan of Ava (Elaine Hendrix) and Gigi (Elizabeth Gillies) and of the actresses. I was really lucky to get her, in between seasons on Grace and Frankie.
God, newspapers have been making up stories forever. This kind of trifling and fooling around is not a function of the New Journalism.
The first word I would remove from the folklore of journalism is the word objective.
In the end, the discipline of verification is what separates journalism from entertainment, propaganda, fiction, or art.
Successful publication is all about the mix. What Buzzfeed discovered was that people like cat pictures. We can pretend to be embarrassed about that as a species, but it is actually a truth. So Buzzfeed publishes a lot of cat pictures. But they use the money from cat pictures to build an exceptional newsroom that publishes stories that far fewer people want to read, but it is very important journalism.
With the possible exception of God during the writing of the Bible, every writer in history has needed an editor. So do you.
Great is journalism. Is not every able editor a ruler of the world, being the persuader of it?
The sheer novelty and glamor of the Western diet, with its seventeen thousand new food products every year and the marketing power - thirty-two billion dollars a year - used to sell us those products, has overwhelmed the force of tradition and left us where we now find ourselves: relying on science and journalism and government and marketing to help us decide what to eat.
As someone who has spent a lot of her career as an investigative reporter, I'll confess that a frustration of mine has always been that so much investigative journalism involves a dissection of events in the past.
I think if the content is good and the content is interesting, the at home viewer will watch it for as long as the story is interesting thus the responsibility for making the story interesting falls on the shoulders of the reporter or the producer. Then I'm disappointed that producers have felt that television can only be told in 59 second story bursts because we've become, it's become journalism based on MTV, video electronic editing and cutting.
The current state of music journalism is not bad, but it's not great at all. Some of the hip-hop stuff people get into is exciting, because there's a passion and there's something to explain to a more mainstream audience, so you get these passionate writers who want to express their love for rap and hip-hop, which is cool. But there are too many magazines, and the access has been diminished, so the quality of profiles has gone way down. Internet stuff can be really good, though. I like the dialogue between fans on the Internet. I think that's the best rock writing that's going on right now.
Needless, heedless, wanton and deliberate injury of the sort inflicted by Life's picture story is not an essential instrument of responsible journalism.
A journalist's peculiar function is to read the mind of the country and to give definite and fearless expression to that mind.
Journalism is a way of voicing opinion, of participating in the political, social, or cultural debate.
Reporters are not paid to operate in retrospect. Because when news begins to solidify into current events and finally harden intohistory, it is the stories we didn't write, the questions we didn't ask that prove far, far more damaging than the ones we did.
You're a white male living in America, brought up in one of the richest cities in the county, Palo Alto. You went to high school with Steve Jobs' daughter, and your journalism teacher is the mother-in-law of Sergey, co-founder of Google.
My father always wanted me to be president of the United States, and his fallback position was that I not become a ward of the county. I think my father was okay about my going into journalism, though.
In journalism, especially, we tend to deal with large, complex systems by finding especially interesting people and story lines to focus on.
I am a journalist and, under the modern journalist's code of Olympian objectivity (and total purity of motive), I am absolved of responsibility. We journalists don't have to step on roaches. All we have to do is turn on the kitchen light and watch the critters scurry.
Journalism has changed tremendously because of the democratization of information. Anybody can put something up on the Internet. It's harder and harder to find what the truth is.
There is no doubt that the way journalism worked when I was growing up and getting started has changed forever.
I can't think in terms of journalism without thinking in terms of political ends. Unless there's been a reaction, there's been no journalism. It's cause and effect.
Nobody beats a bunch of journalists for inflating their rather mundane straightforward chores with a lot more melodrama and self-importance than the job should be asked to contain.
It sometimes takes a while for executives to figure out that the reporters they think of as little bugs to be squashed or spun can be more powerful than they are.
The difference between fiction and journalism is that you can disguise the characters, so you won't get your legs broken, and there's no interview tapes to transcribe.
Miscellanists are the most popular writers among every people; for it is they who form a communication between the learned and the unlearned, and, as it were, throw a bridge between those two great divisions of the public.
Fiction is a bridge to the truth that journalism can't reach.
The newspapers, I perceive, devote some of their columns specially to politics or government without charge; and this, one would say, is all that saves it; but as I love literature and to some extent the truth also, I never read those columns at any rate. I do not wish to blunt my sense of right so much.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
Real crime-beat investigative journalism does seem to be really dwindling, especially in this age with everything being centered around iPhones. Everyone's a journalist today, essentially. Every pedestrian on the street has the potential of capturing a big story on their mobile device and then selling it and making a lot of money.
All good novelists have bad memories. What you remember comes out as journalism; what you forget goes into the compost of the imagination.
The Huffington Post Investigative Fund's goal is to produce a broad range of investigative journalism created by both staff reporters and freelance writers, with a focus on working with the many experienced reporters and writers impacted by the economic contraction. The pieces will range from long-form investigations to short breaking news stories and will be presented in a variety of media - including text, audio, and video.
I would just like to see hip-hop journalism in general take a step up and match the artistry. There have been great writers in music who are the caliber of artist as a writer as the people that they're covering.
Sinclair Lewis is the perfect example of the false sense of time of the newspaper world.... [ellipsis in source] He was always dominated by an artificial time when he wrote Main Street.... He did not create actual human beings at any time. That is what makes it newspaper. Sinclair Lewis is the typical newspaperman and everything he says is newspaper. The difference between a thinker and a newspaperman is that a thinker enters right into things, a newspaperman is superficial.
To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.
[On journalists:] They are the scavengers of society who, possessing no guts of their own, tear out the guts of celebrities. They have the sycophantic, false enthusing gush of maiden aunts: who are accustomed to being trampled on doormats.