Fantasy Quotes

Vampirism, for me, was a way to live in fantasy and have superpowers, but not just in a really perfect, happy, everything is great way. It's superpowers with a cost. It's having to be the villain, and what do you do about that.

They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.

To me, the scariest movie ever made to this day is The Exorcist. It still scares the living hell out of me, and it’s because of the fantasy element. It’s the exorcism. It’s the Devil. It’s not a guy breaking into your house trying to torture you or cut your whatever off. Those kinds of movies don’t do it for me, and I don’t call them horror.

I'm only lookin' for a fantasy, an interlude from reality.

Dreams are not without meaning wherever they may come from — from fantasy, from the elements, or from another inspiration.

I felt ravaged, and with both hands in a fantasy I reached out for her figure as we ran together through the meadow which belonged only to us and to which these others could never be admitted."Oh, inocent love," she said even as she drank from me, "oh, innocent innocent love."

It didn’t matter the quality of the writing— Callie’s fantasies about her fictional heroes were entirely democratic.

In negotiating with rejected lovers or husbands, women must stop thinking they can make everyone happy. In many cases of harassment and stalking, it is clear that the woman never learned how to terminate the fantasy which requires resolution and decisiveness on their part. Wavering, dithering, or passive hysterical fear will only intensify or prolong pursuit.

People have a range of capacities to deal with overwhelming experience. Some people, some kids particularly, are able to disappear into a fantasy world, to dissociate, to pretend like it isnt happening, and are able to go on with their lives. And sometimes it comes back to haunt them.

Fantasy is toxic: the private cruelty and the world war both have their start in the heated brain.

To me, fantasy has always been the genre of escape, science fiction the genre of ideas. So if you can escape and have a little idea as well, maybe you have some kind of a cross-breed between the two.

Without playing with fantasy, no creative work has yet come into being.

Pretty much anything you care to imagine can happen in a fantasy, which in turn means you can really crank up the intensity of the tale you're telling.

My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.

Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.

Anti-European politicians tell more myths and fantasies about Europe than you can find in Harry Potter or The Da Vinci Code.

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing.

There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.

To search means, first, I need Being, Truth; second, I do not know where to find it; and third, an action takes place that is not based on fantasies of certainty— while at the same time a waiting takes place that is rooted not in wishful thinking but in a deep sense of urgency.

I think that I am the luckiest cat on the planet and I'm living out my own dreams and fantasies and have been for a number of years and to remain at this stage of my life, you know, so alive and things have never been better.

It is in the capacity to love, that is to SEE, that the liberation of the soul from fantasy consists. The freedom which is a proper human goal is the freedom from fantasy, that is the realism of compassion. What I have called fantasy, the proliferation of blinding self-centered aims and images, is itself a powerful system of energy, and most of what is often called 'will' or 'willing' belongs to this system. What counteracts the system is attention to reality inspired by, consisting of, love.

The heart grows brutal feeding on fantasies.

We had fed the heart on fantasies, The heart's grown brutal from the fare, More substance in our enmities Than in our love

taking her hand he led her out into a broad stretch of hard sandy soil that the moon flooded with great splendor. They floated out like drifting moths under the rich hazy light, and as the fantastic symphony wept and exulted and wavered and despaired, Ardita's last sense of reality dropped away, and she abandonded her imagination to the dreamy summer scents of tropial flowers and the infinite starry spaces overhead, feeling that if she opened her eyes it would be to find herself dancing with a ghost in a land created by her own fantasy.

And then, into the fantasy, as into a dream, would come the thought: it's not like this anymore; the world has changed. Just the way, even at that time fully two years after my mother's death, I'd catch myself thinking about her as alive; and would suddenly remember, an admonitory finger of grief upon my breast, that she was gone.

Look at life through the wrong end of the telescope.

I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, it's a way of looking at life through the wrong end of a telescope. Which is what I do, and that enables you to laugh at life's realities.

True, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air, And more inconstant than the wind, who woos Even now the frozen bosom of the north, And, being anger'd, puffs away from thence, Turning his side to the dew-dropping south.

I began plotting novels at about the time I learned to read. The story of my childhood is the usual bleak fantasy, and we can dismiss it with the restrained observation that I certainly would not consider living it again.

It was the baseball fantasy of a lifetime - to be able to sit on the bench with all those professional athletes. I got to take my son along because I wasn't sure I would be able to play with them.

A man who is not touched by the earthy lyricism of hot pastrami, the pungent fantasy of corned beef, pickles, frankfurters, the great lusty impertinence of good mustard is a man of stone and without heart.

The only time a man can be brave is when he is afraid.

Entourage' is a great show, but it's fantasy. I spent my twenties in L.A. in this business, and my life didn't look anything like that. 'Big Bang' reflects a side of men that is rarely shown. We see their flaws - all of them.

Wickedly Dangerous translates a terrifying figure from folklore , the Baba Yaga, into the smart, resourceful, motorcycle-riding Barbara Yager, who travels with her dragon-disguised-as-a-dog best friend, righting wrongs and helping those in need. But when she stumbles into a town whose children are vanishing, and meets the haunted young sheriff trying to save them, what was a job becomes very personal. This is urban fantasy at its best, with all the magic and mayhem tied together with very human emotions, even when the characters aren't quite human.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli.

Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.

The idea that it is necessary to go to a university in order to become a successful writer . . . is one of those fantasies that surround authorship.

I think a lot of people want people who actually have qualities they don't find attractive as a way of being able to change them. It's fascinating, because people think if they can change the other person, they can change themselves. It's a complex phenomenon. It's a fantasy that's actually about being able to come to terms with ourselves.

It may be a mistake to say this, but I know my limitations as an actor and I know what I can and can not do. Robert De Niro can do everything. I can't. A 'Highlander' movie is basically my thing. What I'm attempting to do is develop my ability as an actor and try to be the best I can be in the fantasy/action genre.

People are attempting to bring a superficial reality to superheroes which is rather stupid. They work best as the flamboyant fantasies they are. I mean, these are characters that are broad and big. I don't need to see sweat patches under Superman's arms. I want to see him fly.

The 'squaring of the circle' is one of the many archetypal motifs which form the basic patterns of our dreams and fantasies. But it is distinguished by the fact that it is one of the most important of them from the functional point of view. Indeed, it could even be called the archetype of wholeness.

There are things that are more important than the news and what’s happening today. There are these archetypes which are part of the human imagination since humans were presumably imaginative. And I think that’s what [people] find touching, these eternal ideas. It’s one of the things that makes fantasy something that tends to stand the test of time because we’re reading, 50 years later, The Lord of the Rings.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

I only like luxury fashion. You have to decide where you stand. I like well-made, authentic clothes, well-crafted tailoring. I also like the dream and fantasy of luxury, the exception and rarity of it. I have no interest at all in fast retail. It is ambiguous.

I don't know half of you half as well as I should like; and I like less than half of you half as well as you deserve.

The planet Mars -- crimson and bright, filling our telescopes with vague intimations of almost-familiar landforms -- has long formed a celestial tabula rasa on which we have inscribed our planeto-logical theories, utopian fantasies, and fears of alien invasion or ecological ruin.

STARING INTO THE ABYSS by Richard Thomas is an outstanding book, a grim tapestry of broken lives and shattered dreams, of dark fantasies and dark reflections. It's one of the better single-author collections I've had the pleasure to read in recent years, and as such, gets my highest recommendation. It's also a fine testament to a talent I suspect we are going to be hearing a lot more from, and soon.

It was the first time I realized that absolute reality could be so much more fun than fantasy.

The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.

The school was nothing but reminiscence - of an Italian hill town, a French abbey, an English academy, the different sources improbably but convincingly melded into a fantasy about the classic sites of Europe as imagined by exiles from cold peripheral lands, nostalgia about somebody else's past.