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Authors must not, like Chinese soldiers, expect to win victories by turning somersets in the air.
Sep 10, 2025
The motives and purposes of authors are not always so pure and high, as, in the enthusiasm of youth, we sometimes imagine. To many the trumpet of fame is nothing but a tin horn to call them home, like laborers from, the field, at dinner-time, and they think themselves lucky to get the dinner.
The pen is the tongue of the hand; a silent utterer of words for the eye.
The idea that it is necessary to go to a university in order to become a successful writer . . . is one of those fantasies that surround authorship.
All authors to their own defects are blind.
Successful writers learn at last what they should learn at first,--to be intelligently simple.
People's interest is in the product, not in its authorship.
Authorship is, according to the spirit in which it is pursued, an infamy, a pastime, a day-labor, a handicraft, an art, a science, a virtue.
Manner is all in all, whate'er is writ,The substitute for genius, sense, and wit.
Oh, rather give me commentators plain, Who with no deep researches vex the brain; Who from the dark and doubtful love to run, And hold their glimmering tapers to the sun.
No author ever drew a character consistent to human nature, but he was forced to ascribe to it many inconsistencies.
If God is the author of life, there must be a script.
Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.
Too indolent to bear the toil of writing; I mean of writing well; I say nothing about quantity. [Lat., Piger scribendi ferre laborem; Scribendi recte, nam ut multum nil moror.]
A man of moderate Understanding, thinks he writes divinely: A man of good Understanding, thinks he writes reasonably.
He who writes distichs, wishes, I suppose, to please by brevity. But, tell me, of what avail is their brevity, when there is a whose book full of them?
The lover of letters loves power too.
A man starts upon a sudden, takes Pen, Ink, and Paper, and without ever having had a thought of it before, resolves within himself he will write a Book; he has no Talent at Writing, but he wants fifty Guineas.
I didn't really escape that gravity until I moved 300 miles south to go to college at 18, where authorship no longer seemed something liable to induce vengeful punishment.
It takes courage to be the author of your life.
Often turn the stile [correct with care], if you expect to write anything worthy of being read twice. [Lat., Saepe stilum vertas, iterum quae digna legi sint Scripturus.]
Let it (what you have written) be kept back until the ninth year. [Lat., Nonumque prematur in annum.]
I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.
Knowledge is the foundation and source of good writing. [Lat., Scibendi recte sapere est et principium et fons.]
And people do enjoy the plays at completely different levels. And, likewise, they enjoy the authorship question... at completely different levels.
This letter gives me a tongue; and were I not allowed to write, I should be dumb. [Lat., Praebet mihi littera linguam: Et, si non liceat scribere, mutus ero.]
The writer, like a priest, must be exempted from secular labor. His work needs a frolic health; he must be at the top of his condition.
Whatever hath been written shall remain, Nor be erased nor written o'er again; The unwritten only still belongs to thee: Take heed, and ponder well what that shall be.
There are three difficulties in authorship; to write any thing worth the publishing — to find honest men to publish it — and to get sensible men to read it.
The circumstance which gives authors an advantage above all these great masters, is this, that they can multiply their originals; or rather, can make copies of their works, to what number they please, which shall be as valuable as the originals themselves.
He who writes prose builds his temple to Fame in rubble; he who writes verses builds it in granite. - Edward George Earle Lytton Bulwer-Lytton, first Baron Lytton
Indeed, unless a man can link his written thoughts with the everlasting wants of men, so that they shall draw more from them as wells, there is no more immortality to the thoughts and feelings of the soul than to the muscles and bones.
That writer does the most who gives his reader the most knowledge and takes from him the least time.
He who writes prose builds his temple to Fame in rubble; he who writes verses builds it in granite.
Almost anyone can be an author; the business is to collect money and fame from this state of being.
There is probably no hell for authors in the next world - they suffer so much from critics and publishers in this.
Writers, especially when they act in a body and with one direction, have great influence on the public mind.
The great and good do no die even in this world. Embalmed in books, their spirits walk abroad. The book is a living voice. It is an intellect to which one still listens.
To write much, and to write rapidly, are empty boasts. The world desires to know what you have done, and not how you did it.
The unhappy man, who once has trail'd a pen, Lives not to please himself, but other men; Is always drudging, wastes his life and blood, Yet only eats and drinks what you think good.
Write to the mind and heart, and let the ear Glean after what it can.
We are the products of editing, rather than of authorship.
The pen is the tongue of the mind.
But words are things, and a small drop of ink, Falling like dew, upon a thought, produces That which makes thousands, perhaps millions, think.
The trade of authorship is a violent, and indestructible obsession.
Authors may be divided into falling stars, planets, and fixed stars: the first have a momentary effect; the second have a much longer duration; but the third are unchangeable, possess their own light, and work for all time.
The notorious tendency of conservative apologists and New Age paperback writers alike is to leap from mere possibility to the right to believe. "If there might be space aliens, we can assume there are." "If the idea of Atlantis is not impossible, we can take it for granted." "If the traditional view of gospel authorship cannot be definitievely debunked, we can go right on assuming it's truth." No, you can't.
In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumulation of facts and then speculation about their meaning is the nature of authorship in both mediums.
Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes, does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if 'A Midsummer Night's Dream' was really a dream?
Professed authors who overestimate their vocation are too full of themselves to be agreeable companions. The demands of their egotism are inveterate. They seem to be incapable of that abandon which is the requisite condition of social pleasure; and bent upon winning a tribute of admiration, or some hint which they can turn to the account of pen-craft, there is seldom in their company any of the delightful unconsciousness which harmonizes a circle.