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Fictional characters exist in only two places, neither of which is on the printed page. They exist, first, in the mind of the writer and, second, in the mind of the reader.
Sep 16, 2025
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
Perhaps teenagers don't interest me as much as children do since I still feel (even at 58) to be a fairly adolescent personality, especially in my enthusiasms, and I find myself an uninteresting fictional character.
We all know people for that length of time and people change. They mature. There is a certain expectation that a fictional character does not change. But you can't go back and play him the same way.
We referenced fictional characters as if they were people to learn from. As if real-life people were too nebulous, too private and unreal for us to understand.
You should grieve if a fictional character is killed. You should care.
The world is full of fictional characters looking for their stories
Writers are magpies, and we collect details about people and we use them for fictional characters.
In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.
Whoa, I've really got to stop making plans with fictional characters. It can't be healthy to develop relationships with people who don't exist.
Talking out loud to fictional characters is just the tip of the iceberg.
Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.
The world is a stage we walk upon. We are all in a way fictional characters who write ourselves with our beliefs.
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
Somerset Maugham said that it took at least six human beings to make one fictional character. That is true of landscape as well, I think. We have to make our landscapes, change streets, create new turnings, rebuild or tear down, change time, and even nature, if need be.
Writing fiction lets you be a little more emotional and unguarded, a little freer. Writing fictional characters is also really different from writing about real people. In nonfiction, you can only say so much about the people you interact with. After all, they're actual people, their version of their story trumps yours. In a novel, you can build a character, using certain parts or impressions of someone you know, and guessing or inventing others, without having to worry that your guesses or memories or inventions are wrong.
I mean, I can do that all day long. I can tell you the Vulcan's are not actually devoid of emotion. That they work hard to suppress their emotions. And of course, there actually are no real Vulcan's, though I know the ins and outs of them as fictional characters.
But people do the same thing with the Bible. They memorize all the fictional characters, the parameters and the rules of the game and think it's important, but I can't get excited about that myself.
I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.
My next guest [ for party with five favorite fictional characters] would be Scarlett from Gone With The Wind. I mean, come on, I have to know if she ever got Rhett back.
I'd extend an invitation to Lisbeth Salander. She would definitely shake the party up and get it started. I think she is hands down one of the most original, innovative, kickass female fictional characters ever.
I am no longer going to become a fictional character to please people. That's too much work.
History is basically really looking back and finding out what happened to an individual, a community, a family, a group in a certain event. And so that's why I go, "Wow. That's what acting really is. You find out the background, you get the joy of creating a fictional history of a fictional character and you get to tell a story." So I felt that acting is making history come alive and it became my mode of trying to figure out what this craft of acting is really all about.
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
In my older songs, I used to hide behind fictional characters to deflect attention away from myself.
A writer often wants to change a reader’s perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader.
I do like to embed a fictional character firmly in an occupation.
Humanity has this need to hear stories because they connect us with other people, they teach us about our own feelings. We feel less lonely when we see other people going through the same things, even if they're fictional characters.
It's a wonderful thing to be able to create your own world whenever you want to. Writing is very pleasurable, very seductive, and very therapeutic. Time passes very fast when I'm writing-really fast. I'm puzzling over something, and time just flies by. It's an exhilarating feeling. How bad can it be? It's sitting alone with fictional characters. You're escaping from the world in your own way and that's fine. Why not?
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
I was half asleep but I smiled. In spite of all his irritating qualities, I couldn't help liking a man who despised a fictional character with such passion.
I've thought a lot about the power of empathy. In my work, it's the current that connects me and my actual pulse to a fictional character in a made up story, it allows me to feel, pretend feelings and sorrows and imagined pain.
If we show fictional characters doing cool stuff, then girls will want to be it in real life.
I wanted to invent myself as a fictional character. And I did, and it has caused a great deal of confusion.
When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.
The language fictional characters use is chosen for effect, at least if the author is concentrating.
You put a spell on the dog," I said as we left the house. "Just a small one," said Nightingale. "So magic is real," I said. "Which makes you a...what?" "A wizard." "Like Harry Potter?" Nightingale sighed. "No," he said. "Not like Harry Potter." "In what way?" "I'm not a fictional character," said Nightingale.
I quote fictional characters, because I'm a fictional character myself!
I laughed. It was just like Owen to make excuses for someone else’s shortcomings. Even fictional characters. Owen found my tendency to speak my mind “refreshingly honest,” and hailed Marc’s temper as “a deep protective instinct.” He said Ethan “thoroughly enjoyed life,” and that Parker “really knew how to have a good time.” According to Owen, we were all doing just fine, and all was right with the world.
As far as I am concerned, Don Quixote is the most metal fictional character that I know. Single handed, he is trying to change the world, regardless of any personal consequences.
Gayness is built into Batman. I'm not using gay in the pejorative sense, but Batman is very, very gay. There's just no denying it. Obviously as a fictional character he's intended to be heterosexual, but the basis of the whole concept is utterly gay.
I have played Blair Cramer for 20 years, I feel a personal investment in the success of 'One Life to Live.' I love the show, I'm a fan of the characters, and I have invested in the journey these fictional characters have traveled.
If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
There is no cure for fictional character love, but the plus side is that it is an entirely benign disease with no bad side effects.
I am more than happy to invite my five favorite fictional characters. Let's see. First on my list is Sam Gamgee from The Lord of The Rings. Sam is a beautiful character; in him, we find the profound heroism of an ordinary person. He epitomizes the saying that courage isn't not being afraid, courage is going anyway. I just love that.
People do not spring forth out of the blue, fully formed – they become themselves slowly, day by day, starting from babyhood. They are the result of both environment and heredity, and your fictional characters, in order to be believable, must be also.
It's impressive when you're such a mysterious fictional character that even avid enthusiasts are debating your existence within the mythos.
Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you.
If people ever look down upon you for crying for fictional characters, you should give them a gentle, pitying look and feel bad for them. If they've never cried for a fictional character, then they've never loved one (and what a joy that is). If they've never cried at a book, a movie, a piece of music, then they've missed one of the great pleasures life has to offer. Just because fiction does not contain things that are real doesn't mean it doesn't contain truth, and we find it through the alchemy of our tears.
I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.