Gigs Quotes

Every time I do a gig, my goal is getting new fans.

Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.

I met BSB at a benefit gig we were both doing, and they are really humble, nice guys - and very hard working

I use Twitter as a tool to get involved with people, to sell tickets to gigs where I can stand in a room and smell the audience - and I love that!

I try to keep performing as much as possible - I just like to. I used to take huge gaps off between gigs, now I just like to do stand-up gigs as much as I can.

Donald Rumsfeld also lost his gig last week. When asked what his future plans are, Rumsfeld said, 'What's a plan?'

I did a gig in the U.S. once for the homeless. I said 'It's nice to see so many bums on seats.'

My most favourite gigs that ever happened were solo, before The Monkees ever happened.

The more you write tunes, the better they will become. The more you do gigs, the better you will become. It’s just kind of like the facts of life; the practice makes perfect thing. Keep your fingers crossed, start from the bottom and work your way up.

It was like an explosion. You just don't get ready for it. I don't even know how you can, because you just don't expect it. For me, up until that point, you would do a gig, and then you'd go out and try to find the next job.

The best part was watching Journey grow into this monster. The band was huge, playing these enormous gigs.

One of the greatest pleasures of working on shows is that I enjoy watching the actors - who are all younger than me now - and their careers. I love seeing how they're doing and seeing them getting good gigs and doing well.

I'm nervous ahead of every gig. I feel like running away three seconds before I'm due on stage. But I'm all right as soon as I get the mic in my hand.

I want to have a good time myself. I don't want to dread going to work no matter what the gig is. I think, selfishly, I will make sure that I have a good time; how about that?

Teaching has definitely become a big part of my life in the past ten plus years. As it often does for many dedicated players. Because you can have some great gigs.

I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.

Part of the acting gig is when you're let loose some improvs and put stuff into your own words every once in a while. That doesn't get you a writing credit or more money. It just makes it more fun.

I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.

If you've got craft, you got game. If you got game, you can write your way in and out of anything. Writing is the best gig in the whole business, as far as I'm concerned. It's the only job where you don't have to wait for someone to tell you what to do. You just sit down and make s**t up.

You’re so hilarious. You know, if this whole Daimon-slaying gig doesn’t work out for you, you should really consider being a comedian. The bright Barney hair color would just add to the overall entertainment factor.

Well, I got pretty good and went on the road with a group. We starved. At that time I didn't realize that you'd work one gig in Kansas City, the next in Florida and the next gig will be in Louisville. You know, a thousand miles a night. That was really rough, man.

My first gig was at Radio City Music Hall when I was 13.

It was my first time in Kansas City. In about two or three days I had a gig at a place called The Monroe Inn.

In Haitian mythology there is the figure Ghede, who in West Africa, is Iku, whose role is to show "each man his devil." He's represented by a figure wearing a top hat and smoking a cigar. That's my gig.

I definitely had some moments, where, "Wow, these were some hard chords" on some gig.

I think the one-on-one gigs connecting with the fans - is the most important thing. That will help build your fan base. They'll talk about you, and word spreads. Those things are just as important as knowing how to play an E chord.

There seemed to be a sense about Sarah [Harmer] even back then.She was obviously a quick study. I remember going to the Harmer farmhouse and sitting around the pool, and Sarah had a guitar. Maybe I knew four chords, but she already knew five. After doing 600 gigs that week, I would sing with her in a ragged voice, and she had the voice of a bird.

I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.

I got to talk to people like Mel [Lewis] and Milt Hilton and Benny Carter and Clark Terry and... Jay McShann. I just found myself in some circumstances, on some gigs or sometimes in clubs, with the ability to talk to some of these people. Just being around their energy and being around that history was invaluable. And what I normally say to young people that are getting into the music, if you can and go... now there's less of those folks around, sadly.

It's fun! Just fun...I don't think of it as a cabaret act per se, I call it more of a gig, if that makes any sense

I entered the work force cleaning breast pumps at a pharmacy! It was a part-time gig while I was at school... no interview required.

Maia pulled on a braid. "I ran into Eric of all people. He told me what happened and that you'd backed out of Millenium Lint's gigs for the past two weeks because of it." "Actually, they changed their name," Jordan said. "They're Midnight Burrito now.

I enjoy performing, always, but when you're taping a gig, you've got to blank out this mass apparatus of self-consciousness that's surrounding you, this invitation to drown in self-consciousness. Otherwise you just won't be able to do anything.

If you can play guitar and sing, you can probably get a gig down the road playing at a restaurant, but don't throw your life away chasing something that is so elusive it will only lead you to regret and may turn you bitter.

There's a dark side to each and every human soul. We wish we were Obi-Wan Kenobi, and for the most part we are, but there's a little Darth Vader in all of us. Thing is, this ain't no either or proposition. We're talking about dialectics, the good and the bad merging into us. You can run but you can't hide. My experience? Face the darkness, stare it down. Own it. As brother Nietzsche said, being human is a complicated gig. Give that old dark night of the soul a hug! Howl the eternal yes!

Fortunately, an extremely sexy, pixie-voiced blond named Ronnie Harran, who booked the Whisky, saw us...She had an ear for talent...the Whisky was finally a gig we could be proud of.

I went in [Sweet Basil band] and played with them, maybe half the gig for almost eight years or more.

One of the things that happened is I did a lot of shitty gigs. When you do a bunch of shitty bar gigs you have to get used to people yelling at you, you're used to thinking on the fly, to dealing with weird situations.

I listen to everything. As I told you, sometimes I just want to shut off from music and be silent. Then I play a song and it's refreshing. It's almost like initializing yourself. Recently I was in South Africa doing a press day for my tour. I listened to this band called "Freshly Ground." They were doing a live gig there so that's the last thing I've heard.

People recognize me all the time now, and there's lots of autograph hunting and smiling. But then I get to play gigs, which are amazing. It's a good job.

Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries.

When I look back, I don't remember the best of the best. I don't remember arena shows with 20,000 people. I remember funky little bar gigs where nobody shows up. The weirdest of the weird are what you retain.

It is tough, every time. The ensemble is great. I would always ask Andrew, "Is this how Hollywood is? Is this how every TV show and movie is?" And he was like, "No, dude. This is not. Do not get used to this. Be thankful that this is how your first gig is."

I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'

I was doing gigs to stay alive. I worked two or three jobs at a time, there were times when I stayed up for 36 hours straight. I slept in shopping mall parking lots. A stand-up gig paid $35; then I could eat for another few days until the next gig. Literally, I was performing to live.

One thing, when you're an actor, you finish something and then you have to worry about what the next gig is. When you're a musician, you can always write your own stuff, and I'm working on new stuff for a new album right now.

TV is just advertising for your live gig, so I'm playing whichever show is gonna get me the biggest crowd.

I went to Texas a few times for gigs and adopted the cowboy look. Every man, at some point in his life, goes through a cowboy stage - everyone! Well, at least everyone that I look up to!

To make money in New York, you have to add gigs when starting out, so while I was acting quite a bit, I would do modeling.

Believing in yourself and being willing to do anything, to walk through the fire, to do what it is that you want to do. Getting out of that car accident covered with blood to play the gig . . . I mean, that's me. That's just me.