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Fame is probably the most unadorable thing about acting.
Sep 10, 2025
I was 16 when I was in a band, for about 10 minutes. I went off and did acting after that. So it was a wee moment for me when I sang.
My weak spot is laziness. I have a lot of weak spots - cookies, croissants; my wife is always lecturing me about this, I tend to put it all down as habit or it's just acting.
If that day comes when I'm done with the acting and singing, I'll just pack it in and go home.
Voicing acting is usually fun. I'm very curious about that world. I'm a fan of documentaries, as well, and the voice kind of makes it right. Mostly for me, though, it's all about the acting -you don't have to get hair and makeup and the whole bit. You just can have fun with the acting.
In order to be able to work with somebody in acting, you've first got to think that person's a good actor before you can enjoy working with them. I guess that goes with the trust.
You can see the meaning of the statement that "Literature is a living art" most easily and clearly, perhaps, by contrasting Science and Art at their two extremes - say Pure Mathematics and Acting. Science as a rule deals with things, Art with man's thought and emotion about things.
The belief, not only of the socialist but of those so-called liberals who are diligently preparing the way for them is that by due skill an ill working humanity may be framed into well-working initiations. It is delusion. The defective natures of citizens will show themselves in bad acting of whatever social structure they are arranged into. There is no political alchemy by which you can get golden conduct out of laden instincts.
When we say gender is performed, we usually mean that weve taken on a role or were acting in some way and that our acting or our role playing is crucial to the gender that we are and the gender that we present to the world.
Acting is the loneliest profession I know.
Romance is possible between two people at any age! I love feeling young and acting young as I age.
You can't rely on the acting to tell the story.
To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.
Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.
I find acting tough, but sitting around chatting - that's easy.
I was an amazing bartender and a great waiter. I think, in a way, that was my acting school.
Acting is our job, not talking about it. In France, they know me like I belong to their family. I go somewhere and I feel like Im sometimes the aunt, the grandmother, the mother, the sister. They all know me. But its not supposed to be that way.
The urge to act became the overriding force in my life. It thrilled me. There's a moment with acting when you're in the groove, and you and what you're trying to do are seamlessly one. That happens sometimes, and I'm really happy it can happen to me.
I drifted into acting, and I've drifted into my career, and I've never been guided by anything particularly concrete.
Virtue also depends on ourselves. And so also does vice. For where we are free to act we are also free to refrain from acting, and where we are able to say No we are also able to say Yes; if therefore we are responsible for doing a thing when to do it right, we are also responsible for not doing it when not to do it is wrong, and if we are responsible for rightly not doing a thing, we are also responsible for wrongly doing it.
We assume therefore that moral virtue is the quality of acting in the best way in relation to pleasures and pains, and that vice is the opposite.
The point is to explore whatever may be helpful for thinking, understanding, and acting responsibly over long periods of time.
That's what I love about acting. There's never a set role. You can be a firefighter, you can be a baseball player, you can be whatever you want in the acting world. I think I've found my calling.
My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage.
Both my parents were actors. I was schooled to think that acting was an important social service, that it was something that human beings need.
I am not one of those actresses who loves acting.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
If Im honest, the reason I got into acting is not the reason Im still doing it, and if Im still doing it in ten years time, Im sure Ill find something else.
Acting is just a job at the end of the day, and its a very strange one.
I moved with my mom to Los Angeles for her to pursue her acting career, and she got a job casting atmosphere in some independent films.
I was always a closet lover of acting. My mom was very practical. She never, ever restricted our dreams, always told us we could do or be anything. Then I said, 'Maybe I want to be an actor.' And she said, 'Maybe not that.'
I never really got on my own case about my own acting. I know a lot of other people have, and probably very justifiably. But I don't worry about stuff like that too much.
I love acting so much that I have to have that as much as I have to have my time with my kid.
Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.
I had no real experience studying acting; I came to it having done other things for a living for many, many years, and I have this gigantic respect for experience and technique.
I don't usually like talking about acting or what my process is, and all those kinds of things, because I don't necessarily think it's helpful to talk about how I do my job.
I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.
Acting can be a very reactive profession. Acting is a fantastic thing, and it's my life, but writing is also part of me too, so I did it and in so doing took responsibility for my own life.
On some level acting is the art of pretend and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
I want to use things I learn about writing in my acting, and vice versa.
I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.
Death Of A Salesman is a great acting job.
For me, acting is a series of impressions rather than trying to find one line through to the end, which risks becoming more of a presentation.
No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can.
Movie stars are insecure like everyone else. Thats why they go into acting!
I was too practical to major in theater. Acting - what was I going to do with acting? There was no future in it.
Soccer is my first love. Ive been playing since I was 4 years old. I traveled the world doing it. I broke my leg when I was 16 or 17, and acting kind of filled the void.
I would love a recurring role on '90210.' I would say yes to just about any role in acting that doesn't tarnish my image.
Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes, does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if 'A Midsummer Night's Dream' was really a dream?
I was about to get a degree in economics when I accepted that I'd be a lousy businessman, and if I didn't give acting a try I'd regret it for the rest of my life.