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I always start with reality, in anything I do, everything I do, I always start from something real.
Sep 10, 2025
What a terrible mistake to let go of something wonderful for something real.
But I want to feel like life matters. I had something real with you, but then the realness scared me. I decided to go for other things instead.
I always felt like if you get to a point where you've got enough money to invest in something real, you gotta invest in anything that's related to a natural resource because that's gonna be here forever - so you might as well invest in something that's gonna be here, rather than invest in something that's gonna wear out.
I just want something that is real and that moves people. And just want to make something real.
Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.
I don't find a lot of people actually saying things through music any longer. They are not trying to say anything with their music, they just want to make money with it. I think it's important to actually say something real, something meaningful, rather than just write some trash and try to sell it.
You can't make money without selling something real. You can't make something real without first imagination manifesting itself in your head. You can't have imagination without surrendering yourself to an idea that you want to create something of value to other human beings.
But business is just a vehicle for transforming the ideas in your head into something real, something tangible, that actually improves the lives of others. To create something unique and beautiful and valuable is very hard. It’s very special to do. It doesn’t happen fast.
Everyone wants something real, something that was created to invoke a positive feeling.
We're trying to fill something internal with something external. We're trying to fill something real with something illusionary.
But those rare souls whose spirit gets magically into the hearts of men, leave behind them something more real and warmly personal than bodily presence, an ineffable and eternal thing. It is everlasting life touching us as something more than a vague, recondite concept. The sound of a great name dies like an echo; the splendor of fame fades into nothing; but the grace of a fine spirit pervades the places through which it has passed, like the haunting loveliness of mignonette.
Being asked to describe what 'post-racial' means is a bit like being asked to describe a leprechaun, cold fusion or unicorns: we know what is meant, but, if we are willing to be honest, we also know that none of the four describe something real, something tangible, something true.
The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.
Unless something real cool comes along, I will probably be doing features, so long as I can make a living doing that. Otherwise, I will do another show.
Illusion never changed into something real.
We are in a maze which we built, and then we fell into, now can't get out. To make the game into something real, something more than merely an intellectual exercise, we elected to lose our exceptional faculties, to reduce us an entire level. This unfortunately, includes a loss of memory.
It's the balance between wanting the power of electronics and having something real happening - if you want people to engage in what you're doing, I think that's important. I want to have fun with people, but that's hard to do with a laptop.
something can only become an illusion after disillusionment. before that, it is something real. what caused the disillusionment? no one told me the print on the wall was just ink and paper and had no life of its own. at some point the cat stopped blinking, and i stopped thinking it could.
You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.
I detest symbolic protest, as it is an outcry of weak, middle-of-the-road, liberal eunuchs. If an individual feels strongly enough about something to do something about it, then he shouldn't prostitute himself by doing something symbolic. He should get out and do something real.
It's the band that really counts and not our egos. Egos probably destroyed more bands than anything else did, and that's something we want to avoid at all costs. We want to give the audience something real, something spectacular, and if it would be about egos, it would hardly be worth their time.
I've definitely had my hard partying moments. I've definitely had the long stretches of time in my personal life where I've felt an intense loneliness and a desperation to feel something real and to have something that truly meant something in my life.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
I'd want the human voice expressing grievances, or delight, or whatever it might be. But something real
Everything that is thought and expressed in words is one-sided, only half the truth; it all lacks totality, completeness, unity. When the Illustrious Buddha taught about the world, he had to divide it into Samsara and Nirvana, illusion and truth, into suffering and salvation. One cannot do otherwise, there is no other method for those who teach. But the world itself, being in and around us, is never one-sided. Never is a man or a deed wholly Samsara or wholly Nirvana; never is a man wholly a saint or a sinner. This only seems so because we suffer the illusion that time is something real.
People in the U.S. always got to be spoon-fed. If it's something to difficult to understand, they don't give it a chance. They want something real simple that they can sing along with and play in the clubs and that's about it. In the UK, their whole mind set is completely different.
So many reality shows are scripted and create this fake drama, and it's a bunch of bull. We wanted to do something real and something wholesome and something that's focused on positive family values.
We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
In our daily lives, where we're bombarded by the fake and the trivial, reading serves as a way to stop, shut out the noise of the world, and try to grab hold of something real, no matter how small.
I'm looking for someone who works as hard as I do. Who loves their work as much as I do, so at the end of the night we have something real to talk about, something exciting that makes our blood flow and boil.
All fiction comes from a little bit of reality, otherwise it would have no relevance. The fun is in innovation, take something real like this fair, and make it something larger than life.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
We know it's all just daydreaming. In all likelihood, no one in this forest'll ever get a javelin, and I'll never see my mother's kingdom again, let alone be hailed by crowds as the jewel of Kildenree. Maybe it's vain to wish for it. But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth. Right Finn?
We know it's all just daydreaming...But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth.
I don't think it's necessary to worry too much about being authentic. I think a picture taken on an iPhone and then filtered through something to make it look like it was taken on a Super 8 camera can be just as authentic as something taken on a Super 8 camera, if it's capturing something real or beautiful.
It's always considered bad taste to comment on a tragedy right when it's happening, but I love when something is considered too soon to talk about because then you can blast past that social censorship to get into something real.
The poet produces the beautiful by fixing his attention on something real.
Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me.
If God is all-powerful, then the Devil must be nothing more than a darkness in the mind of God. But if the Devil is something real and separate, than perfection is impossible, and there can be no God... except for the aspirations of fallen angels.
Any perception can connect us to reality, properly and fully. What we see doesn't have to be pretty, particularly; we can appreciate anything that exists. There is some principle of magic in everything, some living quality. Something living, something real, is taking place in everything.
They say my public persona don't have enough appeal, I take a lesson from Kanye and give 'em something real.
In my opinion, it's more interesting to see magic happening in a world that feels grounded. If the world is already crazy, then anything can happen. So it's better to start with something real.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
I'm just looking for authentic engagement of some kind, and usually, after an hour or more, you get that. Some people talk at you. Some people just want to answer questions, but a lot of times, all of a sudden you drift away, and you don't remember you're on the mic, and you're in something real.
I think I wanna do some action stuff down the road. I wanna kill some aliens. Something real fun, you know? Just a big, fun movie.
Sometimes when you think you are done, it is just the edge of beginning. Probably that's why we decide we're done. It's getting too scary. We are touching down onto something real. It is beyond the point when you think you are done that often something strong comes out.
Addicts have incredible energy, it's just all directed toward one goal. But what incredible luck and grace addicts have. You hear about it all the time, getting into some kind of crazy situation in order to get drugs or to get money for drugs, pulling off something where they fall from a building and land on a truck full of pillows. It's incredible will, and if you learn to focus that will on getting better instead of getting worse it's amazing what you can do with that. You can use that strength and resourcefulness for something real instead of scoring dope in a desert.
It is only through fiction and the dimension of the imaginary that we can learn something real about individual experience. Any other approach is bound to be general and abstract.
If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.