Persona Quotes

I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.

I believe the best persona to be onstage is the one that comes naturally.

When you sing, you put on a persona. I hide behind that person on stage. You can feel like death, but you have to put it on. The audience wants to see someone smiley.

She was obviously useful at the UN because she had a public persona before she ever got there. She was well known. She was a spokeswoman for many important things. When she got there, what she said was paid attention to, undoubtedly much more than would have been if just Joe Blow had been made our representative to the United Nations. In that sense, I think it was useful to have her there.

We all have one other world we live in: our public world. Some people call it our public persona. This is the world where someone who doesn't know you privately, personally, or professionally hears your name and has some opinion about you one way or another. So the question becomes: where is integrity rooted? Some people think it's rooted in their public life. They spend all of their time trying to spin their public image. It's not rooted there, however. It's simply revealed there. People who lack integrity will have it revealed publicly.

When you build a big empire, you become the persona that people think they know. So when you try to show them who you are, to help them discover you, they just want what they think they know about you. I would have been smarter to build some relationships when I was younger, a private love or something. Today it is more difficult. But it's the price to pay. I never regret anything, because every choice I made for a reason, but I'd love personal love.

Women innately have this weird thing where they try to have a perfect persona - to look perfect, be perfect, act perfect, have their kids look a certain way. Women put so much pressure on themselves.

I think we all carry within us different versions of ourselves. Our true, greatest, most honest versions of ourselves can either be developed and nourished, or it can remain dead from neglect. Most people opt for the easiest version rather than the best. But in the end which version lives, which version thrives and which version dies, depends on the choices we make and the people in our lives.

You just want to love Tim Matheson and just cuddle him. He's really - and he's gorgeous. He has much in common with [Ronald Reagan] Reagan's outward persona.

I have been moving around all my life. Going to different schools, living in different houses, shedding old roles, assuming new ones. This way of life is as natural to me as staying in one place is for other people. I do variations on the theme. I return to places where I used to be. I find my old personas. I try them on. If they still fit, I wear them out to a party or a show. If they begin to restrict my movements, I take them off. I am a human being, capable of mimicking anything I see or remember or can imagine.

The problem with fame is you no longer belong to you. You lose your persona and become the object of other people's obsession.

We approach nonfiction at a much different level than we approach fiction or poetry or drama: that there's almost no room for metaphor. We expect the "I" in any nonfiction text to be an autobiographical "I" when there is a history in the essay of the "I" being a persona.

I never felt happy with the idea that part of what I do is to be an object to be looked at. I thought of my public persona as an entity separate to myself.

If you can perfect the booth, the stage and just your persona, like maybe in interviews and when people talk to you, then you're a full well-rounded emcee in my opinion.

A great deal of it is personal. But the persona is, I guess, the out of body experience that takes place. Because I'm not conscious of what the outcome is going to be, I'm only conscious of my intentions, do you know what I'm saying? And even my intentions were simple initially.

Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.

I prefer to channel my problems and inner demons through a character. Another persona. That protects me and my family. I can get my frustrations out that way.

By default I am the good parent. I've used my own personal experience. I came from a world where I was in need and starving for the good parent, so it's like I'm bringing my own persona issues into that. I am the parent that I always wanted to have; that's how I look at my role.

When your persona begins to take over your music and becomes more important, you enter a dangerous place. Once you have people around you who don't question you, you're in a dangerous place.

Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.

I think what's always been interesting to me than the science and the criminality with this job is what happens to your persona, your disposition, after day in and day out dealing with life and death.

After I saw Kiss on stage, I wanted my show to look like the fourth of July. The persona of Rick James was wild and crazy, sex, drugs and rock and roll.

There were a lot of contradictions between Marcello's[ Mastroianni] public persona and who he was in private. The fact that Italy chose to incarnate him as a model of beauty stupefied him.

If I begin a poem, "I am a donkey," reason kicks in and says, "She is taking on the persona of a donkey." But if I write, "I have taken so many drugs I can't see my feet," the tendency is to take that as a confession on the part of the poet. Maybe that doesn't matter. I'd almost prefer for it to be the other way round.

I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel.

Zen says that if you drop knowledge - and within knowledge everything is included; your name, your identity, everything, because this has been given to you by others - if you drop all that has been given by others, you will have a totally different quality to your being: innocence. This will be a crucifixion of the persona, the personality, and there will be a resurrection of your innocence. You will become a child again, reborn.

When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.

It would be my guess that Madonna is not a very happy woman. From my own experience, having gone through persona changes like that, that kind of clawing need to be the center of attention is not a pleasant place to be.

I'm not like a persona. I'm not a caricature of myself.

James Brown is the perfect example of flashy but classy. Classy doesn't have to mean boring. His gear was flamboyant but without being so over the top. The cape was probably the biggest part of his persona. He looked like Superman.

You are always a comedian by default. You are this way because you've been forced to be this way, but it is better to be the hero. So if you can be a persona, the great one of my lifetime of course was and is Marlon Brando.

[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.

It doesn't really even bother me about popularity. I live a spiritual life. I don't live a carnal life. If I was seeking to be big, I would do anything. I would go out there and do something crazy, be flashy, be a showboat, but that's not within my persona. If I did something like that, I would be a hypocrite because that's not part of who I am.

In HEATHEN, R. Flowers Rivera remixes the classical and the Biblical, the usual and the typical until what we thought we knew of ourselves and others is new again. The mythic becomes particular; the particular becomes mythic in these fascinating poems of personalities and personas. Rivera’s work is rich in empathy and invention. Heathen is a book of psalms for the present day.

It is so important that you don't get distracted by what you are not. You need to start confessing your persona and living in it, and don't be bewildered by your circumstances. Just stay on course with what God is promising you.

The people who know the sort of personality or persona that I give across more on Twitter just realize that I'm just being messy and I'm just snatching wigs.

To be irreplaceable, you have to be different.

Did you know that the word person comes from the Latin word persona, which means mask? So maybe being human means we invite spectators to ponder what lies behind. Each of us will be composed of a variety of masks, and if we can see behind the mask, we would get a burst of clarity. And if that flame was bright enough, that's when we fall in love.

It was Herzog, the man himself. He was so welcoming and kind and not at all the persona you'd seen in a magazine, or in "Burden of Dreams" for that matter. I'd shot the behind-the-scenes for "Bad Lieutenant." It was a very normal production. Nothing like "Burden of Dreams."

I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.

People call me and ask me for advice all the time. On an elevator they tell me their problems. I think it's in part because I'm Italian so I'm emotionally available and I have a friendly persona.

Be as you wish to seem.

I tend to relate more to people on television who are just themselves, for good or for bad, than I do to someone who I believe is putting on some sort of persona. The anchorman on 'The Simpsons' is a reasonable facsimile of some anchors who have that problem.

I am not an alcoholic. I'm a social catalyst. People pay me to illustrate for other partygoers the chemical process involved in transforming from one persona into another drunker, more fun one. It's a matter of going from dull point A to exciting point B. And I'm a raving success at it. So successful that sometimes I wind up at Mysterious Point C.

The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.

an off-screen persona of Globally Conscious Earth Mother and an aggressive on-screen embodiment of Kali, Goddess of Destruction.

Al Gore adopted three utterly different personas in three national presidential debates.

Butterfield 8, with its call-girl heroine working her way down the alphabet of men from Amherst to Yale, appeared at a very formative moment in my adolescence and impressed me forever with the persona of the prostitute, whom I continue to revere. The prostitute is not, as feminists claim, the victim of men, but rather their conqueror, an outlaw, who controls the sexual channels between nature and culture.

It is time for us to take off our masks, to step out from behind our personas - whatever they might be: educators, activists, biologists, geologists, writers, farmers, ranchers, and bureaucrats - and admit we are lovers, engaged in an erotics of place. Loving the land. Honoring its mysteries. Acknowledging, embracing the spirit of place - there is nothing more legitimate and there is nothing more true. That is why we are here. That is why we do what we do. There is nothing intellectual about it. We love the land. It is a primal affair.

For me, Twitter is a public persona. It's UbuWeb or Kenneth Goldsmith (as opposed to Kenny Goldsmith). I don't interact. It's a lousy form for conversation and opinion (what can you really say in 140 characters?), but a wonderful propaganda and sloganeering tool. I use it as a one-way street.