Spider Man Quotes

Jesus, man. Why do people want to be Paris Hilton and nobody wants to be Spider-Man?

For me, there were a few things in the Spider-Man comics that I thought were really interesting. There's this story about Peter's parents and where he came from, and I thought that it was really interesting to explore the emotional consequence of someone whose parents had left them, at a very young age.

I know that sounds weird, but it's hard to be scared or even angry at a guy in Spider-Man pajamas,"- Greg

Comming from your friendly neighborhood Spider-Man

The director of 500 Days of Summer is doing the Spider-Man movie. That's not necessarily the movies I want to make, but it's all about the story, and if you connect to the story, and you feel you can tell that story better than anyone else, then great. Jon Favreau killed Iron Man, I loved it.

How Superheroes Make Money: - Spider-Man knits sweaters. - Superman screw the lids on pickle jars. - Iron Man, as you would suspect, just irons.

I was listening to the inclusiveness of Spider-Man, and why he's so appealing to so many people, but I didn't connect it all at first.

I never thought that Spider-Man would become the world wide icon that he is. I just hoped the books would sell and I'd keep my job.

Didn't Gandalf say "With great power comes great responsibility"? (If it wasn't Gandalf, maybe it was Thomas Jefferson. Or Spider-Man's uncle.)

You never read Spider-Man? Accepting your true identity means understanding that you are a stranger to this world. A freak, ostracized by the very people you want to help.

We both liked the idea but couldn't figure out a way to get up to the roof. Vince had just seen the Spider-Man movie and suggested we shoot webs out of our wrists and swing up there. We asked Vince not to contribute any more ideas.

Let's be realistic - 90% of superheroes are male. Personally, I prefer Superman, Batman and Spider-Man to Wonder Woman. Not that I don't like female superheroes, but watching male superheroes gives me a high.

I don't think I was particularly in need of superheroes. I never had any fascination with Superman or Spider-Man or a Batman kind of character. If it happened at all, it was imagined characters that I had invented. My dad was a role model for me. He was a fascinating man. There was intrigue and entertainment growing up with him. He gave me an edict that I still pursue: “Life should never be boring."

I grew up reading comics. I was primarily an 'X-Men' fan, but I definitely dressed up as Spider-Man for Halloween when I was, like, 12 years old. Maybe younger than that.

Spider-Man has always been a symbol of goodness and doing the right thing and looking after your fellow man.

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man)

I don't want you to think that I'm up late reading a stack of Spider-Man comics and eating a tray of lemon cookies while sucking my thumb. I'm not doing that. But I am loyal to the influences of my childhood.

Did Alan Moore get screwed on his contract? Of course. Lots of people get screwed, but we still have Spider-Man and lots of other heroes.

I think Spider-Man [film], the first one particularly, really figured out the formula of, "Oh, tell the story that they told in the comic. It was compelling. That's why it's iconic."

I was not a giant comic book fan as a kid, but to the extent that I did read comics, Spider-Man was always my favorite guy.

I definitely read the comic books and got as familiar with the comic books as possible. I was always a fan of Spider-Man and most superheroes. There aren't a whole lot of little boys out there that aren't.

Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'

Spider-Man is a genuine American myth with a dark, primal power, but it's also got this great superhero, and - hey! - he can fly through the theater at 40 miles an hour. It's got villains, it's got skyscrapers, it's colorful, it's Manhattan. I knew it would be a challenge, but I saw the inherent theatricality in it, and I couldn't resist.

I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.

It's hard to get a movie made about characters these days. We're in a climate where, unless it's based on a toy or it's a superhero where somewhere it ends in man - like Spider-Man, Superman or Iron Man - it's hard to get it made.

One of the greatest sins in any story is false suspense. The kind of 'suspense' that disintegrates the moment you give your reader one second to think about it. And it's an easy trap to fall into, so watch carefully for it. If your story hinges on the question, 'Will Superman be pushed so far in his battle against Lex Luthor that he'll have to kill him?', or if your big cliffhanger moment is, 'Wow, is Spider-Man really dead this time?', then I understand Food Lion is hiring.

I really became a hardcore Batman fan when I was eight years old. What was clear to me, the reason I liked him better than Superman or Spider-Man or the Hulk or whoever, was the fact that he was human, and I could identify with him, and I really believed in that character strongly. In my heart of hearts, when I was eight years old, I believed that if I studied real hard, and worked out real hard, and if my dad bought me a cool car, I could be this guy.

In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city.

There's a punk rock quality to Peter Parker, that I identified with when I read the comics [Spider-Man], and that I really liked. He has this chip on his shoulder.

I want to be in 'Avatar'. I want somebody to hire me to be Superman, a Chinese Superman or Spider-Man.

What's cool about Spider-Man is that it's everybody - anyone, you put on the suit, anyone believes that you're Spider-Man. That's what's charming about the character. He's anyone. He's a huge nerd that ends up being this huge superhero.

I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced 'Powers' and 'Jessica Jones,' I thought, "Oh, that's nice!"

I thought, I loved Batman, I loved Spider-Man, I love all these characters, but Catwoman is really different from any other one.

We're creating a different universe with different rules and a different tone and different villains. We were very careful to honor the iconography of Spider-Man, but we wanted to tell it in a new and different way [in the film].

If you'd ever told me that my Broadway debut would be playing Spider-Man, I would have laughed in your face.

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.

I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.

There's so much I'm interested in that I didn't discover in high school. For 'The Amazing Spider-Man', because Gwen is a scientist, we went to a lab in San Diego, and we were learning about biology. And I'm fascinated! Because I never went to biology class in high school.

If you can feel like a good man in your 40s, you can feel like a better man in your 50s, a Superman in your 60s, and maybe a Spider-Man in your 70s.

Superman, when he's fighting you, isn't like Batman. He also isn't like Spider-man, who will bully you and make fun of his villains. Why do you think Spider-man's villains all hate him so much? Maybe because as he breaks their bones he's mocking them! Batman's villains are all insane! Superman, when he goes after someone, is essentially not trying to beat them. He's trying to save them from themselves.

Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.

I'd rather meet Spider-man than some creator that would put me in real awe!

I had a very real fear of spiders until one bit me. I got bitten by a redback spider in Australia and I've never been frightened of them since. Maybe I've turned into Spider-man.

When I got the episode where Spider-Man meets Aunt May (voiced by Misty Lee), it was another one of those things where I was like, "I can't believe I have a scene with Aunt May. That's just amazing to me." And they drew her a lot younger and hotter then the Aunt May that I remember.

For those of us at Marvel Television, it always begins with the story. It's all about the script. It's making sure it's there, on the page. So, we needed to go to a group of individuals who have not only created some of the most memorable animated characters, like Ben 10 and Generator Rex, but also had done two seasons of our very successful Marvel's Ultimate Spider-Man series, and that's the Man of Action guys. But, it wasn't just that.

I think one of the things about Peter Parker that is so great, and what has made him and Spider-Man last so long is he is a kid that we all feel connected to, he's not an alien, he's not a millionaire, he's just this kid that has trouble asking girls out.

I remember on a Friday afternoon getting a phone call from Grant Simmons saying, "Mike," we got to be pretty good friends; "Mike, the Sheriff is closing us down on Monday. If you'd like to drive into the studio tomorrow morning, you can have anything you want." So rather than go in and take home piles and piles of cels of Spider-Man what did I take home? Two pages of original art that got sent out to the west coast. Now of course if I'd have taken all the rest of that stuff home I could probably have retired a lot earlier.

Agent Coulson takes the work very seriously. He certainly has some fun with Spider-Man and the others, but he takes each of their tasks, including when they get involved with the drama club, way too seriously. The adventures that they come up with are really exciting.

Leadership is not for the faint of heart

The great irony is that women are accused of making romantic comedies, as if it’s a bad thing, but Marc Webb makes a romantic comedy and he gets ‘Spider-Man.’ Are you kidding me? You cannot win.