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My debut upon the world's stage occurred on February 26th, 1845.
Sep 17, 2025
Lauren Kirshner creates a first-person narrator you never stop rooting for. . . . [Where We Have to Go] highlights Kirshner as a new novelist to watch. A very strong, original debut.
My good friend Paul Shaffer and I are going to continue in show business. Next month Paul and I will debut our new act at Caesar's Palace with our white tigers.
I did a film many years ago called The Man Without A Face.Gaby [Hoffmann] was in with Mel Gibson. That was his directing debut. He did a great job.
A debut movie is something that you envision for many, many years. If you really want to make a movie, you constantly think about this first movie, so when you make it, you want to have everything in it.
'Everything beautiful occurs when the body / is suspended,' Helena Mesa quotes a performance artist who hangs his own pierced body in the air. Mesa's poems are artfully suspended between lyric and narrative, between humans and animals, between Latin America and the U.S., between desire and the difficulty of its fulfillment. Horse Dance Underwater is an inventive, musical, and powerful debut.
On one night of my debut the Prince of Wales, the Princess, and the duchess of London came to see me. They loved me for what I was and what I gave them.
You only get one world premiere of your directorial debut.
The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since CONFEDERACY OF DUNCES has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result.
My debut album, 'Forget the World,' is all about not listening to the negativity around you and to continue to do what you love, no matter what people think. I love what I do. Dance music is my passion, my life. There is no greater feeling than being one with my fans, partying to the music we love.
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here, but much of what’s on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building, too, seems caught between wanting to be an object of decorative delectation and making an architectural statement.
Playboy strategically selected the Forum Shops at Caesars in Las Vegas to debut our first U.S. store because it is one of the most successful retail shopping destinations in the world. It is clear that Playboy and Las Vegas are a powerful match, presenting the chance for consumers and visitors to experience all of the glamour, sexiness, style and fun associated with both.
Cristiano Ronaldo's was the most exciting debut I've ever seen. There have been a few players described as 'The New George Best' over the years, but this is the first time it's been a compliment to me.
Mr. Lapid, making an electrifying feature directing debut, traces the line between the group and the individual in a story that can be read as a commentary on the world as much as on Israel.
I think 'Glee' was a freshman comedy, and I think whenever it's your debut season, you get compared a lot to the other shows, regardless if there's any sort of overlap in content or tone or anything, just because you came out in the same year.
Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable.
The strange, wonderful stories of Doctor Olaf van Schuler's Brain introduce us to the tremendously gifted Kirsten Menger-Anderson, a writer whose subject is nothing less than the diagnosis and cure of the human malady. We follow twelve generations of New York City's Steenwycks family through their forays into phrenology, mesmerism, radium therapy and similar misadventures, a historically rich narrative that Menger-Anderson delivers in striking, elegant prose and with a sure eye for detail. This is a remarkable debut by a writer to watch.
Cinematic and symphonic: this is a compelling story revealed in a sequence of voices that are as pitch-perfect as they are irresistible. This is a wonderfully impressive debut: tender, muscled and unforgettable.
This dazzling, unput-downable debut novel proves beyond a doubt that Dan Wells has the gift. His teenage protagonist is as chilling as he is endearing. More John Wayne Cleaver, please.
Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way. Harvey's taut plot, snappy prose, and memorable characters make this debut novel a real winner.
When I see that the clothes are sold the day they debut in some cases, I fear we are going to kill the invisible side of fashion, the mystery. Now with the industry, it's getting a bit difficult to create any mystery. But it's quite an interesting period. It's a bit chaotic.
David Cristofanos debut novel captures the essence of the human spirit, and delivers a story that is simultaneously heartwarming and heartbreaking.
Don't Look Down” is her official debut as Skylar Grey, the singer, born Holly Brook Hafermann and raised in Mazomanie, Wis., has been making albums since she was a tween. Grey and her mother sang as a folk duo under the name Generations; they released three indie discs. “I learned a lot about professionalism, how the show must go on even though I feel like [expletive] sometimes,” Grey remembers. “I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
When I made my Broadway debut, I was still cleaning houses, something I'd done since I went out on my own at 15.
If you'd ever told me that my Broadway debut would be playing Spider-Man, I would have laughed in your face.
I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.
I made my Broadway debut in the revival of Hair and followed it up with the bus and truck tour of Grease.
To this day it cracks me up to think that my debut on national British television as a reporter ends with me turning a trick.
My first book was the most successful debut novel in the UK ever and every one of my books has reached number one in the UK. Clearly the British know brilliance when they see it.
Wolf Boy is absolutely beguiling. Evan Kuhlman has boundless empathy for all his characters, and his wonderful protagonist Stephen is, in turn, boundlessly inventive. . . . This is an auspicious debut.
Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.
ONE BLOOD is a richly detailed, intricately woven tale rendered in lush, evocative prose. This memorable debut heralds Qwantu Amaru as a talent well worth watching.
Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage
As an editor, I read Charlotte Rogan's amazing debut novel, 'The Lifeboat,' when it was still in manuscript. I read it in one night, and I really wanted my company to publish it, but we lost it to another house. It's such a wonderful combination of beautiful writing and suspenseful storytelling.
Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.
In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
My major league debut came at old Busch Stadium on Grand Avenue in St. Louis against the Pittsburgh Pirates.
An astonishing debut. Brilliantly conceived, masterfully written, Stuart Neville’s THE TWELVE is both a heart-pounding thriller and a stunning examination of responsibility and revenge. He is going to be a major new voice in suspense fiction.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
June 2005 is the five year anniversary of the debut of Battle Pope.
Look at Andrew Roe's The Miracle Girl from one angle and you'll see an incisive and insightful critique of America at the millennium and today, investigating where we put our faith and why. The greatest of Roe's achievements in this captivating debut is a memorable feat of intense empathy. Roe inhabits characters who are desperate to believe and reveals to us their needs and wounds and hopes, and he does so with kindness, generosity, and wisdom. This is a novel about what it means to be human, to seek connection and hope and maybe even transcendence in the world around us.
Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.
Hughes' debut novel, At Dawn, follows a former All-American wrestler, and is there any better metaphor for contemporary American life? We're all wrestling, tussling with the economy, no jobs, doing the best we can. Hughes doesn't flinch from the tough existential questions. He embraces them.
John Lane has long been recognized as one of the South's finest poets and memoirists. This debut establishes him as one of our finest novelists as well. His poet's eye for detail seamlessly merges with a born storyteller's gift for narrative. Fate Moreland's Widow gives voice to those who endured one of the most painful and neglected chapters in American history.
Waiting for the Electricity is a wildly original and ambitious debut, a novel that tackles cultural clashes with satirical hilarity. I haven't read a first novel this promising since The Confederacy of Dunces.
Screenwriter Flacco nicely evokes the aftermath of San Francisco's 1906 earthquake in his fiction debut, a novel of suspense.
Those who would assail the Book of Mormon should bear in mind that its veracity is no more dubious than the veracity of the Bible, say, or the Qur'an, or the sacred texts of most other religions. The latter texts simply enjoy the considerable advantage of having made their public debut in the shadowy recesses of the ancient past, and are thus much harder to refute.
Putting out a debut album is a bit scary - I want it to be just right, so I took some extra time to finish it. Eminem's increased involvement has been such a blessing; I'm getting guidance from an artist I really admire and trust.
Royal Young has accomplished a rare feat in his fresh and riveting debut: he manages to recount his fascinating youth and unconventional family with a mixture of humor, scathing honesty and tenderness. Much more than simply a book about a kid who dreams of stardom, Fame Shark is a thoughtful, hilarious and moving love letter to his family and the Lower East Side of New York City.