Storyline Quotes

And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.

Storylines are how characters create the plots involved in their stories.

Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.

I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.

Sometimes in television, if there are storylines that are oft-told, people can be hypercritical of them.

I'm not sure if we're going to or not because what happens is I'd always love to see certain characters back, there's so many. Some of it has to do with, if we want them back, are they available and the other aspect is do they fit with the storyline we're telling.

I think all good narration contains an element of mystery and suspense. If it didn't, if the storyline were predictable, we would have no interest in reading it.

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

I find it difficult to fully enjoy musical theatre songs if I don't know the storyline of the show they are from as well as the context.

I get told I'm too good-looking for a lot of roles. They don't write roles people would think I'm supposed to play as often as they used to - the rom-com pretty-boy storylines.

I thought that I could do some kind of vehicle involving rock musicals and presenting rock and characters and storyline in a completely different fashion.

I love working with male actors, and I think there's a tendency to write really interesting characters that would work solely alongside men where they would be in a man's world and have to deal with that, and it creates a lot of interesting storylines. For me, it's kind of circumstantial, but I definitely enjoy it.

You and I both know there's got to be some greater storyline for you than 'girl gets heart broken, was sad forever'. I think a nice one would be 'girl gets heart broken, was sad for a while but in her heartbreak she found freedom, friends, and the ability to look back and laugh at all she'd learned. She now lives her life on her own terms and still has fantastic hair.'

The Playtex Secrets survey truly uncovered some thought-provoking and provocative secrets of real American housewives. In fact, many of the findings would make great fodder for a storyline on the show!

They do the soaps differently in Mexico. You just have to know the storyline and not memorize the lines. There would be someone feeding you lines while you were performing.

The next time you look into the mirror, try to let go of the storyline that says you're too fat or too sallow, too ashy or too old, your eyes are too small or your nose too big; just look into the mirror and see your face. When the criticism drops away, what you will see then is just you, without judgment, and that is the first step towards transforming your experience of the world.

I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.

The worst thing that can happen is when you have gone weeks and months into elaborate sequences and the storyline of the film changes and you find out they don't need it. Sometimes you don't shoot those sequences, or they have been shot and then get edited out of the sequence you've shot gets changed and needs to be redone. That can be hard. It's not heartbreaking, but you do tend to think, "Och, all that work and effort." But that's filming, you know? You put all of these modular things into the pot, and sometimes they don't all get used.

I take it as a given that God's knowledge of the Cerebus storyline dwarfs my own as God's knowledge of everything dwarfs my own.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

I guess the biggest difference from the things I've done in the past is that my work will be more narrative-driven adult films or vignettes, not just "gonzo" scenes, which are straight sex, no storyline.

When you get divorced and remarried, nobody gets discarded. Everybody is still there. Even if their storyline is not directly yours.

To the extent that our political dialogue is such where everything is under suspicion, everybody is corrupt and everybody is doing things for partisan reasons, and all of our institutions are full of malevolent actors - if that's the storyline that's being put out there by whatever party is out of power, then when a foreign government introduces that same argument with facts that are made up, voters who have been listening to that stuff for years, who have been getting that stuff every day from talk radio or other venues, they're going to believe it.

I love really, really deep, dark-as-Russia storylines. I love supernatural aspects. I grew up with ghost stories.

People thought the storyline and characters for 'X-Files' made it a 'dark' show, but I never saw it that way. I always thought Mulder and Scully were the light in dark places.

I think it was just part of the storyline [in CSI: Miami] and the producer called me beforehand and said, 'Listen, I am going to kind of do something with your character that looks like she might get fired, but I just want to reassure you that we're going to have you back,' and I thought, 'Oh god, I hope that is true.'

The correlations between real life experience and the storylines in novels are never as direct or simple as they might seem.

Life, it seems, is not meaningless but, rather, so full of meaning that its meaning must be constantly murdered for the sake of cohesion and comprehension. For the sake of the storyline.

I'm a storyline. I'm the chosen one for negative stories and controversial things. If I worried about it all, I would go insane.

If you know your characters well enough, you aren't trying to grasp for storylines. You're really thinking about their flaws and their passions and what they're chasing.

Stand-up is just me trying to be as funny as possible in the most concentrated hour with me standing on stage with no storyline, no plot line, and no character development.

Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.

As a writer you see the big picture and how you can tell as one character, how your storyline is going to meet up with all these other storylines. And as an actor you're thinking of all the minutiae, all the very small details.

This is reverent. This is Star Wars, damn it. You don't screw around with it. The things that were improv'd or added that developed on set weren't huge departures as far as storyline or anything like that goes. They just were clarifications in character or, at the best moments, they spoke to the moment in the story in a way that, at least with Kaytoo, tended to be funny.

ELANTRIS is a new BEN HUR for the fantasy genre, with a sweeping, epic storyline and closely personal characters.

Since so many romantic comedies vary little in their storyline, the success or failure of such movies depends largely on whether we believe in the relationship of the protagonists.

You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.

Flawless . . . Tightly choreographed . . . Shipstead gains entry into exclusive worlds and trains her opera glasses on private social rituals, as well as behind-the-scenes hanky panky . . . Similar to classic ballet, the power of Astonish Me arises out of the pairing of a melodramatic storyline with scrupulously executed range of movement . . . Shipstead sweeps you into this insider world of sweat, narcissism, and short-lived magic . . . Transcendent.

I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.

I think main storylines are what always intrigued me, with those that were the relationships between the characters against whatever backdrop, whether it was in an ordinary universe or a universe in the future.

It's the fun part 'cause you don't have any of the real heavy-lifting to do. You just come in and shout and chew scenery, and just be awful and say a few jokes, and you don't have to carry the romantic storyline or the quest part of the story. You just pop up, every now and again.

You do understand that you can't force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you've had, the more beneficial it is, period.

Cable is not a robot. The metal in his body is actually organic tissue. Ed and I have talked about this a lot. We liken it to a cancer that changes your body's cellular structure. Last time we saw him, his arm had been severed. It's back with a kind of force that will play a major role in this storyline. This is a battle inside Cable's body that he has waged since the first time he appeared.

It's a long arc and a long storyline, and I think it leaves us in a great place to see how we interact again, whether that be for The Defenders, Jessica Jones Season 2, or whatever. We'll see. I don't know.

I've done a nude scene and I felt it was appropriate to the storyline and I thought it was done in a respectful way and I felt comfortable doing it. But there are obviously going to be scenarios - not necessarily in this job, but in other jobs to come - where the question will be posed to me 'Will I want to do nude scenes?' and I would have to consider that as its own thing. And not just something to say yes to because I have done so before. It really is circumstantial.

I've seen my kids' work at school, and I think they're better than when I was young, 'cause I was brainwashed into anti-Communism. This is a much more interesting view of history than I've ever seen, and I hope to God it works. It's classic history, classically told. No talking heads. Just pure archival footage and a storyline.

Night Watch itself is a very Russian movie. Its impossible to imagine this kind of movie somewhere else: a movie with a depressing ending, a lot of inexplicable storylines, strange characters. Its a Russian reflection of American film culture.

I started Storyline after I'd accomplished all my goals and still wasn't happy. I'd become a New York Times bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.

If a book has a predictable storyline or familiar situations, there's little satisfaction for me in writing it. A woman deciding which man she'll spend her life with? I've read that story a million times, but a stepmother deciding which of her children she'll save in a freak accident? Now that's a challenge.

I know that I'm very susceptible to getting caught up in storylines like, "I want him to be different. I want him to be more open. I want him to call." We have all of these storylines that kind of take over sometimes, and I think there's real grace and a peaceful heart at the center of just accepting what is, and knowing that everything's OK. The good, the bad, the ugly, the pain, the hurt, the frustration - all of that is valuable and part of this human experience, so we should lean in to all of it.