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TRUTH: When a child believes he must win to be worthy, when young adults define themselves by what they do and not who they are, it is a kind of slavery a slave master would envy.
Sep 10, 2025
I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.
So much of young adult literature has turned dark, almost pathological. It's almost as if there is a race to see who can be the most dysfunctional.
No one thinks that young adults read hooks for YOUNG ADULTS, books for young adults are read by kids.
I actually was rebelling as all young adults tend to do at or around the age of 19, to experiment with their lives and have fun.
Almost 40% of all young adults are living with their parents. This is a 75-year high in America. Forty percent of young adults are living with their parents. I see stuff like this, and I think it's a good thing I didn't become a parent, because if that were happening to me, you wouldn't want to be my kid.
I feel that in all kids that I've came across, that at the age of 12-13 is a big transition . They begin forming the Young Adult there going to become, here molding . I can't put a "name" on it but it's something. Your trying to find yourself, were getting ready to go to High School and as this world teaches you, you must "belong" to something. (So we Belong to Something)
It's – I write the books and let the market find who reads it. I guess a young adult is anywhere from ten to fifteen.
I feel like a young adult. In high school I never felt like my professional life and my personal life were at odds, because Rookie felt like the bridge.
Romance novels are my favorite books to read. I write young adult romances, and am so happy to be promoting this wonderful genre.
I read Pushing the Limit and Dare You To by Katie McGarry. Fantastic stuff. I had never read young adult before, but now Im a believer.
I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.
There was a time, from 1935-1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop charts and when influential clarinettists were household names. This was the swing era.
Divorce in a young-adult novel means what being orphaned meant in a fairy tale: vulnerability, danger, unwanted independence.
If there is any one thing most needed in this time of tumult and frustration, when men and women and youth and young adults are desperately seeking for answers to the problems which afflict mankind, it is an "iron rod" as a safe guide along the straight path on the way to eternal life, amidst the strange and devious roadways that would eventually lead to destruction and to the ruin of all that is "virtuous, lovely, or of good report."
"Little Brother" sounds an optimistic warning. It extrapolates from current events to remind us of the ever-growing threats to liberty. But it also notes that liberty ultimately resides in our individual attitudes and actions. In our increasingly authoritarian world, I especially hope that teenagers and young adults will read it - and then persuade their peers, parents and teachers to follow suit.
I thought I’d been condescended to as an Indian - that was nothing compared to the condescension for writing Y.A.
I deal with students every day - from China, Germany, the United States, Hong Kong and Taiwan. And I've noticed that the Chinese students are the least trained in having a sense of aesthetics. They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions. People who can't do that don't get a sense of responsibility. And if you lack a sense of responsibility, you push the blame onto the system.
And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in "young adult fantasy" writing.
When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
Incredibly, nearly 70,000 Young Adults between 15-39 are diagnosed with cancer each year. 10,000 will not survive. This is a very important stat for me, because I fall in this category. I am one of these statistics. Unlike every other age group, there has been no improvement in the 5-year survival of young adults in 30 years. That means many young adults have the same chance of getting cancer and dying from it as they did in the 1970's. This is not OK.
I think it's safe to say that 50% of the record buying metal community is people between the ages of 16 and 25 - people still in their teenage-angsty, early young-adult years.
The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone 'Stuck in Love', with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds.
I don't think I ever intended specifically to write for the young adult market. It's just that when the idea for City of Bones came to me, I knew the main characters were teenagers. In my mind they were just very clearly the ages they were, which turned out to mean it was a YA novel.
Young adults that actually read are reading bodice rippers and best-sellers and me. And Horror.
I write books for young adults because I truly connect with them on some very deep level. They are our hope, our future, and inspiring them to be the best they can be is very important to me.
A working definition of fathering might be this: fathering is the act of guiding a child to behave in ways that lead to the childs becoming a secure child in full, thus increasing his or her chances of being happy and fruitful as a young adult.
What we need now is the greatest generation of young adults in the history of the Church. We need your whole heart and soul. In other words, it's time to raise the bar not only for missionaries but also for returned missionaries and for your entire generation.
Al Gore announced Tuesday that he plans to launch a 24-hour cable news network for young adults. Gore claims he's been wanting to do this since he invented cable TV in the 1990s.
I suspect the popularity of young adults and dystopian novels has something to do with a desire for allegory and old-fashioned morality tales. In fact, you might find your religious framework here in dystopian, post-apocalyptic fiction. Here, and in videogames, you find strict codes of authority, the "rules of the game," the life-or-death quest and struggle that people crave.
But wishes are only granted in fairy tales.
You spend your whole life stuck in the labyrinth.
And imagining that future keeps you going, but you never do it. You just use the future to escape the present.
Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.
We all use the future to escape the present.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
My interests lie in nurturing children. That's part of the reason why the bullying thing has become an aspect of my life. I was bullied a lot growing up. I know firsthand the amount of life that is sucked out of you every time that happens, and how it affected me as a young adult.
[A young adult novel] ends not with happily ever after, but at a new beginning, with the sense of a lot of life yet to be lived.
Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about.
I care so passionately about improving the quality of life for women and girls, not just here in the United States, but internationally as well. I am a single mom and I raised a daughter who is now a young adult.
My book group has one rule: no books for adults. We read young adult fiction only.
Rousseau ranks among the great educational theorists of the modern era, even if he was the last man to put in charge of a classroom. Young adults, he thought, should be allowed to develop their capabilities in their distinctive way.
There are great parents of small children - they keep their little hair in bows - but those parents are not always good parents of young adults. As soon as their children get up to some size, it's "Shut up, sit down, you talk too much, keep your distance, I'll send you to Europe!" My mom was a terrible parent of small children but a great parent of young adults. She'd talk to me as if I had some sense.
I'm not a reader of young adult fiction for the simple reason that these novelists are writing for adolescents, so they are not writing for me.
Nothing ensures the success of the child more in the society than being read to from infancy to young adulthood. Reading books to and with children is the single most important thing a parent, grandparent, or significant adult can do.
the term 'young adults' which is so often used today seems to me a misnomer, and one which, if taken seriously, may lead the adolescent into misunderstanding as to his nature and his role in life. 'Young" he is; 'adult' he is not.
My grandmother was also an active member of the tenants association and a staunch supporter of the Democratic Party, and both of my parents were extremely liberal, so I think I grew up in a household that was very politically conscious - we all watched the elections on TV, and we watched the debates. So it was an awareness that we were raised with, and as we grew into young adults, we just naturally became politically active. It was just understood that it was important, that it was our responsibility.
Each and every child in this country is valuable because they are our future as a society. We cannot afford to lose a single child to ill-health, under-education, abuse, addiction, jail, or gun violence. America's highest goal should be for every child to grow up to be a successful young adult -- healthy, educated, free, secure, and a good citizen.
My dad and mom were more like World War II-era parents, even though it was the 1960s, because they were both born in the '40s. They were young adults before the '60s even happened, and married, and already having kids. But by the time we were adolescents in the '70s, the whole culture was screaming at parents, "You're a good parent if you're open with your kids about sex." They attempted to be open with us about sex, and it made them want to die, and consequently, it made us want to die.
When I was growing up in the 1960s, there was starting to be more books geared towards young adults.