Copies Quotes

The gleam in their eyes telegraphs only too clearly that they are hoping for a headline, which of course means something disparaging, because nothing makes such good copy as a feud.

You become a leader when you decide to be an original and not a copy.

My goal is never to copy. Create a new style, clear luminous colors and feel the elegance of the models.

Every man is born an original, but sadly, most men die copies.

All the blues greats took chances and developed their own style. They didn't copy.

And once an intelligent robot exists, it is only a small step to a robot species - to an intelligent robot that can make evolved copies of itself.

The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, "sees" things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.

It may be a brief interruption - just a few seconds - but what if someone sitting near you is trying to make a decent bootleg? Did you ever think of that? Now all those street-corner copies are permanently defiled by your so-called 'emergency.' Don't be so damn selfish.

What audiences end up with word-wise is a hackneyed, completely derivative copy of old Hollywood romances, a movie that reeks of phoniness and lacks even minimal originality.

Interestingly enough, Aurthur C. Clarke once autographed a copy of his book "Rendezvous with Rama" for me.

I specialize in science and history, with a special emphasis on including do-it-yourself projects in the mix. My dozen or so books have sold hundreds of thousands of copies. I'm also a contributing editor at Popular Science and at Make Magazine.

Belshazzar had a letter,-- He never had but one; Belshazzar's correspondence Concluded and begun In that immortal copy The conscience of us all Can read without its glasses On revelation's wall.

Federer said something interesting once. He said that he was watching Rod Laver, and me, and he said he was trying to copy us and to be like us. And that’s a great compliment for us.

[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.

Back before the internet we had a name for people who bought a single copy of our books and lent them to all their friends without charging: we called them "librarians".

In your cells right now, an enzyme is making a copy of your dna in less than two hours, right in the nucleus.

Cancer's life is a recapitulation of the body's life, its existence a pathological mirror of our own. Susan Sontag warned against overburdening an illness with metaphors. But this is not a metaphor. Down to their innate molecular core, cancer cells are hyperactive, survival-endowed, scrappy, fecund, inventive copies of ourselves.

Down to their innate molecular core, cancer cells are hyperactive, survival-endowed, scrappy, fecund, inventive copies of ourselves.

I am a free man. I do not need to copy Petrarca or Boccaccio. My own genius is enough. Let others worry themselves about style, and so cease to be themselves. Without a master, without a model, without a guide, I go to work and earn my living, my well-being and my fame.

The image of how power shows itself to the public is important... CNN was an inspiration to do the project in color because power confirms itself through television... I thought it would be interesting to copy the same language. large color pictures are framed in heavy wooden frames with golden plates and hung slightly higher than normal. So viewers get a sore neck watching these events, this is also the case when looking at paintings of saints in cathedrals.

Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!

You can simulate perfection, but it's not the same. Some one can do a copy of Rembrandt, but it's not a Rembrandt. It doesn't have the vibration or the power.

It's true, I had hacked into a lot of companies, and took copies of the source code to analyze it for security bugs. If I could locate security bugs, I could become better at hacking into their systems. It was all towards becoming a better hacker.

To escape jury duty in England, wear a bowler hat and carry a copy of the Daily telegraph.

If you didn't have patents, no one would bother to spend money on research and development. But with patents, if someone has a good idea and a competitor can't copy it, then that competitor will have to think of their own way of doing it. So then, instead of just one innovator, you have two or three people trying to do something in a new way.

No day copies yesterday, no two nights will teach what bliss is in precisely the same way, with precisely the same kisses.

Early publication can be a dubious blessing: we all know writers who would give anything not to have published their first book, and go about trying to buy up all existing copies.

The more I drive myself into the depth of my inside, the more things come up to my vision, visibly or invisibly... I even do not know if I am seeing them with my eye or with my mind. I just need to copy them on my canvases. But this mental process is always overwhelming. I often have hard time to deal with my emotion on this state. You could call this depression on surface? But actually, so many 're-birth' and 'reform' are going on on my thoughts, inspiration, philosophy...etc in the underwater. I believe this struggle make my art real. My art always comes from my emotion.

You see, I used to do a certain amount of market research by going to the local drugstore and seeing what the truck drivers would put up. Now it's all just copies from the latest best-seller list and damn little of anything else.

Tom Paine was a great American visionary. His book, Common Sense, sold a couple of hundred thousand copies in a population of four or five million. That means it was a best seller for years. People were thoughtful then. Hope is one thing. But you need to have hope with thought.

I was the kind of entrepreneur that never really felt I made it. When Mike Olefield's "Tubular Bells" [Virgin Records' first release] sold 8 or 10 million copies, I suppose, at age 19, I could've possibly retired on the money. Instead, I immediately pushed the boat and took that risk again.

He had a head which statuaries loved to copy, and a foot the deformity of which the beggars in the streets mimicked.

What about this?" I held up a battered copy of Beauty and the Beast. "It sounds romantic." Xavier wrinkled his nose. "Disney... I don't think so." "Why not?" "Because if anyone found out, I'd never live it down." "I won't tell if you don't," I pleaded, and Xavier shook his head in defeat. "The things I do for you," He said with an exaggerated sigh.

Girls' is a huge show, as far as buzz, and magazine covers, and getting a ton of copy, and awards. And yet I don't think the viewership is huge.

Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.

The circumstance which gives authors an advantage above all these great masters, is this, that they can multiply their originals; or rather, can make copies of their works, to what number they please, which shall be as valuable as the originals themselves.

The Fugazi Live Series site, when we realized the Internet, the way it works - the speeds and its development - made it possible to have one source of infinite copies, was incredible for us. Using tapes or CD's to make copies would have been so unwieldy. We have shows that have zero downloads, which makes me sad, but they're all freely available at any time. The most downloaded show was the one with the best audio quality, but I didn't think it was a very interesting show.

Falsehood always endeavors to copy the mien and attitude of truth.

Good artists copy, great artists steal.

I had to create an equivalent for what I felt about what I was looking at - not copy it.

Immature poets imitate; mature poets steal.

The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter's at Rome, by the feeling that these structures are imitations also,--faint copies of an invisible archetype.

Only another writer, someone who had worked his heart out on a good book which sold three thousand copies, could appreciate the thrill that overcame me one April morning in 1973 when Dean Rivers of our small college in Georgia appeared at my classroom door

Literature always anticipates life. It doesn't copy it but moulds it to it's purpose.

Changes... can only be effected by alterations in the original. The only thing not prerecorded in a prerecorded universe are the prerecordings themselves. The copies can only repeat themselves word for word. A virus is a copy. You can pretty it up, cut it up, scramble it - it will reassemble in the same form.

The boy spends most of his time reading. And writing, of course. He copies out sections of books, writes out words and symbols he does not understand at first but that become intimately familiar beneath his ink-stained fingers, formed again and again in increasingly steady lines.

Without moving beyond a mere copy, there is no artistry, no originality or artistic advancement; only mechanics.

We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks... With enough of us, around the world, we’ll not just send a strong message opposing the privatization of knowledge - we’ll make it a thing of the past. Will you join us?

Behold great Whitman, whose licentious line Delights the rake, and warms the souls of swine; Whose fever'd fancy shuns the measur'd pace, And copies Ovid's filth without his grace. In his rough brain a genius might have grown, Had he not sought to play the brute alone; But void of shame, he let his wit run wild, And liv'd and wrote as Adam's bestial child.

The artist does not draw what he sees, but what he must make others see. Only when he no longer knows what he is doing does the painter do good things. A picture is first of all a product of the imagination of the artist; it must never be a copy. If then two or three natural accents can be added, obviously no harm is done. The air we see in the paintings of the old masters is never the air we breathe.