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Marlon Brando, Jack Nicholson, Sean Connery and Robert Redford, Mel Gibson - at least in the Road Warrior films - and Harrison Ford are among my favorite actors. Meryl Streep, Jane Fonda, Sally Field, Deborah Winger, Jessica Lange, and of course, Shirley MacLaine, are among the women.
Sep 17, 2025
I love John Travolta, who came off that Kotter show. Nobody knew he could dance or do all of those things. He is like - boom. Before he knew it, he was the next big Brando or something.
I personally can watch an eight-hour documentary on Woody Allen because I'm fascinated by him. But, an audience can't really sit through more than two and a half hours on any movie. It doesn't matter if Marlon Brando came back from the dead. It's just impossible.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
A floor length backless black sequined dress would be my dream dress. As for my dream date - that would have to be a young Marlon Brando!
I don't like diabolism so I stay away from things like Clockwork Orange. I think diabolism is awfully childish. I don't even want to see The Godfather. I couldn't stand seeing that horse's head cut off. I wouldn't mind if it were Marlon Brando's.
I at least felt the obligation to speak clearly [in 'The Last Tycoon']. This is pre-Brando and pre-James Dean. Nobody mumbled back then.
You look at the absolute scorn that gets poured on a fallen celebrity, whether it's Tom Cruise or Lindsay Lohan or Marlon Brando, or Elvis when he got fat. They're not allowed the dignity of ordinary failure. And I think that plays into people's notions about Los Angeles, too. It's not allowed to be a regular city with problems.
I really loved the idea of playing opposite Marlon Brando and being the crazy one.
Marlon Brando was the absolute opposite of everything they told me he was going to be, which is that he was a testy guy who wants to know that he's in control of everything. But, that's not who Marlon was. No matter what he did, the most important thing on his mind was justice.
I'd worked with Marlon [Brando] a couple of times, and he was a practical joker. He was far more interested in getting jokes out than getting the words out. We laughed all the time.
I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.
I think what I'm doing is quintessentially American because I'm not American - even though I am on the verge of getting my American passport next week - I have a fantasy of what is American. Big spaces, Marlon Brando, James Dean, easy living.
I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, What else do you want that you don't have already? And I said, I'd like a picture without the sunglasses. He said no and punched me right in the jaw, It was so fast I didn't see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth.
Most of the time he [Marlon Brando] sounds like he has a mouth full of toilet paper.
You can't see California without Marlon Brando's eyes.
Im obsessed with Michael Fassbender. Hes unbelievable. I think hes a modern day Brando. Every movie that hes done in the past couple years, I just died for him. Hes extremely fascinating.
When I think of character actors, I think of Spencer Tracy; I think of Gene Hackman, Robert Duvall. When I was a young lad watching films, my eyes were on them - watching 'On the Waterfront,' my eyes are on Rod Steiger and Karl Malden, not on Brando.
I love Marlon Brando and James Dean. That was when it was all about the star and the script. Nowadays, everything has to be action-packed.
Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.
Marlon Brando is the most influential movie actor of the century.
[Marlon] Brando was the only guy who could step out of that shadow at the end of that movie and be worth the wait.
I like Brando's acting ... and James Dean ... and Richard Widmark. Quite a few of 'em I like.
[Marlon] Brando's a giant on every level. When he acts it's as if he landed from another planet. A planet where they produce great actors.
You were Marlon Brando, I was Steve McQueen, you were K.Y. Jelly, I was Vaseline.
I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had.
I admired Marlon Brando as I grew up. I though he was one of the finest screen actors around.
I felt as if I was the brunt of some massive joke at my expense: Can you believe this loser can be connected to Marlon Brando and Katharine Hepburn? But through the years I have learned to tolerate and sometimes embrace the idea. People have asked me if I consider it an honour. Well, all it indicates is that I've been in a lot of movies with a lot of people. And besides that there are plenty of other actors that would work.
For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his film Viva Zapata!, how he introduces his leading character Marlon Brando into the film. No film ever did it as wonderful as he did it.
This guy (Marlon Brando) - he'll be doing Hamlet when the rest of us are selling potatoes.
Personally, I react to Marlon Brando. He's a favorite of mine.
I would have to say honestly I was very pleased to be in a movie whether it was good or bad with De Niro, Norton and Brando even if I don't have any scenes with them I thought it was pretty good company to keep.
I'm not Jack Nicholson. I'm not Brando. But I do mumble.
Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it's sometimes very difficult to direct or order them to do something.
I was the female Marlon Brando of my generation.
If Fred Astaire is the Cary Grant of dance, I'm the Marlon Brando.
Marlon Brando. The finest actor who ever lived. He was my idol when I was 13. He's done enough work to last two lifetimes. Everything I do, I think: Can Brando play this with me?
I've worked with wonderful actors like Marlon Brando and Henry Fonda.
There are these mythic unicorn-y tales of method acting, but Marlon [Brando] wanted to have a good time.
It was just the thrill of a lifetime. Brando and Hackman were two of my heroes.
Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.
I said to Tennessee, this thing is becoming the Marlon Brando show.
The most realistic blood I've seen is when Marlon Brando gets beat up in On The Waterfront.
Acting is all about big hair and funny props... All the great actors knew it. Olivier knew it, Brando knew it.
Gregory Peck was so charismatic. I saw a woman fall down - fall down! - when she saw him in a restaurant. And Brando. We were in London, and by then he was about 380 pounds. There was a gorgeous waitress, and off he went, in direct competition with me for this young girl's attention, speaking French, making her blush.
I have grown up watching Marlon Brando, Al Pacino, Dev Anand, Amitabh Bachchan and the likes. These are actors who have changed with time. They have no shelf-life. They have immortalised themselves because they have evolved with time.
The fact is, though, what I think we really like is Marlon Brando, Al Pacino, Robert De Niro and James Gandolfini. We like what the media has created of the mob bosses in movies and TV and books, because it's something the average person never comes into contact with, it's almost as outwardly outlandish as a sexy vampire, and so we can romanticize it, it's non-threatening.
Marlon Brando said any guy can become an actor. It takes a real man to quit.
I figure there are a few actors like Marlon Brando, George C. Scott and Laurence Olivier who have been touched by the hand of God. I'm in the next bunch.