Directors Quotes

Good theatre draws the energies out of the place where it is and gives it back as joie de vivre.

Cast PURPOSE as the lead in your movie and you will help God, your Director, produce a masterwork.

I don't want to be a director, or to have responsibility for hundreds of people.

Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.

The profession of film director can and should be such a high and precious one; that no man aspiring to it can disregard any knowledge that will make him a better film director or human being.

I'm actually one who will encourage directors to cut my lines.

My sense is, I think it's okay for directors to do movies that speak to other work in their career.

I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.

I still make more money as I do as an actor than director, however I don't want to be a commercial director.

Sometimes the directors were afraid of what they brought out of me.

It's an important thing to have a relationship with the director, and have it be a positive one.

I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?

Actors can make five movies a year. A director can make one movie, every two years. It's a whole different level of commitment and of sweat equity, and therefore there's a direct correlation to passion.

My favorite thing in moviemaking is to shoot in chronological order if at all possible, because it just helps for continuity and all the logistical purposes. It also helps with performance and the journey of each character, but I also think it's good for the director and everyone [else] involved.

The contemporary Japanese directors who are well-known in the West - say, Kiyoshi Kurosawa, Takeshi Kitano, Naomi Kawase - are mostly unknown to Japanese, particularly of the younger generation.

I am convinced that one should tell one's spiritual director if one has a great desire for Communion, for Our Lord does not come from Heaven every day to stay in a golden ciborium; He comes to find another heaven, the heaven of our soul in which He loves to dwell.

Whatever talent I had, I'm sure it helped that my parents were in the business and that I grew up around actors, comedians and directors.

I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.

While the storytelling in games is getting so much better, you look at something like Grand Theft Auto V, which I thought was really beautifully written, it doesn't really need a movie because it is a movie. So I think you need a unique game - you either need an incredibly talented writer and director to come in and put together an amazing vision, or you need a game like Metal Gear, which is very cinematic, has a huge amount of history behind it, but whose cinematic experience is very different from what you'd get in a theater.

When you hit a wall – of your own imagined limitations – just kick it in.

I want to take roles that challenge me and I want to like the script and obviously feel connected with the director because the director to me is so important.

I gotta say, the Catholic Church has churned out a lot of great artists and directors and actors, so if that's all they do, that's fine by me. If they're good at churning out tortured artists, that's great!

Casting directors now just see me as the hard-core sniper or prison guard.

I got an internship with the casting director of The Girl Next Door. I would hold the clipboard and help them in their casting sessions and get them lunch.

I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.

Every casting director I've met is a woman.

Maybe I'm too masculine. Casting directors cast in their own, or an idealized image. Maybe I don't look like anybody's ideal.

For every book you buy, you should buy the time to read it.

American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.

The biggest thing I've noticed with some of my favorite directors is their gift of sticking a bunch of strangers in a room together and making them comfortable and making them into a cohesive group. There's magic involved, because you don't know why anybody would pick this group of people.

From my studies of genetics and neuroscience I have come to believe that people fall into four broad personality types - each influenced by a different brain chemical: I call them the Explorer, Builder, Director, and Negotiator.

One of the great things about this cast is that we've been able to take actors of relatively the same age group that would never usually meet. You know, like bridging the comedy/drama world that for some reason casting directors never really want to bridge or you get into one community and that's kind of it.

Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.

Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.

Invention, my dear friends, is 93% perspiration, 6% electricity, 4% evaporation, and 2% butterscotch ripple

The hardest thing, as a producer, is to find a director who does the picture for all the right reasons, and not just because they know it's successful or that they can do a good job, but in their bones, they love that genre.

When I read it and I realized that Michael Landon, Jr. was the director of it, I thought...this could work out well. This is not gonna be a hard stretch for me to get the character figured out at all. Outside of the billion dollars, I was living his life...chasing money down. It was a lot of fun.

As a director myself, you want to have colleagues and collaborators that respect your authority as the director. I'm very comfortable with that, and I've done a lot of work in second unit.

Exodus is a very large organization. My board of directors is supportive of me as the president of Exodus and are very much involved in my decision-making and those types of things. They're a wonderful and balanced group of people and I'm grateful for their support. Within the membership we have 270 or so members within the network of Exodus whether that's a local member ministry, a counselor or one of our members of our church association.

I have an association that director means total authority. Director means they will never let you down. Director means just trust them and fulfill their vision, and know that the story will be told in its best incarnation.

I studied Hitchcock and Josef von Sternberg under Richard Dillard at Hollins, and that year under his tutelage just completely rewired my brain. Both directors combine moral seriousness with great artistry and, certainly in Hitchcock's case, an enormous respect for plot, for its power to enthrall and delight.

My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.

James DeMonaco is one of my favorite directors I’ve ever worked with. I think he shoots really well and all that, but the work environment he creates – he makes everyone feel respected, he makes everyone feel appreciated, and he’s a true collaborator.

I'm very patient and always willing to try things but I have some resistance as well because I have my own vision. I have resistance sometimes because I see a director who's freaking out and wants to have control and they sometimes anticipate about what I'm going to be doing or not.

It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.

God may allow us at times to hit rock bottom, to show us He's the rock-at the bottom.

George Tenet has been the director of central intelligence since 1997, time enough to have changed the Agency's culture. He has failed. He should go.

David Petraeus, the best known American general of his generation. After commanding the American war effort in both Iraq and Afghanistan, he was serving as CIA director when he stepped down suddenly following revelations that he`d had an extramarital affair. That same investigation that turned up evidence of the affair also eventually turned up evidence that General. Petraeus had passed classified information to his mistress.

Having the career of the beloved CIA Director and the commanding general in Afghanistan instantly destroyed due to highly invasive and unwarranted electronic surveillance is almost enough to make one believe not only that there is a god, but that he is an ardent civil libertarian.

Constance L. Rice, co-director of the Los Angeles of the Advancement Project, told the Times that Seltzer might have been influenced by David Simon's fake ghetto series, "The Wire." It figures. Isn't this sexism? Isn't this a double standard? They're hard on this young woman for her fake ghetto book, yet praise these White guys for theirs. So there's a big market in downing Black men.