Nicholson Quotes

I really loved Witches of Eastwick, the movie with Michelle Pfeiffer and Jack Nicholson and Cher.

I also couldn't pass up the opportunity to be in the same movie as Jack Nicholson and Glenn Close.

It was also wonderful to have the prospect of playing with Jack Nicholson. It was a terrific part, a terrific script, with Alexander Payne and Jack Nicholson. You can't get any better than that!

Well, I never got to meet Jack Nicholson.

Jack Nicholson is a hero of mine.

My friends are all megalomaniacs - from Damien Hirst to Jack Nicholson - all of them.

I had twelve years as a Tottenham player under Bill Nicholson and could not have wished to have played for a better manager. I can still hear his wise words in my head when I am out on the training ground as a manager myself.

[That night] I was sitting by Jack Nicholson with my long list of thanks, and I said, `I'm so nervous. I don't know what to say if I go up there.' He said, `Don't get emotional, drop the names, and dedicate it to your mother.'

Roger [Corman] didn't actually hire me, though. I was hired by AIP [American International Pictures], the studio that made the picture, which was Sam Arkoff and Jim Nicholson. It was a great learning experience for me, because not only did I work on the script, but they hired me back to go on location when they were making the movie, to write new scenes and so forth.

I am like the Jack Nicholson of the Kings - every single game. If there was a game tonight I wouldn't be here. I used to play hockey. That was my original thing. My first thing, I wanted to play professional hockey

A handful of older, romantic leading men, like Sean Connery, Jack Nicholson, and Robert Redford are still landing parts.

One of the great things personally coming to Hawai'i is my friendship of Jim Nicholson.

With my sunglasses on, I'm Jack Nicholson. Without them, I'm fat and 60.

I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece.

And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.

Having said that, I'm a huge Jack Nicholson fan because he just goes nuts in everything he does. Having Jack in his heyday would also be a dream come true.

Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.

In fact, when they wake up in the morning, they're Jack Nicholson or Robert De Niro or Josh Brolin. And it's built-in, but they think it's all this other stuff. But it's not. They'd be great if they didn't think about their part or if they did think about it.

Take characters that Nicholson or De Niro play: they're not always tough

My dad is a Jack Nicholson lookalike and a frustrated performer, my mother's into reading and poetry. I suppose the thing I owe them most is my confidence.

When I was seven, I watched One Flew Over the Cuckoo's Nest with my mom. When Jack Nicholson was strapped to the table getting electroshock treatment, my mom burst into tears. She said it reminded her of her life, and I was stunned, because I didn't know my mom had been nominated for an Oscar.

What's the first image that comes to mind when you think of a mental hospital? Jack Nicholson in 'One Flew Over the Cuckoo's Nest,' right? We need to change that perception, and places like this one are doing that.

Listening to people espouse beliefs different from mine is informative, not threatening, because the only thing that can alter my worldview is a new and undeniable truth, and contrary to what Jack Nicholson says in 'A Few Good Men', "I CAN handle the truth.

If I make a move, like raise my eyebrows, some critic says I'm doing Nicholson. What am I supposed to do, cut off my eyebrows?

I managed lots of clubs. I had more clubs than Jack Nicholson

Jack Nicholson is fairly gifted. We were at the Sistine Chapel, and everybody went from looking straight up to looking across the room at him.

People told me I couldn't kill Nicholson, so I cast him in two roles and killed him off twice.

Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.

When I was first painting the Monopoly guy I received a criticism. People said, "You're just painting cartoon characters, anyone can do that," but I'm actually a very skilled artist. That's why I released a Jack Nicholson portrait right after that that was very detailed in the face to show my skills.

Jack Nicholson is a textbook actor who's very intuitive. He is absolutely brilliant at going as far as you can go, always pushing to the edge, but still making it seem real.

Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.

Marlon Brando, Jack Nicholson, Sean Connery and Robert Redford, Mel Gibson - at least in the Road Warrior films - and Harrison Ford are among my favorite actors. Meryl Streep, Jane Fonda, Sally Field, Deborah Winger, Jessica Lange, and of course, Shirley MacLaine, are among the women.

I'm not Jack Nicholson. I'm not Brando. But I do mumble.

I was selling real estate at the time, in Pacific Palisades, California, so imagine that: getting a note and a bottle of champagne from Jack Nicholson when I'd barely made a dime as an actor. It really kept me going.

I have always had the deepest respect for Bill Nicholson as a person and as a manager. The Spurs boss is an honest Yorkshireman and you will go a long way before finding a straighter character than that. Bill has never wavered in his determination to give White Hart Lane fans the best.

I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".

I would like to work with Jack Nicholson, before it's too late.

My wife always says that I will be stuck with this forever: I am the difficult one. With Jack Nicholson they always said it was drugs. Warren Beatty is supposed to have screwed everything that jumped off the curve. I'll tell you, in reality a few of us had as many girls as Warren.

Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in Batman; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.

I once drew a picture of Jack Nicholson in The Shining. But I put it away after a Feng Shui expert told me about the bad vibes

In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.

Every country is like a particular type of person. America is like a belligerent, adolescent boy, Canada is like an intelligent, 35 year old woman. Australia is like Jack Nicholson.

Living and working for four decades in a Bologna apartment and studio he shared with his unwed sisters, Morandi painted little but bottles, boxes, jars, and vases. Yet like that of Chardin and the underappreciated William Nicholson, Morandi's work seems to slow down time and show you things you've never seen before.

Like a large number of men, I, too, have had homosexual experiences and I am not ashamed. But if there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing.

These self-appointed deacons in the Church of Latter-Day American Literature seem to regard generosity (of words) with suspicion, texture with dislike, and any broad literary stroke with outright hate. The result is a strange and arid literary climate where a meaningless little fingernail paring like Nicholson Baker's Vox becomes an object of fascinated debate and dissection, and a truly ambitious American novel like Matthew's Heart of the Country is all but ignored.

I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."

I'm a big fan of all the great movie devils, from Walter Huston to Ray Walston to Al Pacino to Jack Nicholson.

It makes me feel good that I can now sit there and go, I've worked with Jack Nicholson, Al Pacino, all the great actors that I've worked with... Sir Ben Kingsley.

I want to keep on progressing. I definitely think acting is a long process to be one of the greats like Morgan Freeman or Jack Nicholson.

I aspire to be Jack Nicholson. I love his every single mannerism. I used to try and be him in virtually everything I did, I don't know why. I watched One Flew Over the Cuckoo's Nest when I was about 13, and I dressed like him. I tried to do his accent. I did everything like him. I think it kind of stuck with me.