Sci Fi Quotes

I hope I can pass on a few thoughts and ideas to the Sci-Fi channel to encourage people to see that they are living in a conditioned illusion and we can change it any time we want. We can be people and not sheeple.

I did this movie, Predestination, and it's one of my favorite movies I've ever made, because sci-fi really lets you talk about ideas in a way that's not pretentious.

Im actually a sci-fi nerd on the inside; I just happen to be symmetrically put together on the outside.

I loved everything. I read everything. Art and poetry and literature and trash and sci fi. I didn't know what I would become yet and I needed to read to figure it out.

Sci-Fi is incredibly challenging and has its own language. I have to speak its language; it's not going to learn mine.

If you were to ask my agent, they would confirm this: I'm drawn to locations. What really drew me to 'The 4400,' aside from the fact that it was sci-fi, was the fact that it was shot in the city of my dreams: Vancouver.

The fundamental premise of sci-fi is not spaceships and lasers - it's that children can learn from the mistakes of their parents.

I think that Star Wars revolutionized not only sci-fi movies, but also the entire industry in the way that things are done.

I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day]. And, actually, it was Jeff Goldblum who looked at me one day and said, "You know, I think this is going to be really something." And I said, "Well, I hope you're right." And sure enough, it turned out to be.

Never anger a sci-fi writer. These people destroy entire planets over lunch. Imagine what they'll do to you.

I think people imagine that I have about five scripts sitting in front of me and I say, 'I think I'm going to go with the super hero thing and after that I'll wrap it up with some more sci-fi and then do a romantic comedy.' But it doesn't quite work out that way.

I've done other things, but it always seems like my sci-fi projects have been what people respond to the most, because those fans are extraordinary, so passionate.

If there's a great story and great characters, then I can love a film in any genre, though crime thrillers and sci-fi have a particular soft spot in my heart.

I'm really into sci-fi. The reason I'm an actor is because of Star Wars - I saw that and I knew that's what I wanted to do. But most of the projects I'm offered as an actor are straightforward dramas, so I haven't really been given a chance to do that kind of role.

I don't watch like Sci-fi or things like that, I'm always more like real life is so endlessly fascinating to me.

I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.

I love sci-fi, especially when it thrives on a thought-provoking story, rather than explosions.

The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.

I don't resent being identified with B science fiction movies at all -why should I? Even though they were not considered top of the line, for those people that like sci-fi, I guess they were fun. My whole feeling about working as an actor is, if I give anybody any enjoyment, I'm doing my job, and that's what counts.

I'd love to do a sci-fi movie, a western, or an espionage thriller. But I'm not going to limit myself. If a good script comes along, I'm not going to discount it because it doesn't fit into one of these genres.

I've always loved fantasy. I've always loved sci-fi. It's not like I can list off my favorite sci-fi shows or movies, but I just love being taken into a different world. I'm a huge fan of Steven Spielberg. I'm a huge fan of George Lucas. I've always loved it.

I just love variety. I love being able to do different things. Do period pieces and sci-fi. I love being able to move between genres and be flexible.

Actually, I'm addicted to science fiction. Let me make my diction clear - I love sci-fi.

I've done different conventions and had smaller roles in different sci-fi things.

I love sci-fi, computer games. I love any escapes. Give me them all.

I mean, of course, I love sci-fi and stuff like that, but I'm not, like, a comic book crazy guy.

When you get big special effects pictures, sci-fi and things, there's little or no comedy. Or it's a domestic comedy and there's not one special effect. But very rarely do these things fuse and come out right.

After the make-up process, I was like, "I never want to do a sci-fi movie where I'm in make-up for seven months." It's interesting. It was my first time ever getting prosthetics. They put this goopy stuff all over your head and they tell you it's like a facial, but it's actually very claustrophobic. All they have are these places where your nostrils are and I kept thinking that they were closing up, but they were like, "No, we're looking at it." So, they made a mold of my face.

I'm a huge 'Futurama' fan, so that's my closest sci-fi tendency.

I don't think I'm the world's most die-hard sci-fi fan, but I definitely grew up watching 'Star Trek' religiously - all of them: the original, 'Next Generation,' 'Deep Space Nine,' 'Voyager.' I think sci-fi has an important place in the cinema world. Fantasy is a big part of why films actually exist.

For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.

I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.

I also love doing comedy. I just moved to L.A. last July. Before that, Vancouver is all about sci-fi, so I didn't get any comedy, whatsoever. But in L.A., people are like, "You don't look quirky enough," and I'm like, "I'm quirky. I'm the definition of quirky. How do you want me to look quirky." They have these little boxes that they put everyone in, so now I have to try to break the mold and get them to see me as being quirky.

Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.

The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.

Sci-fi has never really been my bag. But I do believe in a lot of weird things these days, such as synchronicity. Quantum physics suggests it's possible, so why not?

The great thing about sci-fi is that the fans and the audience are unlike any other genre out there. They are constantly looking for great content and good stuff. They don't care where it comes from, they'll latch onto it.

As the financial experts all over the world use machines to unwind Gordian knots of financial arrangements so complex that only machines can make - 'derive' - and trade them, we have to wonder: Are we living in a bad sci-fi movie? Is the Matrix made of credit default swaps?

...The very word 'fiction' implies another world, literally a different place, whereas no one claims that a dedicated sportsman is escaping his life, or a chef or a nurse. But the poor writer - the sci-fi one especially - is seen as running away. Bollocks. This is real, for me, and it's tough, it's fun, it's practical, and it's very, very important.

My favorite sci-fi always uses its hook to amplify some bigger theme or idea - some emotional thrust.

Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.

No! Try not. Do, or do not. There is no try.

As a child I read all kinds of stuff, whether it was 'Asterix and Obelix' and 'Tin Tin' comic books, or 'Lord of the Rings,' or Frank Herbert's sci-fi. Or 'The Wind in the Willows.' Or 'Charlotte's Web.'

You know, every year 'Torchwood' has become something a little different than it was before. It's still sci-fi, but it doesn't just deal with spaceships and aliens all the time, because we've done that. Our science fiction is more psychological.

Sci-fi uses the images that sf - starting with H.G. Wells - made familiar: space travel, aliens, galactic wars and federations, time machines, et cetera, taking them literally, not caring if they are possible or even plausible. It has no interest in or relation to real science or technology. It's fantasy in space suits. Spectacle. Wizards with lasers. Kids with ray guns. I've written both, but I have to say I respect science fiction enough that I wince when people call it sci-fi.

Theres two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once youve read, you never look at the world the same way again.

Come with me if you want to live!

I don't buy into the dystopian scenarios of self-aware robots enslaving mankind, but you don't have to be a sci-fi conspiracy theorist to acknowledge that plenty of good, well-paying jobs are being taken over by machines.

I've been accused countless times of writing gloomy futures. But to me, the texture of my sci-fi just feels like an extrapolation of current trends.

Sci-Fi is the genre that explored both possibilities: the end of our existential crisis and the end of our existence. My novel, The 5th Wave, explores the latter scenario, because, frankly, I believe it represents the likeliest outcome of an extraterrestrial encounter. In short, if they're out there, we better hope they never find us.