Good Story Quotes

I'm a storyteller, not a prophet. I'm just interested in a good story.

The important thing about any book is that you have to have a good story and that it has to be exciting. Then it's nice to add other levels underneath that people can pick up on.

I think the good stories are those where the character decides to break away and do something different.

I'm just trying to write a good story, strictly from imagination. People just think it's random, they don't see the rewriting, phrasing of characters, choosing the words, bringing the world to light in which the characters live in. That creates an illusion that this is real.

It's hard enough to tell good stories about people who analyze information for a living. It's even harder to do a good show about people who think for a living.

I want a body of work; I want a good story after a good story.

You try to pick good stories, and that's pretty much all the control you have as an actor.

Over the years, there certainly have been plenty of ideas that I've had and given up on, but for this one, the only thing that was standing in its way was me doing it - I just had to write it... And then if it didn't happen, it didn't happen. But I didn't want it to be for lack of effort on my part, so I had hunch that it would be a good story and that we would work well together. And it certainly worked out that way.

I found out a long time ago that if I didn't have a good story for a song, I could just make one up! Now it seems over half the stories in my show are made up. The funny thing is, those seem to be the ones that resonate the most with the audiences.

If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.

I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.

With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.

I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.

I think there are a lot of great journalists out there. I don't find much fault in the journalist in general; I think everybody would like to break a good story.

I realized that the good stories were affecting the organs of my body in various ways, and the really good ones were stimulating more than one organ. An effective story grabs your gut, tightens your throat, makes your heart race and your lungs pump, brings tears to your eyes or an explosion of laughter to your lips.

Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that were most effective on me as a viewer I think of the original Haunting and the Exorcist, Rosemary's Baby, the Sixth Sense, the Others. These movies are not over the top at all, they are movies that rely on good story telling, good acting, good premise, good exposition and I want to stay true to that in future projects.

Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.

I like a good story and I also like staring at the sea-- do I have to choose between the two?

When you're embarking on a piece of writing, the anxiety is just too much, especially when you're young and you're trying to figure out if this is your thing or not. You feel like, "if I don't write a good story, I gotta get going to law school!"

I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.

I know of three ways to recognize another writer: Writers are shamelessly nosy. Writers tell good stories, even about dumb old, daily things. On most writers, the earmarks of thrift, if not outright povery, are evident.

You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.

A good story remains a good story, whether it is on glossy paper or a mobile phone display, is carved into marble tablets or appears as a Bild headline.

You have such a sacred responsibility when you touch John Lewis's story, when you touch the story of the movement. You don't want to leave anything out, but you want to tell a good story so the people will read it and they're engaged and they don't fall apart with extraneous details.

My name is Bruce Feiler, and I'm an explainaholic. I first heard this word used to describe Isaac Asimov, and I knew instantly that I suffered from the same condition. It's the incurable desire to tell, shape, share, occasionally exaggerate, often elongate, and inevitably bungle a good story.

As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.

My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.

I always try to tell a good story, one with a compelling plot that will keep the pages turning. That is my first and primary goal. Sometimes I can tackle an issue-homelessness, tobacco litigation, insurance fraud, the death penalty-and wrap a good story around it.

Let's make really good stories that people get something out of. That's the one common denominator with everything I try to do.

The media are very dishonest. In fact, in covering my comments, the dishonest media did not explain that I called the fake news the enemy of the people - the fake news. They dropped off the word "fake." And all of the sudden, the story became, the media is the enemy. They take the word "fake" out, and now I'm saying, oh, no, this is no good. But that's the way they are. So I'm not against the media. I'm not against the press. I don't mind bad stories if I deserve them. And I tell you, I love good stories, but we won't - I don't get too many of them.

It's a damn good story. If you have any comments, write them on the back of a check.

That's the curse of the reading class. We can be seduced by a good story even at the most inopportune moments.

Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.

Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.

I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.

Plausible development, building from what we know about what really did go on, and a whacking good story… Surrounded by Enemies delivers on both, big-time. So hold on to your hats, folks. You’re in for quite a ride.

Never let the truth get in the way of a good story.

Writing is hard work, and if anything's true about the process, it's that fact that a good story is hard to find and even trickier to get on paper. What's less romantic than staring alone at a blank screen? And edgy? I've changed the cat little because I didn't know what my characters were going to say next.

I just like a good story. I want the story to be good and I want the character to be different than the last one I played. That's not always possible, but that's what I want.

I was a better writer when I was teaching. I was constantly going over the basics and constantly reminding myself, as I reminded my students, what made a good story, a good poem.

Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?

A good day is a good day. A bad day is a good story.

Yes, in all my research, the greatest leaders looked inward and were able to tell a good story with authenticity and passion.

[Six principles that make for a good story:] 1. Absence of lengthy verbiage of a political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality: flee the stereotype; 6. compassion.

Relationships matter above all, and that you build relationships by making yourself useful, not annoying. The PR practitioner should focus on providing helpful service to the journalist whenever possible. Help them source good story ideas, provide sources with intelligent contributions to make, thank them for their time and attention.

the announcement that you are going to tell a good story (and the chuckle that precedes it) is always a dangerous opening.

In the war room, love? What if someone comes in?” I stood and removed his shirt. “Then they’ll have a good story to tell.” “Good?” He adopted the pretense of being offended. “Prove me wrong.

I tend to really enjoy being swept up in fiction. I love a good story and I admire fiction authors.

I do think a good story in a novel is fair game and there's nothing wrong with adapting that. It sometimes gets a bit facile where they think: "Let's get the next best-seller and see if we can turn it into a film."

My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.