Idiom Quotes

You catch more flies with honey than you do with vinegar.

The development of new instrumental and vocal idioms has been one of the remarkable phenomena of recent music.

One must not consider a language as a product dead, and formed but once; it is an animate being, and ever creative. Human thought elaborates itself with the progress of intelligence; and of this thought language is a manifestation. An idiom cannot therefore remain stationary; it walks, it develops, it grows up, it fortifies itself, it becomes old, and it reaches decrepitude.

A proposition is completely logically analyzed if its grammar is made completely clear: no matter what idiom it may be written or expressed in.

Every good writer has much idiom; it is the life and spirit of language.

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?

Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.

Foreign languages are another favourite topic, and as these men are bilingual they have a fair notion of what it means to speak and think in many different idioms.

The American idiom has much to offer us that the English language has never heard of

All that glitters is not gold.

The mechanical philosophy was ever blind to this fact. Intelligent design, on the other hand, readily embraces the sacramental nature of physical reality. Indeed, intelligent design is just the Logos theology of John's Gospel restated in the idiom of information theory.

It will be a sad day for the world when the Oriental gent realizes that Western bumbling is only Eastern guile in a different idiom. Well, a lot of it, anyway.

I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.

As far as the style, I can't say there is one definite style. I probably feel most comfortable writing in a tonal idiom, with considerable, if not extreme chromaticism.

It's a shame that jazz is now being turned into dried fruit. It's becoming quantized, diced and defined. It's becoming an idiom. To me if it's anything, jazz is a verb ? it's more like a process than it is a thing.

The sea is an idiom I cannot decipher.

There is a quiet humor in Yiddish and a gratitude for every day of life, every crumb of success, each encounter of love... In a figurative way, Yiddish is the wise and humble language of us all, the idiom of a frightened and hopeful humanity.

Style, in the broadest sense of all, is consciousness. More specifically it is a consistent idiom arising spontaneously from the personality but deliberately maintained.

Most historians accept that Egypt was a cradle of civilization, and that many cultural idioms and traditions come from there. What has yet to be understood, however, is the manner in which Egypt inherited its cultural elements from the lands of the North-West. This fact is not known today because of the threat it poses to Rome and London, the Vatican and Crown, and to all those who have profited from the suppression of knowledge.

Beaumont specifically pointed out that the cultural elements and idioms regarded as "Egyptian" could not have originated in the land of the Nile. This single fact is inviolate and cannot be denied. It is obvious to those who have taken the time to study the subject, that the Egyptian civilization was transplanted by Western adepts and elders.

My chief virtue (or if you like, defect) has been a tireless lifelong search for an original, individual musical idiom. I detest imitation, I detest hackneyed devices.

For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art.

Psychobabble is... a set of repetitive verbal formalities that kills off the very spontaneity, candor, and understanding it pretends to promote. It's an idiom that reduces psychological insight to a collection of standardized observations, that provides a frozen lexicon to deal with an infinite variety of problems.

The style, often found difficult in the earlier books, is just as individual but more perfectly modulated to experience, and the dialogue is much closer to contemporary idiom, especially when those cadences have been masterfully twisted to satirical ends.

To make the bloody thing talk the way I do when I'm on a verbal roll, in my idioms and rhythms.

A myth is, of course, not a fairy story. It is the presentation of facts belonging to one category in the idioms appropriate to another. To explode a myth is accordingly not to deny the facts but to re-allocate them.

The world shrinking down about a raw core of parsible entities. The names of things slowly following those things into oblivion. Colors. The names of birds. Things to eat. Finally the name of things one believed to be true. More fragile than he would have thought. How much was gone already? The sacred idiom shorn of its referents and so of its reality. Drawing down like something trying to preserve heat. In time to wink out forever.

If you do not know where your competitor is, or overconfident and snobbish about your competitor, or are unable to comprehend how yourcompetitor became a real threat, you will surely fall behind him. Don't be the "they" in this idiom: First they ignore you, then they laugh at you, then they fight you, then you win.

I don't understand why people never say what they mean. It's like the immigrants who come to a country and learn the language but are completely baffled by idioms. (Seriously, how could anyone who isn't a native English speaker 'get the picture,' so to speak, and not assume it has something to do with a photo or a painting?)

The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns, as it were, instinctively to long words and exhausted idioms, like a cuttlefish squirting out ink.

The disquieting thing about newscaster-babble or editorial-speak is its ready availability as a serf idiom, a vernacular of deference. "Mr. Secretary, are we any nearer to bringing about a dialogue in this process ?

Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom.

Idiom is larger than geography it is the hot breath of a people singing, slashing, explorative. Imagery becomes the magic denominator, the language of a passage, saying the ancient unchanging particulars.

[T]here is a methodological bias in favor of taking natural discourse literally, other things being equal. For example, unless there are clear reasons for construing discourse as ambiguous, elliptical, or involving special idioms, we should not so construe it.

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.

Air power speaks a strategic language so new that translation into the hackneyed idiom of the past is impossible.

A mass of Latin words falls upon the facts like soft snow, blurring the outline and covering up all the details. The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish spurting out ink. In our age there is no such thing as 'keeping out of politics'. All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred, and schizophrenia. When the general atmosphere is bad, language must suffer.

I love you," he writes again and again. "I can't bear to live without you. I'm counting the minutes until I see you." The words he uses are the idioms of popular songs and poems in the newspaper. And mine to him are no less cliched. I puzzle over the onionskin, trying to spill my heart onto the page. But I can only come up with the same words, in the same order, and hope the depth of feeling beneath them gives them weight and substance. I love you. I miss you. Be careful. Be safe.

As advertising blather becomes the nation's normal idiom, language becomes printed noise.

A God in the hand is worth two in the bush.

Do not put all your eggs in one basket.

Do not count your chickens before they are hatched.

Many hands make light work.

Don't count your chickens before they egg.

Never look a gift horse in the mouth.

Nine times out of 10 when people do a tribute album or tribute songs for somebody, it's what I call 'white boys playing reggae'. They know they can't, we know they can't, so they sing like they can't and play like they can't. They gently make fun of the idiom or sing in a false accent.

Fashion is not style. Nay, we can say more: Fashion is instead of style. Style is an idiom springing spontaneously from the personality but deliberately maintained. If you have no personality, you may be able to save your face and, possibly, your entire anatomy by following the current fashion, but all we shall know about you, when we see you coming down the street, is that you had enough money to buy a glossy magazine and were sufficiently cunning to work out the cut of the garments shown therein.

My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses–the baffling mirror, the black velvet backdrop, the implied associations and traditions–which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way.

The 80s were deranged. People had all these liberties all of a sudden and all the freedom in the world, the Less Than Zero sort of themes that came from that period, I think electronic music works very well for that whole idiom.

What goes around, comes around.