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Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
Sep 17, 2025
I was to Japanese visitors to Washington what the Mona Lisa is to Americans visiting Paris.
Did you ever see that painting the Mona Lisa. It always reminds me of a reporter listening to a politician.
You wouldn't get rid of the Mona Lisa just because someone painted another picture of a woman smiling.
Owning the Yankees is like owning the Mona Lisa.
Look beyond the paint. Let us try to open our minds to a new idea.
Mona Lisa looks as if she has just been sick, or is about to be.
Mona Lisa is the only beauty who went through history and retained her reputation.
The horizon is an imaginary line that recedes as you approach it.
Mona Lisa must have had the highway blues; you can tell by the way she smiles.
Leonardo's Mona Lisa is just a thousand thousand smears of paint. Michelangelo's David is just a million hits with a hammer. We're all of us a million bits put together the right way.
I feel like vocals are to music what portraits are to painting. They're the humanity. Landscapes are good and fine, but at the end of the day everyone loves the Mona Lisa.
Burn the Louvre, and wipe your ass with the Mona Lisa. This way at least, God would know our names.
Da Vinci painted one Mona Lisa. Beethoven composed one Fifth Symphony. And God made one version of you.
Hey, even the Mona Lisa is falling apart.
Nothing is static. Even the Mona Lisa is falling apart. Since fight club, I can wiggle half the teeth in my jaw. Maybe self-improvement isn't the answer. Maybe self-destruction is the answer.
If I had a euro for every stupid thing I've done, I could buy the Mona Lisa.
Everybody can draw, in my estimation. If you give a man 50 years, he'll come up with the Mona Lisa.
Inside the museum infinity goes up on trial. Voices echo, 'This is what salvation must be like after a while.' But Mona Lisa must have had the highway blues; you can tell by the way she smiles.
It is not enough to deface the Mona Lisa because that does not kill the Mona Lisa. All art of the past must be destroyed.
Why learn a number like pi to so many decimal places? The answer I gave then as I do now is that pi is for me an extremely beautiful and utterly unique thing. Like the Mona Lisa or a Mozart symphony, pi is its own reason for loving it.
I was sick of people making fun of my hair and so I cut it off and I've got much more attention than ever before. It was like when Mona Lisa was stolen from the Louvre in 1906 - three times more people came to see where it used to be.
The curious thing about that moustache and goatee is that when you look at the Mona Lisa it becomes a man. It is not a woman disguised as a man; it is a real man, and that was my discovery, without realising it at the time.
A lotta cats copy the Mona Lisa, but people still line up to see the original.
My favourite song of Elton's is... it's a tricky one for me. I'm a proper fan and I've probably seen him in concert about a dozen times before I even met him. Mona Lisas and Mad Hatters, which isn't in this film... but whenever I see him, I always tell him that Passengers is my favourite song because it's one of his least auspicious ones.
Well, is it pornography or is it art? Well as far as I'm concerned, the Mona Lisa is art.
Could Hamlet have been written bya committee, or the Mona Lisa painted by a club? Could the NewTestament have been composed as a conference report?
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
My movies are film-paintings - moving portraits captured on celluloid. I'll layer that with sound to create a unique mood -- like if the Mona Lisa opened her mouth, and there would be a wind, and she'd turn back and smile. It would be strange and beautiful.
I'm at that age where I watch such things with two minds, one that cackles at these capers and another that never gets much beyond a rather jaded and self-conscious smile, like the Mona Lisa.
I really believe that if you practice enough you could paint the 'Mona Lisa' with a two-inch brush.
You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'
How could we possibly appreciate the Mona Lisa if Leonardo had written at the bottom of the canvas: 'The lady is smiling because she is hiding a secret from her lover.' This would shackle the viewer to reality, and I don't want this to happen to 2001.
One minute you're bleeding. The next minute you're hemorrhaging. The next minute you're painting the Mona Lisa.
What is Mona Lisa thinking? Nothing, of course. Her blankness is her menace and our fear. [...] Walter Pater is to call her a 'vampire,' coasting through history on her secret tasks.
. . . a jostling scrum of office buildings so mediocre that the only way you ever remember them is by the frustration they induce - like a basketball team standing shoulder to shoulder between you and the Mona Lisa.
I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
Leonardo's Mona Lisa sure would have lost out if he had spent only 2 of the 4 or 5 years he took to complete it. It is thinking about him and Ryder, among others, that partly makes me feel so awful to send away a 'half-baked' painting.
Radical self-care is quantum, and radiates out into the atmosphere, like a little fresh air. It is a huge gift to the world. When people respond by saying, “Well, isn’t she full of herself,” smile obliquely, like Mona Lisa, and make both of you a nice cup of tea.
The Mona Lisa, to me, is the greatest emotional painting ever done. The way the smile flickers makes it a work of both art and science, because Leonardo understood optics, and the muscles of the lips, and how light strikes the eye - all of it goes into making the Mona Lisa's smile so mysterious and elusive.
Where the spirit does not work with the hand, there is no art.
Pat Nixon was called the Mona Lisa of American politics. She never wrote anything. Her interviews tell us nothing.
For all cats have this particularity, each and every one, from the meanest alley sneaker to the proudest, whitest she that ever graced a pontiff's pillow — we have our smiles, as it were, painted on. Those small, cool, quite Mona Lisa smiles that smile we must, no matter whether it's been fun or it's been not. So all cats have a politician's air; we smile and smile and so they think we're villains
The music I wanted to get into when I went to California, was to, uh, get into, uh, pop, mostly. And the big band era was on at that time. I was doing the "Mona Lisa"s, the "Stardust"s, "Stars Fell On Alabama," all this kind of stuff. And that was my thing that I wanted.
I suggested that it was not enough to add a moustache to the Mona Lisa: it should simply be destroyed.
Could Hamlet have been written by a committee, or the "Mona Lisa" painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.
Rock and Roll adolescent hoodlums storm the streets of all nations. They rush into the Louvre and throw acid in the Mona Lisa's face.
You cannot paint the Mona Lisa by assigning one dab each to a thousand painters.
Art is never finished, only abandoned.
The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematizing the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Gray's Anatomy.