Naturalism Quotes

A real naturalistic approach, I would claim, should take the reality of mental representation as a natural fact. A lot can be said about this fact, but there is no need to say it all in terms of necessary and/or sufficient conditions which are stated in non-intentional terms. The idea that naturalism might require that all the truths should be stated in a particular kind of vocabulary now strikes me as a very peculiar one.

I wish to confound all these people, to create a work of art of a supernatural realism and of a spiritualist naturalism. I wish to prove... that nothing is explained in the mysteries which surround us.

Science preceded the theory of science, and is independent of it. Science preceded naturalism, and will survive it.

I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.

I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.

I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part.

Naturalism teaches one of the most important things in this world. There is only this life, so live wonderfully and meaningfully.

Nature rarely does anything mathematically perfect, and naturalism results from imperfections and deviations.

The naturalistic literature of this country has reached such a state that no family of characters is considered true to life whichdoes not include at least two hypochondriacs, one sadist, and one old man who spills food down the front of his vest.

I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences a lot of my approach. And I think in many ways, naturalism has ruined movies.

The question of naturalism is a fallacy, it does not exist... The photographic image replaces naturalistic experience.

Science...has become identified with a philosophy known as materialism or scientific naturalism. This philosophy insists that nature is all there is, or at least the only thing about which we can have any knowledge. It follows that nature had to do its own creating, and that the means of creation must have included any role for God.

[There are, in us] possibilities that take our breath away, and show a world wider than either physics or philistine ethics can imagine. Here is a world in which all is well, in spite of certain forms of death, death of hope, death of strength, death of responsibility, of fear and wrong, death of everything that paganism, naturalism and legalism pin their trust on.

Empiricism in the sciences is a method; naturalism in philosophy is a metaphysics; and the latter neither follows from nor underlies the former.

To me documentary photography means making a picture so that the viewer doesn’t think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism. And its purpose is to document all facets of social relationships.

We have fallen into this very mean description of humanity. Naturalism in fiction is too reductive in its definition of human beings.

I think I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. It's not the way people talk in life at all.

I do think that it is legitimate to talk of goals and functions in nature, and that these things can be made sense of in naturalistic terms. There is nothing at all contrary to naturalism in the idea of goal-directed systems.

It would be impossible to accept naturalism itself if we really and consistently believed naturalism. For naturalism is a system of thought. But for naturalism all thoughts are mere events with irrational causes. It is, to me at any rate, impossible to regard the thoughts which make up naturalism in that way and, at the same time, regard them as a real insight into external reality...If it is true, then we can know no truths. It cuts its own throat.

This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!

Because to me, what is interesting about this movie [Real Steel] is its combination of relationship naturalism with. It's like a single conceit movie. The world and the people are very much the way we know them to be, but this sport has evolved.

A lot of people inspire me. I'm a huge movie buff. From studying and watching movies, over and over again, directly influential are Terrence Malik and his naturalism, Robert Altman and his exploration of improvisation, and Judd Apatow, in terms of his comedic process.

If you go too far with naturalism, there is no need to even organize; just look... and paint what you see until the canvas ends.

I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.

When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples.

Obviously we know Bill Hader is funny and charming, but my question is, can he do raw humanity and naturalism? I think so.

When I began in the late '90s, I felt quite lonely. We were coming out of the grunge era; it was the time of Corinne Day, The Face, the height of the YBAs, where models had to be "real," on real locations with no lighting. I rebelled against the grungeys - I didn't find the faux naturalism to be representative!

It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.

"Methodological naturalism" and "metaphysical naturalism" are terms that often surface in the continuing battle between evolutionary biology and creationism/intelligent design. The methodological thesis says that scientific theories shouldn't postulate supernatural entities; the metaphysical thesis says that no such entities exist. In this debate, God is the supernatural entity at issue; the question isn't whether science gets to talk about mathematical entities if Platonism is correct.

It was the ponderous battering ram of his novels that opened the way through the genteel reticences of American nineteenth-century fiction. . . Without [Theodore] Dreiser's treading out a path for naturalism none of us would have had a chance to publish.

No naturalist has devoted more painstaking attention to the structure of the barnacles than Mr. Darwin.

If modernist naturalism were true, there would be no objective truth outside of science. In that case right and wrong would be a matter of cultural preference, or political power, and the power already available to modernists ideologies would be overwhelming.

It's part of my job to maintain the emotional reality and the naturalism even when the atmosphere is contrived.

Modernist discourse [...] incorporates semantic devices - such as the labeling of theism as 'religion' and naturalism as 'science' - that work to prevent a dangerous debate over fundamental assumptions from breaking out in the open.

If we understand our own times, we will know that we should affirm the reality of God by challenging the domination of materialism and naturalism in the world of the mind. With the assistance of many friends I have developed a strategy for doing this. ... We call our strategy the "wedge."

Methodological naturalism gives advice to scientists about what they should include in their theories. There is a second type of methodological naturalism that gives advice to philosophers, which I call "methodological naturalismp." It says that the methods that philosophers should use in assessing philosophical theories are limited to the methods that scientists ought to use in assessing scientific theories.

You can't really judge an actor's abilities by their career, because the business is going to pigeonhole people into whatever turns a profit, and no artist is less in charge of how their work is presented than an actor, the appeal of Vince was that within a great naturalism, he can convey fierce intelligence, complex emotion, and a real warmth married to a real edge, strength and vulnerability and danger and humor. There are essential contradictions at work that makes him fascinating to watch.

The world of strict naturalism in which clever mathematical laws all by themselves bring the universe and life into existence, is pure [science] fiction. Theories and laws do not bring matter/energy into existence. The view that they nevertheless somehow have the capacity seems a rather desperate refuge...from the alternative possibility...Trying to avoid the clear evidence for the existence of a divine intelligence behind nature, atheist scientists are forced to ascribe creative powers to less and less credible candidates like mass/energy and the laws of nature.

There is superficial conflict but deep concord between science and theistic religion, but superficial concord and deep conflict between science and naturalism

Another important historical factor is the fact that this already very simple religion was further simplified and purified by the early philosophers of ancient China. Our first great philosopher was a founder of naturalism; and our second great philosopher was an agnostic.

The second advantage claimed for naturalism is that it is equivalent to rationality, because it assumes a model of reality in which all events are in principle accessible to scientific investigation.

I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously, in one way, an attempt to reproduce the way people actually speak, but it's not just an attempt at naturalism. It's stylised and it's heightened, to great effect. It's elegant and it's funny and that's the way to my heart, frankly.

My ethical naturalism sees us as facing the predicament of being social animals without evolved adaptations that make social life easy. The fundamental problem that sparks the ethical project lies in our limited responsiveness to one another. The only way we have to address that problem is through a representative, informed, and engaged conversation.

The challenge and the goal was to get inside Owen's [Suskind] world, because I really wanted to see it through his point of view. To achieve that naturalism, I used a screen in front of a camera as I interviewed him

There are also two Christianities in the world today. There is (1) the Christianity of the New Testament, and there is (2) the Christianity of accommodation to modernism, egalitarianism, niceness, naturalism, pop psychology, secular humanism, relativism, subjectivism, individualism, "Enlightenment" rationalism or postmodern irrationalism. New converts to the first Christianity are constantly amazed and scandalized by finding many of their clergy to be in love with the second and in fear of the first.

Evolutionists ... have a prior commitment, a commitment to materialism. It is not that the methods and institutions of science somehow compel us to accept a material explanation of the phenomenal world, but, on the contrary, that we are forced by our a priori adherence to material causes to create an apparatus of investigation and a set of concepts that produce material explanations, no matter how counter-intuitive, no matter how mystifying to the uninitiated. Moreover, that materialism is absolute, for we cannot allow a Divine Foot in the door.

In terms of making TV drama, not everything has to make sense. In cinema, you usually strive for reality and a natural environment, but in TV, it's more acceptable to do something crazy and break with naturalism.

Realism and Naturalism rely mostly on the eye of the flesh. Abstract, conceptual and surrealistic art rely mostly on the eye of the mind. Great works of art rely on the eye of contemplation, the eye of the spirit.

Now, as Mandelbrot points out, ... Nature has played a joke on the mathematicians. The 19th-century mathematicians may not have been lacking in imagination, but Nature was not. The same pathological structures that the mathematicians invented to break loose from 19th-century naturalism turn out to be inherent in familiar objects all around us.

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.