Trailers Quotes

If people don't like the trailer, then blame it on the people who made the trailer.

At the end of the day, what actors really want to do is act a lot and not wait around in the trailer.

With my schedule, I don't have much time to get to yoga classes, but I do keep a mat in my trailer and practice for a few minutes most days. It keeps me centered.

When you're actor, you have no idea how much work goes into pre-production. We're just sitting in our trailers waiting for someone to knock on our door to go to the set.

Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"

And there's so much extra material. I mean, I've certainly read as you asked about do I read reviews and stuff, like people are like none of the jokes in the trailers are like in the movie. And it's like and we have whole sequences and scenes that weren't in the movie.

This is my first experience working in a foreign movie, but the mechanics, I think, are pretty much the same all over; you still have to wait in the trailer.

I always like my trailer or hotel room to have fresh flowers or pillows I find at a local flea market - anything to personalize the environment.

Video screenshot Facts and figures from Nelson Mandela's life, set to the trailer from 'Mandela: Long Walk to Freedom.' "Man's goodness is a flame that can be hidden but never extinguished."

You're not looking for the Rolls Royce and the big fancy trailer. Those are supposed to be the byproducts of having fun and then getting good at what you do.

And of course, the answer came to me in the same way Jesus comes to those who drink in trailers: as an epiphany.

The faxes went out from the producers and the director to my agents to my manager to call me and ask me to lose weight. I just remember sitting in my trailer hysterically crying from the embarrassment I felt about myself, my body - and that no one could talk to me directly.

The unsaid rule for living in a trailer park is: 'If the door's shut, don't come a-knockin.' But if it's open and you're walkin' by, feel free to say, 'Hello.'

That stupid saying "What you don't know can't hurt you" is ridiculous. What you don't know can kill you. If you don't know that tractor trailer trucks hurt when hitting you, then you can play in the middle of the interstate with no fear - but that doesn't mean you won't get killed.

In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.

I was on the verge of tears, so I turned and ran past the trailer and along the field road until I was safely out of their sight. Then I ducked into the cotton and waited for friendly voices. I sat on the hot ground, surrounded by stalks four feet tall, and I cried, something I really hated to do.

They put me in an office with the TV set up and said "Here's the tape. When you're finished writing your copy for the little trailer you're going to do, you'll come out and show it to us and we set you up to go edit it." I turned it on and it was just this hardcore film and I was like, "Oh my God, I've fallen down the rabbit hole."

And I used to say, 'I'm black, too.' In other words, I - my whole life I've been called a half-breed, a convict, king of the trailer trash, this and that. I take that and stand.

Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.

I was so emotional. Choked up. I could hardly talk all day. I'll be cleaning out my trailer and saying goodbye soon, realizing what a wonderful experience this has been.

Lula had Eminem cranked up. He was rapping about trailer park girls and how they go round the outside, and I was wondering what the heck that meant. I'm a white girl from Trenton. I don't know these things. I need a rap cheat sheet.

I like to take CEOs into consumers' homes to see the "real world." CEOs have privileged lives with big incomes, lots of help, access to just about anything they wish. The average consumer lives on $53,000 a year and has daily tradeoffs and compromises that must be made. I took a CEO into a trailer park so he could observe first-hand - and understand - how consumers use his product.

When they took me to do the camera test for the vampire make up, after they put the prosthetic on, I went though the entire process, I went back to my trailer and I looked in the mirror and I smiled.

I've worked on films where the budgets are almost limitless and you're in trailers that are bigger than a hotel room. You're taken care of and the food is amazing, the quality of the job is amazing and then you work on smaller things but it never dictates my happiness or my willingness to go to work.

Actually I want to scare away method actors because it's a pain. It's like, 'Come on, what are you doing? It's not real. What are you doing? Oh, you're really brooding. Okay, good. Go to your trailer. I'll see you in an hour.'

Even though I don't have any larger spiritual or ideological system, there is some logic in concert with a huge number of beautiful, disconcerting, screwed-up variables that results in a certain visual pleasure in violent things. Like a broken egg yolk can be the most violent thing I've seen all day, if I'm in the right mood. But also tons of trash in the woods or a burned-up trailer park can also come across as especially violent.

All I ever wanted to do was be on Broadway. I mean, remember, I grew up in a trailer.

When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.

The TV said you should ignore bullies and they would stop harassing you. In practice this worked about half the time. The other half, you ended up with two tall boys shadowing you through a trailer park, their fingers taking little nips at your clothes, like dogs.

If I have to spend prolonged periods of time in a trailer, I go mad. Stuck in a metal box doing nothing, I lie there paralysed with boredom.

Unless you've also had some experience dragging around a boat trailer, [topping off the gas tank] may not sound important. But trailer driver's know: a gas stop can be a traumatic experience. You need enough clearance on every possible side. You can't cut the turn too sharp or you'll clip the gas pump. Getting back on the freeway can be as challenging as sending a man to the moon.

World War Z is out today. The big zombie movie. The trailer looks scary. You see hordes of bodies climbing and rolling over each other. It's like Black Friday at the mall.

Since the day I finished shooting there's been at least one person come up to me every single day and then after the trailer came out, at least four. It's absolutely bizarre to me. This was before there was any systematic promotion of the movie. It's just completely nuts.

I think that's such a beautiful sentiment. Love should only last as long as a very expensive and impractical bikini that looks stunning, but dissolves in the sea within days. So many pop songs tell of this terrible, tiresome love that they want to last forever. But that just makes me think of long-life milk, acrid and fake. Love should be like a movie trailer. Even if the film's a stinker, you get the best laughs and the biggest explosions in the space of two minutes.

Im not an Internet person that reads behind-the-scenes stuff. I see a trailer, and if it looks good, then I go. Thats that.

For the women in California, they're just downtrodden because they're so gorgeous here. Every hot cheerleader comes to California to make it. The men don't want to get married, they're lazy lions. Matthew McConaughey is their poster boy so they can procreate and live on the beach in the trailer and have kids and have money and be hedonistic.

My mother was a barmaid and I was raised in a trailer park. I'm used to that language. I put it on the screen so that people could interpret it as they wish.

Then came the gadgeteer, otherwise known as the sporting-goods dealer. He has draped the American outdoorsman with an infinity of contraptions, all offered as aids to self-reliance, hardihood, woodcraft, or marksmanship, but too often functioning as substitutes for them. Gadgets fill the pockets, they dangle from neck and belt. The overflow fills the auto-trunk and also the trailer. Each item of outdoor equipment grows lighter and often better, but the aggregate poundage becomes tonnage.

I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about.

The fact is that you can be a Nazi living in a little trailer in the middle of Montana and as awful as everything you stand for is, you're basically an angry guy in a shack. Scientology, on the other hand, is a multi-billion dollar institution with tentacles that reach into lots of countries. I don't think it's as powerful as many people think it is, but compared to the sorts of people I've dealt with, it is a force to be reckoned with. It has global influence and very very deep pockets.

I grew up in trailer houses in New Mexico, Arkansas, Texas and Oklahoma.

If a man has an apartment stacked to the ceiling with newspapers, we call him crazy. If a woman has a trailer house full of cats, we call her nuts. But when people pathologically hoard so much cash that they impoverish the entire nation, we put them on the cover of Fortune magazine and pretend that they are role models.

All of which is mostly bullshit. The reality is that it's just like any other Ponzi scheme: the guys at the top are doing pretty well, but the guys on the bottom are doing Amway pitches in trailer parks.

Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.

First of all, weren't all the best beatings in the trailer for 'The Passion of the Christ'? I hate when the trailer gives away all the best stuff.

I met a woman in Albuquerque and she came and hung out with me in the trailer. It was really just more to kind of really understand my biggest concern was always the interrogation scenes. Remember, that's why I really wanted to meet somebody because you see those scenes on TV so much.

We're all carnies, though some people are in denial. They want to be above it all, above the mayhem of laughter and people and lights and animals and the dark sadness that lurks in the coners and beneath the rides and in the trailers after hours. So they ride teh Ferris wheel, and at the top, they think they've left it all behind They've ascended to a place where they can take things seriously. Where they can be taken seriously.

It was really fun being in Tara's trailer, working on my lines. Tara is such an amazing actress. She's so good at what she does. I learned a lot from watching her.

I'm gonna design my own fleet of trailers. No! I'm gonna record an album like Jennifer Lopez. It'll be an acoustic version of K.C. and the Sunshine Band. Then maybe I'll design a line of clothes like Puff Daddy, but all in synthetic fur.

I was born in Darien, Connecticut, but in 1959, when I was four, my parents moved to the suburbs of Toronto. Then, in the late 1960s, they bought a cottage in a resort/trailer park in the Kawarthas region of Ontario, and we moved up there. I wrote a book about it in 2000 called 'Last Resort: Coming of Age in Cottage Country.