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With Rodham, for instance, it has to work on an emotional level. It has to work on a character level. If it's only "Look, it has famous people," then it's a wax museum come to life and that's really boring. It's sort of like what they say about science fiction and horror where the really good ones, if you remove that element of it, it still has to work. That's the reason The Shining works or Rosemary's Baby or Blade Runner.
Oct 1, 2025
Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.
When I was a kid, Blade Runner was my favorite movie. I remember seeing that when I was a little boy with my dad.
Blade Runner was the godfather of all these fantastic movies that occur today. What's frustrating is that we're short of really great writing and great ideas. Blade Runner was full of them.
The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.
I feel like the world of Blade Runner makes more sense than this one.
It's like I'm stuck in a time bubble. Memories keep coming back, and of course, memories are a huge part of literature and cinema, from "Stand by Me" to "Blade Runner."
Blade Runner is one of my favorite films. But, so many thing influenced me that aren't science fiction because they were just good drama. I grew up watching a lot of French cinema. I was in love with The English Patient, and movies that are very romantic in nature and have a positive message. That's a large part of my fingerprint.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
Blade Runner's just a noir at the end of the day. Rosemary's Baby is about the fear of having a child and how that gets in the way of a romantic relationship. Or whatever it is, and you add that extra element that blows your mind apart.
Yeah, we're working on Blade Runner 2 right now - that will happen sooner or later.
‘Blade Runner’ is such a unique film. How do you describe a diamond? I don’t think you should ever touch it again.
For me, two of my favourite science fiction films are Blade Runner, which is fantastic, and Terry Gilliam's Twelve Monkeys. Both of those were smart science fiction films hitting more of a medium budget, and I desperately hope there is an audience for that kind of film because I would love that to be my next film, on that kind of scale.
Blade Runner' is one of my favorite films.
Blade Runner was an incredibly influential movie, in terms of the way that it envisioned what the future was going to look like.
I was afraid to watch 'Blade Runner' in the theater because I was afraid the movie would be better than what I myself had been able to imagine. In a way, I was right to be afraid, because even the first few minutes were better.
My life and creative work are justified and completed by Blade Runner.
I wasn't a big science fiction aficionado, there were a few films like 2001 or Blade Runner that were favorites of mine, but since I started this series I have gained more respect for the genre and become more of a fan myself.
I could talk about Blade Runner forever.
I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.
It's too bad she won't live. But then again, who does ?
Blade Runner appears regularly, two or three times a year in various shapes and forms of science fiction. It set the pace for what is essentially urban science fiction, urban future and it's why I've never re-visited that area because I feel I've done it.
I've seen things you people wouldn't believe.
The flame that burns Twice as bright burns half as long.
I would like to see a fierce Fantasia mixed with Blade Runner, Lord of the Rings, and Star Wars all in one. That's the kind of movies I want to make.
You really can't say enough about 'Blade Runner.' For that movie to have such a long life - you can't describe what a beautiful feeling that is. Initially, the movie was out of theaters in something like two weeks. But the people that wanted it back - the fans - they really saved it.
I want to do my Blade Runner, which is like a future Berlin film, which is like a thriller, but it's much deeper characters, I think.
I was desperately unhappy with it [Blade Runner]. I was compelled by contract to record five or six different versions of the narration, each of which was found wanting on a storytelling basis. The final version was something that I was completely unhappy with. The movie obviously has a very strong following, but it could have been more than a cult picture.
Wake up! Time to die!
I'm big and a lot of the stars are smaller so if you're big and mean looking, you play bad guys. After Blade Runner, I was the meanest guy in Hollywood.
If you look at 'Blade Runner,' it's been cut sixteen ways from Sunday, and there are all kinds of different versions of it.
I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien,' 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
So I was drawing in a lot of the habit district in Brazil, put that together with an Asian influence, so there are a lot of different things in terms of architecture which assisted in the construction. Then every sci-fi movie I've grown up with from 'Blade Runner' to 'Aliens' and 'Star Wars.'"
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
When I saw 'Blade Runner,' my understanding was that 'Blade Runner' and 'Alien' were sequels to each other - or they were related. They were set in the same world.
Beautifully written, intensely passionate and gripping, FALLEN grabbed me from the first sentence and didn’t let go. Its eerie future world and frightening mores provide an unforgettable backdrop to the story of Lilia Desjardins, the shade-hunter, and fallen-angel turned cop, Adam Montgomery. It’s Matrix, Blade Runner and Terminator rolled into a riveting love story and made better. Perfect. A must-read by an author who keeps you on the edge of your seat.
The rich survive and everyone else gets ready to work 2 1/2 to 3 1/2 jobs and what do you get? Blade Runner. Welcome to your science fiction. Your 21st century. I think that's where it goes. The rich get richer and everyone else... the middle class kind of starts dropping lower and lower.
I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
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