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The reliance on stereotypes is in part the result of a structural problem within the media. Most newspapers have a business beat, with a number of highly trained journalists who know how to cover companies, trading, the markets and so on. But almost none have labor reporters anymore, and to my knowledge, none have full-time poverty-beat correspondents. And all of this helps to render invisible the lives and the life stories of tens of millions of Americans.
Sep 10, 2025
I think our primary function is to create the strongest, deepest, most interesting news report there is in the world.And whether it's on the front page of the newspaper or leading the home page doesn't really matter. We reach a huge audience on the Web. And really, you know, the journalists, whether they are reporters or editors or Web producers or multimedia specialists, we're all creating, you know, the journalism that is the bedrock of our news report. And that's true for the newspaper, the Web, our apps, and you name it.
Diminished circumstances had no effect on his sense of what was honorable: after The Spectator sent him a check for a piece it had accepted but was unable to run for a lack of space, he refused to write for the magazine again.
I was - in this magazine, it referred to me as "political parrot." And I thought, "That's the best you can come up with, really?" Okay, and I think it made fun of something I was wearing. But that does happen, and it happens a lot with female journalists, folks.
I read "Women Heroes of World War I" and was absolutely astonished. When we imagine women serving in the First World War, mostly we think of Red Cross nurses, but here I was reading about women serving as front-line soldiers, women serving as war journalists . . . and women who worked undercover as spies.
I've never really felt like a journalist. I've felt like a writer and a diarist. I have made myself vulnerable in my writing, and I think that vulnerability makes people strong. My favorite performances or works of art are always people showing that side of themselves.
There is a type of snobbish, pompous journalist who thinks that the only news that has any validity is war, famine, pestilence or politics. I don’t come from that school.
I have always had a hard time revising my work as a journalist, which was never much of a problem. You always have editors as backstops. Their job is to perfect your story. Most of them want to be useful.
With the possible exception of God during the writing of the Bible, every writer in history has needed an editor. So do you.
We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.
I almost became a political journalist, having worked as a reporter at the time of Watergate. The proximity to those events motivated me, when I wound up doing philosophy, to try to use it to move the public debate.
A journalist once asked me what I would like my epitaph to be and I said I think I would like it to be 'He did very little harm'. And that's not easy. Most people seem to me to do a great deal of harm. If I could be remembered as having done very little, that would suit me.
There's very little you could do to prepare to be a correspondent on The Daily Show, because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.
Populists hate journalists, they hate teachers, they hate lawyers, but they tend to like rich people. There's something deeply consistent.
All murder is a tragedy but when journalists are killed, public debate loses a voice that can provide an important contribution to democracy. It is essential that governments do all they can to ensure safe conditions for journalists to carry out their work.
The biggest difference between Kennedy and Nixon, as far as the press is concerned, is simply this: Jack Kennedy really liked newspaper people and he really enjoyed sparring with journalists.
I am a journalist in the field of etiquette. I try to find out what the most genteel people regularly do, what traditions they have discarded, what compromises they have made.
I am a journalist and, under the modern journalist's code of Olympian objectivity (and total purity of motive), I am absolved of responsibility. We journalists don't have to step on roaches. All we have to do is turn on the kitchen light and watch the critters scurry.
If you look at the Associated Press wires, there's a constant flow of information coming in. At that time I happened to have direct access to AP wires. The day the marines landed in Haiti and restored [ Jan Bètran] Aristide there was a lot of excitement about the dedication to democracy and so on. But the day before the marines landed, when every journalist was looking at Haiti because it was assumed that something big was happening, the AP wires reported that then [Bill] Clinton administration had authorized Texaco to ship oil illegally to the military junta.
One of the great famines in human history took place during the Chinese Cultural Revolution. [At the same time] Western journalists were reporting how marvelously Chinese society was working. We know so little [about what happens in China].
The American elite ... is almost beyond redemption. Moral relativism has set in so deeply that the gilded classes have become incapable of discerning right from wrong. Everything can be explained away, especially by journalists. Life is one great moral mush -- sophistry washed down with Chardonnay.
A journalist is the lookout on the bridge of the ship of state. He notes the passing sail, the little things of interest that dot the horizon in fine weather. He reports the drifting castaway whom the ship can save. He peers through fog and storm to give warning of dangers ahead. He is not thinking of his wages or of the profits of his owners. He is there to watch over the safety and the welfare of the people who trust him.
A woman journalist in England asked me why Americans usually wrote about their childhood and a past that happened only in imagination, why they never wrote about the present. This bothered me until I realized why - that a novelist wants to know how it comes out, that he can't be omnipotent writing a book about the present, particularly this one.
Of necessity, we made the discovery that it is easier to turn poets into business journalists than to turn bookkeepers into writers.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
Another riveting one was Sterling Sharpe - mainly because everyone told me he's horrible. Sterling was playing in a golf tournament in Lake Tahoe, and I drove up to see him (and others). I approached cautiously, figured he'd blow me off, etc. But, instead, he was fantastic. I mean, gracious, down to earth, funny, terrific memory, pinpoint insights. Could not have enjoyed my time with Sterling sharpe any more than I did. And how many journalists have ever said that before?
Just because I've got blonde hair and haven't been to Bosnia doesn't mean I'm a bimbo. I am still a serious journalist.
National security is a really big problem for journalists, because no journalist worth his salt wants to endanger the national security, but the law talks about anyone who endangers the security of the United States is going to go to jail. So, here you are, especially in the Pentagon. Some guy tells you something. He says that's a national security matter. Well, you're supposed to tremble and get scared and it never, almost never means the security of the national government. More likely to mean the security or the personal happiness of the guy who is telling you something.
It would be nice if you as journalists - there are some books that explain the painting [ of Guadalupe] what it is like, the significance, and that is how you can understand better this great and beautiful people.
I think that we need to be careful, as reporters and as journalists, not to take the bait and not to get into an endless discussion about issues that are trivial.
Since I come from documentary background and my father is a documentary filmmaker, for me the core essence of cinema is it's social statement. It is somewhat similar to the work of a journalist, just on a different level. This is the kind of cinema I enjoy.
And so [my brother] Gilbert and I, brought up without a formal religion, remained throughout our lifetimes just what Father was, freethinkers. And, likewise, doubters and dissenters and perhaps Utopians. Father's rule had been 'Question everything, take nothing for granted,' and I never outlived it, and I would suggest it be made the motto of a world journalists' association.
The one problem with the Internet for journalists who like doing long form is that any story that's going to involve 16 screens on the web page... that's asking a lot of people.
I try to be careful about wording. One of the things I've tried to combat in my blog is the notion that journalists are arrogant and unconcerned with the readership.
It does not help that some politicians and journalists assume the public is interested only in those aspects of science that promise immediate practical applications to technology or medicine.
The man is a humbug — a vulgar, shallow, self-satisfied mind, absolutely inaccessible to the complexities and delicacies of the real world. He has the journalist's air of being a specialist in everything, of taking in all points of view and being always on the side of the angels: he merely annoys a reader who has the least experience of knowing things, of what knowing is like. There is not two pence worth of real thought or real nobility in him. But he isn't dull.
Relationships matter above all, and that you build relationships by making yourself useful, not annoying. The PR practitioner should focus on providing helpful service to the journalist whenever possible. Help them source good story ideas, provide sources with intelligent contributions to make, thank them for their time and attention.
I regret trusting The Guardian. I didn't want to do an interview, but the journalist was persistent. [The writer] was masked as a fan, but was hiding sinister ambitions and angles. Maybe he's actually the boring one looking for something interesting to write about.
The journalist's first allegiance is to those who receive the work. Although there is no doubt that many owners and business managers of news organizations also have a deep allegiance to the public, that allegiance is necessarily alloyed with their concern for their own point of view or for the bottom line.
From the essay "Twenty-five Things People Have a Shocking Capacity to Be Surprised by Over and Over Again" 1. Journalists sometimes make things up. 2. Journalists sometimes get things wrong. 3. Almost all books that are published as memoirs were initially written as novels, and then the agent/editor said, This might work better as a memoir. 6. Freedom of the press belongs to the man who owns one.
The recent history of Ukraine is replete with dead journalists, beaten journalists, news agencies being shut down, and politicians being injured or killed. Most are killed in mysterious auto accidents.
My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
You do not conceive a novel as easily as you conceive a child, nor even half as easily as you create nonfiction work. A journalist amasses facts, anecdotes and interviews with top brass. Enough of these add up to a book. A novelist demands quite different things. He has to find himself in his materials, to know for sure how he would feel and act and the events he writes about. In addition, he requires a catalyst — a person, idea, or emotion which coalesces his ingredients and makes them jell into a solid purpose.
I very much wanted to be accepted by my peers, to be considered a serious journalist.
We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial -whatever our special services, Putin's guard dogs, see fit.
The American elite is almost beyond redemption. . . . Moral relativism has set in so deeply that the gilded classes have become incapable of discerning right from wrong. Everything can be explained away, especially by journalists. Life is one great moral mush--sophistry washed down with Chardonnay. The ordinary citizens, thank goodness, still adhere to absolutes.... It is they who have saved the republic from creeping degradation while their 'betters' were derelict.
Once I came out in college I just have always been out and at work with pretty much everybody. My wife and I both working as journalists, because she's a photographer, and often working together, would have to kind of navigate this weird world. When you're trying to develop sources, when you're trying to you know make personal connections with people, you inevitably want to share things about yourself and that can be really tricky.
I have always been very open and honest about this part of my life with my friends, my family, and my colleagues. In a perfect world, I don't think it's anyone else's business, but I do think there is value in standing up and being counted. I’m not an activist, but I am a human being and I don't give that up by being a journalist.
I like Twitter more than Facebook. Twitter is a great way to deliver and get news. In news writing less is more and 140 characters is great. If you can't grab that headline in 140 characters than it's not a story. Viewers tweet all the time and they tell what stories they like and don't like. It's great to interact with them and get that instant feedback. It's great for the viewer and the journalist.