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You come to a point where you give up on holding yourself to a perfect feminist ideal — it just feels stifling.
Sep 10, 2025
I've been feminist for most of my life, it is a constantly evolving idea, not something static.
Most women are one man away from welfare.
Women are always saying,"We can do anything that men cando." But Men should be saying,"We can do anything that women can do.
I hate men who are afraid of women's strength.
You should write, write, write every day, and learn to edit and pare it right back so you're proud of every sentence, and each one is either being useful or beautiful, but hopefully both.
I was always a feminist. My mother was a feminist; my grandmother was a feminist. I always understood women had to fight very hard to do what they wanted to do in the world - that it wasn't an easy choice. But I think the most important part is that we all want the right to be taken seriously as human beings, and to use our talents without reservation, and that's still not possible for women.
I think a lot why our lives shows are good is because of the crowd, and because of the energy that they bring. Also, there was a time when a lot of the people that came to our shows were a bunch of drunk bros. At a certain point, we decided we were going to start calling them out. We also decided to become more gay-positive and feminist and all that stuff, and that we were going to be really vocal about it. After that, our crowd became a lot friendlier, and honestly a lot more fun.
From what I understand from talking with older friends and feminists, I think that once I enter the workforce and start to think about marriage and having children, my gender will probably eclipse my feminist identity in terms of marginalization. Discrimination in terms of hiring and in the workplace are still real according to statistics. I also think, as a feminist, figuring out what a relationship based on true and complete equality is will be a challenge. But hopefully by the time I'm dealing with those issues feminists will have made great progress in all of those areas.
History has a long-range perspective. It ultimately passes stern judgment on tyrants and vindicates those who fought, suffered, were imprisoned, and died for human freedom, against political oppression and economic slavery.
You are educated equally to boys. You're expected to go into equal employment with boys. In a marriage, you are legally equal. So, you know, you cannot deny we live in a feminist world.
Some feminist critics debate whether we take our meaning and sense of self from language and in that process become phallocentric ourselves, or if there is a use of language that is, or can be, feminine. Some, like myself, think that language is itself neither male nor female; it is creatively expansive enough to be of use to those who have the wit and art to wrest from it their own significance. Even the dread patriarchs have not found a way to 'own' language any more than they have found a way to 'own' earth (though many seem to believe that both are possible).
The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!
It was critical to finding a way out. I had assumed young women knew the history of feminism and must have felt gratitude to the movement for the opportunities that the work we have done has afforded them.
I have been villainized because of my identity - I've received nasty blog comments and emails just based on my willingness to identify with feminism by people who clearly don't understand what I value and why I identify as a feminist. Ultimately, I'm less concerned with whether or not people identify as feminist and am more concerned with whether or not people understand what feminism is. If they don't want to identify as a feminist that's fine. I respect people's decision to identify any way they want and expect that same respect in return, although I don't always get it.
I am surely a feminist filmmaker, but not because I set out to become one, or am trying to make any kind of statement. Rather, it's inherent in the act of expressing myself, as a woman who is deeply alienated from mainstream cinematic structures of seeing. I express myself and am instantly feminist.
We've chosen the path to equality, don't let them turn us around.
I prefer to call the most obnoxious feminists what they really are: feminazis. Tom Hazlett, a good friend who is an esteemed and highly regarded professor of economics at the University of California at Davis, coined the term to describe any female who is intolerant of any point of view that challenges militant feminism.
PRIMAL TEARS is a novel of tremendous power. Passionate and erotic, at times tenderly lyrical, it confronts head-on, without flinching, brutal environmental and feminist politics. Its protagonist, Sage, is unique, magical, and haunting.
I grew up in a world where authority was female. I never thought to call myself a feminist because of branding. I had this skewed idea of feminist: I thought it meant being a woman who hates men. When I read Chimamanda Ngozi Adichie's We Should All Be Feminists, I was like, "Oh, this is what my mom taught me. This is simple. I don't understand why everybody is not this."
I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.
She was a committed romantic and an anarcha-feminist. This was hard for her because it meant she couldn't blow up beautiful buildings. She knew the Eiffel Tower was a hideous symbol of phallic oppression but when ordered by her commander to detonate the lift so that no-one should unthinkingly scale an erection, her mind filled with young romantics gazing over Paris and opening aerograms that said Je t'aime.
Radical militant feminist believes that women of color and Black women in particular have written the cutting edge theory and really were the individuals who exploded feminist theory into the directions that has made it more powerful. So I see us as the leaders not just of Black people and Black women in terms of feminism but in terms of the movement as a whole.
I had been a feminist all my life, but the big problem was how to make your feminism jibe with you unappeasable hunger for male bodies.
A lot of women these days, a lot of young women don't want to call themselves feminists. You have this cheap, hideous 'girl power' sort of fad, which I think is pretty benign at best, but at worst, I think it's a way of taking the politics out of feminism and making it some kind of fashion.
The belief that married-couple families are superior is probably the most pervasive prejudice in the Western world.
For instance, I may bring a certain feminist perspective to my songwriting, because that's how I see life. I'm interested in art, poetry, and music. As that kind of artist, I can do anything. I can say anything. It's about self-expression. It knows no package - there's no such thing. That's what being an artist is.
You become courageous by doing courageous acts...Courage is a habit.
The great tragedy in the new feminist theory in America is the loss of a sense of public commitment.... Hungry women are not fed by this, battered women are not sheltered by it, raped women do not find justice in it, gays and lesbians do not achieve legal protections through it.
Any woman who chooses to behave like a full human being should be warned that the armies of the status quo will treat her as something of a dirty joke. That's their natural and first weapon. She will need her sisterhood.
We've begun to raise daughters more like sons... but few have the courage to raise our sons more like our daughters.
The greatest feminists have also been the greatest lovers. I'm thinking not only of Mary Wollstonecraft and her daughter Mary Shelley, but of Anais Nin, Edna St. Vincent Millay, and of course Sappho. You cannot divide creative juices from human juices. And as long as juicy women are equated with bad women, we will err on the side of being bad.
So many women have experienced horrific forms of male violence throughout their lives, and why isn't there a song about how you get depressed because of it? And you don't know what to do, and you don't know how to talk to your friends and how weird it is to be a feminist in that situation, where there's sort of the expectation that you're super-strong superwoman but you're just, like, eating pizza in your house avoiding talking about it.
I remain interested in the potential of art, except I've always been more struck by applied modernism than high modernism. It's partly because of feminist theory and being brought up in the '70s, with questioning who is speaking, and why, and what authority they're carrying.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
The person who inspired me the most was a friend of mine, Anita Roddick. I know that Anita wasn't known to be an ardent feminist, but she truly was.
Women are "hypergamous." This means they seek men of higher status than themselves. Even the most ardent heterosexual feminist only can love someone more powerful than she. Needless to say the higher she rises, the slimmer the pickings.
I think the biggest hurdle American feminists have in terms of taking a more global approach is that too often when you hear American feminists talk about international feminism or women in other countries, it kind of goes along with this condescending point of view like we have to save the women of such-and-such country; we have to help them.
Girls are taught to sing high and pretty, like Antony, not low and from the guts like Nina Simone. But we're slowly trying to change that. There are so many things we're not told growing up, and it's our true feminist responsibility to take the truth to the people who need to hear it.
The feminine mystique has succeeded in burying millions of American women alive.
It is often falsely assumed, even by feminists, that sexuality is the enemy of the female who really wants to develop these aspects of her personality, and this is perhaps the most misleading aspect of movements like the National Organization of Women. It was not the insistence upon her sex that weakened the American woman student's desire to make something of her education, but the insistence upon a passive sexual role
We cannot educate white women and take them by the hand. Most of us are willing to help but we can't do the white woman's homework for her. That's an energy drain. More times than she cares to remember, Nellie Wong, Asian American feminist writer, has been called by white women wanting a list of Asian American women who can give readings or workshops. We are in danger of being reduced to purveyors of resource lists.
I've always believed that one woman's success can only help another woman's success.
I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.
Feminism has fought no wars ... killed no opponents ... set up no concentration camps ... starved no enemies ... practiced no cruelty. Its battles have been for education, for the vote, for better working conditions, for safety in the streets ... for reforms in the law.
With a generous endowment of motherhood provided by legislation, with all laws against voluntary motherhood and education in its methods repealed, with the feminist ideal of education accepted in home and school, and with all special barriers removed in every field of human activity, there is no reason why woman should not become almost a human thing. It will be time enough then to consider whether she has a soul.
What is about Palin that drives the elite, especially elite women, crazy? Great looks? That Middle-America accent? The 5 kids and he-man husband? The lack of a powerful father or spouse who could jump-start her 'feminist' career with money, contacts, and influence? That Idaho BA? The wink? The charisma and, indeed, sensuality so lacking in her angry critics?
Postmodernism is an academic theory, originating in academia with an academic elite, not in the world of women and men, where feminist theory is rooted.
The serious work for feminism in the 21st century is across the globe. Instead of retreating into "safe spaces" and focusing on their own imagined oppression, today's feminists should be reaching out to women's groups in the developing world.
We hold these truths to be self-evident: that all men and women are created equal.